The World's Greatest Books [Volumes 1-15, 17-20]
- Автор: Gutenberg
- Год: 1910
- Язык: английский
- Жанр: Культурология
Электронная книга - «The World's Greatest Books [Volumes 1-15, 17-20]». Краткое содержание книги:
The World's Greatest Books — Volume 01 — Fiction от Неизвестный
The World's Greatest Books — Volume 02 — Fiction от Неизвестный
The World's Greatest Books — Volume 03 — Fiction от Неизвестный
The World's Greatest Books — Volume 04 — Fiction от Неизвестный
The World's Greatest Books — Volume 05 — Fiction от Неизвестный
The World's Greatest Books — Volume 06 — Fiction от Неизвестный
The World's Greatest Books — Volume 07 — Fiction от Неизвестный
The World's Greatest Books — Volume 08 — Fiction от Неизвестный
The World's Greatest Books — Volume 09 — Lives and Letters от Неизвестный
The World's Greatest Books — Volume 10 — Lives and Letters от Неизвестный
The World's Greatest Books — Volume 11 — Ancient and Mediæval History от Неизвестный
The World's Greatest Books — Volume 12 — Modern History от Неизвестный
The World's Greatest Books — Volume 13 — Religion and Philosophy от Неизвестный
The World's Greatest Books — Volume 14 — Philosophy and Economics от Неизвестный
The World's Greatest Books — Volume 15 — Science от Неизвестный
The World's Greatest Books — Volume 17 — Poetry and Drama от Неизвестный
The world's greatest books от Mee, Arthur, 1875-1943, joint editor & Hammerton, John Alexander, Sir, 1871-1949, joint editor & McClure, S. S. (Samuel Sidney), 1857-1949, joint editor
The World's Greatest Books — Volume 19 — Travel and Adventure от Неизвестный
The World's Greatest Books — Volume 20 — Miscellaneous Literature and Index от Неизвестный
When at the end of the three years Fabrice, now a Monsignore, returned to Parma, matters there were at a crisis; the Raversi party were gaining ground, and Count Mosca was in danger. Nor did the Prince's interview with the young cleric improve matters. Ranuce Ernest IV. had two ruling passions--an ambition to become ruler of united Italy, and a fear of revolution. Count Mosca, the diplomatist, was the only man who could further his hopes in the one direction; his fears in the other were carefully kept alive by Rassi, the fiscal-general--to such an extent that each night the Prince looked under his bed to see if by chance a liberal were lurking there. Rassi was a man of low origin, who kept his place partly by submitting good-humouredly to the abuse and even the kicks of his master, and partly by rousing that master's alarms and afterwards allaying them by hanging or imprisoning liberals, with the ready assistance of a carefully corrupted judicial bench.
Towards this nervous Prince, Fabrice bore himself with an aristocratic assurance, and a promptness and coolness in conversation that made a bad impression. His political notions were correct enough, according to the Prince's standard; but plainly, he was a man of spirit, and the Prince did not like men of spirit; they were all cousins-germane of Voltaire and Rousseau. He deemed Fabrice, in short, a potential if not an actual liberal, and therefore dangerous.
Nevertheless Count Mosca carried the day against his rivals--a triumph due less to his own efforts than to those of the Duchess, to whose charms as the court's chief ornament the Prince was far from insusceptible. The Count's success was Fabrice's; that youth found himself established as co-adjutor to the Archbishop of Parma, with a reversion to the Archbishopric on the demise of its worthy occupant.
On Fabrice's return from Naples, the Duchess had found him developed from a boy into a young man, and the handsomest young man in Italy; her affection for him became sisterly; she was nearly in love with him. She had no cause for jealousy, for Fabrice, although prone to flirtation, had no affairs of the heart. The word love, as yet, had no meaning for him.
II.--Giletti
One of our hero's flirtations had consequences with a very pronounced bearing on his after career. During a surreptitious visit to the theatre he became captivated with the actress, Marietta Valserra. Stolen visits of two minutes duration to Marietta's lodging on the fourth floor of an old house behind the theatre were an agreeable variation of the monotony of Fabrice's clerical duties, and of his visits among the most important and least entertaining families in Parma. But the trifling little intrigue came to the ears of Count Mosca, with the result that the travelling company to which Marietta belonged received its passports and was requested to move on.
In the affair, moreover, Fabrice had a rival. Giletti was the low comedian of the company, and the ugliest member of it; he assumed proprietorship over Marietta, who, although she did not love him, was at any rate horribly afraid of him. Giletti several times threatened to kill Fabrice; whereby Fabrice was not disturbed.
Count Mosca was passionately archaeological, and this taste he shared with Fabrice, who had cultivated the hobby at Naples. It so happened that the two were engaged in excavations near the bridge over the Po where the main road passes into Austrian territory at Castel-Maggiore. Early one morning Fabrice, after surveying the work that was going on in the trenches, strolled away with a gun, intent upon lark-shooting. A wounded bird dropped on the road; and as Fabrice followed it he encountered a battered old carriage driving towards the frontier. In it were Giletti, Marietta and an old woman who passed as Marietta's mother.
Giletti leapt to the conclusion that Fabrice had come there, gun in hand, to insult him, and possibly to carry off Marietta. He leapt out of the carriage.
"Brigand!" he yelled, "we are only a league from the frontier--now I can finish you!"
Fabrice saw a pistol levelled at him at a distance of three feet; he knocked it aside with the butt of his gun, and it went off harmlessly. Giletti then clutched the gun; the two men wrestled for it, and it exploded close to Giletti's ear. Staggered for an instant, he quickly recovered himself; drawing from its sheath a "property" sword, he fell once more upon Fabrice.
"Look out! he will kill you," came an agitated whisper from Marietta; "take this!"
A sort of hunting knife was flung out of the carriage door. Fabrice picked it up, and was nearly stunned forthwith by a blow from the handle of the "property" sword. Happily Giletti was too near to use his sword-point. Pulling himself together, Fabrice gave his enemy a gash on the thigh. Giletti, swearing furiously, injured Fabrice on the cheek. Blood poured down our hero's face. The thought, "I am disfigured for life!" flashed through his mind. Enraged at the idea, he thrust the hunting knife at Giletti's breast with all his force. Giletti fell and lay motionless.
"He is dead!" said Fabrice to himself. Then, turning to the coach, he asked, "Have you a looking-glass?"
His eyes and teeth were undamaged; he was not permanently disfigured. Hastily, then, he turned to thoughts of escape. Marietta gave him Giletti's passport; obviously his first business was to get across the frontier. And yet the Austrian frontier was no safe one for him to cross. Were he recognised, he might expect ten years in an Imperial fortress. But this was the less immediate danger, and he determined to risk it.
With considerable trepidation he walked across the bridge, and presented Giletti's passport to the Austrian gendarme.
The gendarme looked at it, and rose, "You must wait, monsieur; there is a difficulty," he said, and left the room. Fabrice was profoundly uncomfortable; he was nearly for bolting, when he heard the gendarme say to another, "I am done up with the heat; just go and put your visa on a passport in there when you have finished your pipe; I'm going for some coffee."
This gendarme, in fact, knew Giletti, and was quite well aware that the man before him was not the actor. But, for all he could tell, Giletti had lent the passport for reasons of his own. The easiest way out of the difficulty was to get another gendarme to see to the visa. This man affixed it as a matter of course, and Fabrice escaped danger number one.
The rest was very easy, thanks to Ludovico, an old servant of the Duchess, whom Fabrice met at an eating-house where he had turned in for some very necessary refreshment. With the aid of this excellent fellow Fabrice had his wounds attended to, and was safely smuggled out of Austrian territory into Bologna.
III.--The Citadel
The party opposed to Count Mosca hastened to take advantage of Fabrice's offence. He was represented as a murderer; the workmen in the trenches who had seen the affray, and knew that Fabrice had acted in self-defence, were either bribed or got out of the way. Rassi accused Fabrice of being a liberal; and since the Prince was ill-disposed towards the young man, not all the endeavours of Count Mosca could save him from a sentence of twenty years' imprisonment, should he be so impudent as to venture upon the territory of Parma.
Just before the sentence was presented to the Prince for final confirmation, the Prince learnt that the Duchess of Sanseverina sought an audience with him. He rubbed his hands; the greatest beauty of his court had come to beg mercy for her nephew; there would be tears and frantic appeals. For a quarter of an hour the Prince gloated over the prospect; then he ordered that the Duchess be admitted.
She entered--in travelling costume; never had she looked more charming, never more cheerful. "I trust your Serene Highness will pardon my unorthodox costume," she said, smiling archly; "but as I am about to leave Parma for a very long time, I have felt it my duty to come and thank you ere I go for all the kindnesses you have deigned to confer upon me."
The Prince was astonished and profoundly chagrined. "Why are you going?" he asked, as calmly as he could.