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Get off the Unicorn

Электронная книга - «Get off the Unicorn». Краткое содержание книги:

Open these pages and discover 14 remarkable stories of fantasy by a grand master of the genre. A wonderful writer, as well as successful and beloved by fans across the world, Anne McCaffrey has created an exciting collection of telepaths, secret gifts, dangerous missions, dragonriders, and more.
Contents:
Lady in the Tower.--A Meeting of Minds.--Daughter.--Dull Drums.--Changeling.--Weather on Welladay.--The Thorns of Barevi.--Horse From a Different Sea.--Great Canine Chorus.--Finder's Keeper.--A Proper Santa Claus.--The Smallest Dragonboy.--Apple.--Honeymoon.
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Daffyd shook his head. Wishful thinking. Just as futile as the girl's belated gesture of penance. Too much too soon. Too little too late.

"We don't want her scared," he said out loud. "She was scared when she toppled that baggage cart."

"She killed a man when she toppled that baggage cart, op Owen!" Gillings was all but shouting.

"And if we're not very careful, she'll kill others."

"If you think I'm going to velvet glove a homicidal maniac…"

A shrill tone issuing from the remote unit forced Gillings to answer. He was about to reprimand the caller but the message got his stunned attention.

"We can forget the paternal bit, Owen. She knocked down every one of your people and mine at the Oriole Street entrance. Your men are unconscious. Mine and about twenty or more innocent commuters are afflicted with blinding headaches. Got any practical ideas, Owen, on catching this monster you created?"

"Oriole? Was she heading east or west?"

"Does it matter?"

"If we're to catch her it does. And we must catch her. She's operating at a psychic high. There's no telling what she's capable of now. Such Talent has only been a theoretic possibility…"

Gillings lost all control of himself. The fear and hatred burst out in such a wave that Charlie Moorfield, caught unaware, erupted out of his chair toward Gillings in an instinctive defense reaction.

"Gillings!" "Charlie!" Les and Daffyd shouted together, each grabbing the whilom combatants. But Charlie, his face white with shock at his own reaction, had himself in hand. Sinking weakly back into his chair, he gasped out an apology.

"You mean, you want to have more monsters like her and him?" Gillings demanded. Between his voice and the violent emotions, Daffyd's head rang with pain and confusion.

"Don't be a fool," Lester said, grabbing the Commissioner by the arm. "You can't spew emotions like that around a telepath and not get a reaction. Look at Daffyd! Look at Charlie! Christ, man, you're as bad as the scared, mixed up kid…" Then Les dropped Gillings' arm and stared at him in amazement. "Christ, you're a telepath yourself!"

"Quiet, everybody," Daffyd said with such urgency he had their instant attention. "I've the solution. And there's no time to waste. Charlie, I want Harold Orley airbound in the Clinic's copter heading south to the Central Station in nothing flat. We'll correct course en route. Gillings, I want two of the strongest, most stable patrolmen on your roster. I want them armed with fast-acting, double-strength trank guns and airborne to rendezvous near Central Station."

"Harold?" Les echoed in blank astonishment and then relief colored his face as he understood Daffyd's intentions. "Of course. Nothing can stop Harold. And no one can read him coming."

"Nothing. And no one," op Owen agreed bleakly.

Gillings turned from issuing his orders to see an ambulance copter heading west across the sky.

"We're following?"

Daffyd nodded and gestured for Gillings to precede him to the roof. He didn't look back but he knew what Les and Charlie did not say.

She had been seen running east on Oriole. And she was easy to follow. She left people doubled up with nausea and crying with head pains. That is, until she crossed Boulevard.

"We'll head south-southeast on an intercept," Gillings told his pilot and had him relay the correction to the ambulance. "She's heading to the sea?" he asked rhetorically as he rummaged for the correct airmap of the city. "Here. We can set down at Seaman's Park. She can't have made it that far… unless she can fly suddenly." Gillings looked up at op Owen.

"She probably could teleport herself," Daffyd answered, watching the Commissioner's eyes narrow in adverse reaction to the admission. "But she hasn't thought of it yet. As long as she can be kept running, too scared to think…" That necessity would ever plague Daffyd op Owen: that they must run her out of her mind.

Gillings ordered all police hovercraft to close in on the area where she was last seen, blocks of residences and small businesses of all types.

By the time the three copters had made their rendezvous at the small park, there were no more visible signs of Maggie 0's retreat.

As Gillings made to leave the copter, Daffyd op Owen stopped him.

"If you're not completely under control, Gillings, Harold will be after you."

Gillings looked at the director for a long moment, his jaw set stubbornly. Then, slowly, he settled into the seat and handed op Owen a remote corn-unit.

"Thanks, Gillings," he said, and left the copter. He signaled to the ambulance to release Harold Orley and then strode across the grass to the waiting officers.

The two biggest men were as burly as he could wish. Being trained law enforcers, they ought to be able to handle Orley. Op Owen "pushed" gently against their minds and was satisfied with his findings. They possessed the natural shielding of the untemperamental which made them less susceptible to emotional storms. Neither Webster nor Heis was stupid, however, and they had been briefed on developments.

"Oriey has no useful intelligence. He is a human barometer, measuring the intensity and type of emotions which surround him and reacting instinctively. He does not broadcast. He only receives. Therefore he cannot be harmed or identified by… by Maggie ing."

"But, if he reaches her, he'd…" Webster began, measuring Harold with the discerning eye of a boxing enthusiast. Then he shrugged and turned politely to op Owen.

"You've the double-strength tranks? Good. I hope you'll be able to use them in time. But it is imperative that she be apprehended before she does more harm. She has already killed one man…"

"We understand, sir," Heis said when op Owen did not continue.

"If you can, shoot her. Once she stops broadcasting, he'll soon return to a manageable state." But, Daffyd amended to himself, remembering Harold sprawled on the ground in front of the building, not soon enough. "She was last seen on the east side of the boulevard, about eight blocks from here. She'd be tired, looking for someplace to hide and rest. But she is also probably radiating sufficient emotion for Harold to pick up. He'll react by heading in a straight line for the source. Keep him from trying to plow through solid walls. Keep your voices calm when you speak to him. Use simple commands. I see you've got hand units. I'll be airborne; the copter's shielded but I'll help when I can."

Flanking Harold, Webster and Heis moved west along Oriole at a brisk even walk: the two officers in step, Harold's head bobbing above theirs. His being out of step was a cruel irony.

Daffyd op Owen turned back to the copter. He nodded to Gillings as he seated himself. He tried not to think at all.

As the copters lifted from the park and drifted slowly west amid other air traffic, op Owen looked sadly down at the people on the streets. At kids playing on the sidewalks. At a flow of men and women with briefcases or shopping bags, hurrying home. At snub-nosed city cars and squatty trucks angling into parking slots. At the bloated cross-city helibuses jerking and settling to disgorge their passengers at the street islands.

"He's twitching," Heis reported in a dispassionate voice.

Daffyd flicked on the handset. "That's normal. He's beginning to register."

"He's moving faster now. Keeps wanting to go straight through the buildings." Reading Heis' undertone, op Owen knew that the men hadn't believed his caution about Oriey plowing through solids. "He's letting us guide him, but he keeps pushing us to the right. You take his other arm. Web. Yeah, that's better."

Gillings had moved to the visual equipment along one side of the copter .He focused deftly in on the trio, magnified it, and threw the image on the pilot's screen, too. The copter adjusted direction.

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