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The Year's Best Fantasy and Horror. Fifth Annual Collection

Электронная книга - «The Year's Best Fantasy and Horror. Fifth Annual Collection». Краткое содержание книги:

This acclaimed series, winner of numerous World Fantasy Awards, continues its tradition of excellence with scores of short stories from such writers as K. W. Jeter, Karl Edward Wagner, Terry Bisson, S. P. Somtow, Charles de Lint, Kobo Abe, Jane Yolen and many others. Supplementing the stories are the editors' invaluable overviews of the year in fantastic fiction, Edward Bryant's witty roundup of the year's fantasy films, and a long list of Honorable Mentions—all of which adds up to an invaluable reference source, and a font of fabulous reading.
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Exhausted at work, but on time, she couldn’t take any of Roger’s bitching now, not when she had to think. Make a plan. Anne, she was a sorry-looking bitch, no competition once the boyfriend got a good look at Lurleen. The trick was to get him to look. To see. See what he’d been hearing, night after night. Of course, it wouldn’t be all that easy: if Anne had any brains at all, she would want to keep her boyfriend and Lurleen far, far apart. Lurleen decided she would have to take it slow and smart, be smart—not exactly her strong point, but she could be slick; she knew what she wanted.

She began to stalk Anne, never thinking of it in so many words, but as sure and surely cautious as any predator. Waiting, lingering in the hallway after work, for Anne to come home from whatever unfathomable job she did all day. Never stopping to talk, just a smile, pleasant make-believe. She made it her business to do her laundry when Anne did hers; at the first whoosh and stagger of the old machine, Lurleen was there, quarters in hand; her clothes had never been so clean; she had to see. Any jockey shorts, bikini underwear, jockstraps, what? She meant to take one if she could, steal it before, before it was clean. Smell it. You can tell a lot about a man. Lurleen believed, from the smell of his skin, not his aftershave or whatever, but the pure smell of his body. Until his body was beneath hers, it was the best she could do. She pawed through the laundry basket, poked around in the washer: nothing. Just Anne’s Priss-Miss blouses, baggy slacks, cheap bras—and just about everything beige. Balked angry toss of the clothing, stepped on it to push it back into the basket. Maybe he liked Anne because she was so beige, so . . . nothing? Could a man want a woman to be nothing? Just a space to fill? Lurleen had known plenty of guys who liked their women dumb—it made them feel better—but anyway, Anne didn’t seem dumb. Just empty.

And still, night after night the same, bed against the wall, Lurleen could be determined; Lurleen could work for what she wanted. Drained every morning, the sting of tender skin in the shower, even Roger noticed her red eyes.

“Not moonlighting, are you?” But she saw he knew it was no question, halfgaze through those tired eyes, and she even, for a moment, considered telling him, considered saying, I want the boy next door, Roger; I want him real bad. I want him so much I even jerk off so he can hear me, so he can know how he turns me on. I want him so much I don’t know what to do.

She wasn’t getting anywhere. Drumming slow one finger against the order counter, staring right past some guy bumbling on about some opera or something, she wasn’t getting anywhere, and it was wearing her out. No time for anything else, bars, guys, whatever; there wasn’t any other guy she wanted. Anne’s smiles growing smaller, tighter, her gaze more pinched; was she catching on? Tired from sitting in the hallway—once or twice another neighbor had caught her at it, loitering tense and unseeing until the tap-tap-tap on her shoulder. Hey, are you O.K.? “Fine.” Harsh involuntary blush. “Just looking for an earring.” Right. Tired from staking out the parking lot, hot breeze through the window; she didn’t even know what kind of car he drove. Tired to death and still no glimpse of him, proud author of the sounds; it was killing her to listen, but she couldn’t stop. She didn’t want to stop.

And then that night, mid-jerk, mid-groan, they stopped. The sounds. Ceased completely, but not to complete silence: a waiting sound, a whisper. Whispering through the walls, such a willing sound.

She yanked on a T-shirt, ends tickling her bare ass as she ran, hit on the door with small, quick fists. “Anne? Are you O.K.?” Never thinking how stupid she might look if the door opened, never considered what excuse she might give. I didn’t hear anything, so I thought you might be in trouble. Right. So what. Bang bang on the door.

“Anne?”

The whisper, against the door itself. Hearing it, Lurleen shivered, convulsive twitch like a tic of the flesh, all down her body, and she pressed against the door, listening with all her might. “Anne.” But quietly, feeling the heat from her body, the windy rush of her heart. Waiting. “Anne.” More quietly still, less than a murmuring breath. “Let me in.”

Abruptly, spooking her back a step: the sounds, hot intensity trebled, but wrong somehow, guttural, staggering where they should flow, a smell almost like garbage, but she didn’t care; once the first scare had passed, she pressed harder into the door, as if by pure want she could break it down; she would get in, she would. T-shirt stuck, sweating like she’d run a mile. I’m sick of just listening. The hall was so hot. Sweat on her forehead, running into her eyes like leaking tears. The doorknob in her slick fingers.

It turned. Simple as that.

In the end, so quick and easy, and it seemed almost that she could not breathe, could not get enough air to move—but she moved, all right, oh yes, stepped right inside into the semidarkness, a fake hurricane lamp broken beside the bed, but there was light enough, enough to see by.

Like angels in love, mating in the cold, graceful rapture of thin air. Hovering above the bed, at least a yard or maybe more—no wonder she never heard springs—instead the groaned complaint of the walls itself as his thrusting brushed them, on his back the enormous strange construction that kept them airborne, as careless as if it had grown there amongst the pebbled bumps and tiny iridescent fins. His body beautiful, and huge, not like a man’s, but so real it seemed to suck up all the space in the room, big elementary muscles, and he was using them all. Anne, bent like a coathanger—it hurt to see the angle of her back—her eyes wide and empty and some stuff coming out of her mouth like spoiled black jelly, but it was too late, Lurleen had sent the door swinging backward to close with a final catch, and in its sound his gaze swiveling to touch hers: the cold regard of a nova, the summoning glance of a star.

Her mouth as open as Anne’s as she approached the vast brutality of his embrace, room enough for two there, oh my, yes. Fierce, relentless encroachment promising no pleasure but the pleasure of pain. Not an angel, never had been. Or maybe once, long, a long, long time ago.

VIVIAN

Midori Snyder

The daughter of a French poet and an American scholar of Asian culture, Midori Snyder grew up in the United States and Africa and studied African myth and languages at the University of Wisconsin. She currently lives with her husband and two children in Milwaukee, where she plays Irish music in addition to writing.

Snyder’s multicultural background has given the author rich and unique storytelling skills, as showcased in her High Fantasy novels Soul-String, New Moon, Sadar’s Keep, and Beldens Fire. She has also published short fiction for both adults and children in several magazines and anthologies, and is at work on a book in collaboration with British illustrator Brian Froud.

“Vivian” is a magical tale set within the canon of British “Robin Hood folk ballads and stories. It was written for The Fantastic Adventures of Robin Hood, edited by Martin H. Greenberg.

—T.W.
“Give me my bent bow in my hand, And a broad arrow I’ll let flee. And where this arrow is taken up, There shall my grave digge’d be.”
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