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The Best American Mystery Stories 2006

Электронная книга - «The Best American Mystery Stories 2006». Краткое содержание книги:

Best-selling author Scott Turow takes the helm for the tenth edition of this annual, featuring twenty-one of the past year’s most distinguished tales of mystery, crime, and suspense. Elmore Leonard tells the tale of a young woman who’s fled home with a convicted bank robber. Walter Mosley describes an over-the-hill private detective and his new client, a woman named Karma. C. J. Box explores the fate of two Czech immigrants stranded by the side of the road in Yellowstone Park. Ed McBain begins his story on role-playing with the line “ ‘Why don’t we kill somebody?’ she suggested.” Wendy Hornsby tells of a wild motorcycle chase through the canyons outside Las Vegas. Laura Lippman describes the “Crack Cocaine Diet.” And James Lee Burke writes of a young boy who may have been a close friend of Bugsy Siegel. As Scott Turow notes in his introduction, these stories are “about crime — its commission, its aftermath, its anxieties, its effect on character.” The Best American Mystery Stories 2006 is a powerful collection for all readers who enjoy fiction that deals with the extremes of human passion and its dark consequences.
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“I’ll drink to that,” Will said.

They all drank again.

“We’re not really from Montgomery, you know,” Jessica said.

“Well, I realize that now. But that certainly was a good accent, Susan.”

“Regional dialect,” she corrected.

“We’re from Seattle.”

“Where it rains all the time,” Will said.

“Oh, that’s not true at all,” Susan said. “Actually it rains less in Seattle than it does in New York, that’s a fact.”

“A statistically proven fact,” Jessica said, nodding in agreement, and draining her glass. “Is there any more bubbly out there?”

“Oh, lots,” Susan said, and shoved herself out of the easy chair, exposing a fair amount of thigh as she got to her feet.

Will handed her his empty glass, too. He sure hoped the ladies wouldn’t be drinking too much here. There was some serious business to take care of here tonight, some serious improvisation to do.

“So how long have you been living here in New York?” he asked. “Was it true what you said in the bar? Is it really only six months?”

“That’s right,” Jessica said. “Since the end of June.”

“We’ve been taking acting classes since then.”

“Were you really in The Glass Menagerie? The Paper Players? Is there such a thing as the Paper Players?”

“Oh yes,” Susan said, coming back with their replenished glasses. “But in Seattle.”

“We’ve never been to Montgomery.”

“That was part of my character,” Susan said. “The character I was assuming in the bar. Little Suzie Sad Ass.”

Both girls laughed.

Will laughed along with them.

“I played Amanda Wingate,” Jessica said.

“In The Glass Menagerie” Susan explained. “When we did it in Seattle. Laura’s mother. Amanda Wingate.”

“Actually I am the older one,” Jessica said. “In real life.”

“She’s thirty,” Susan said. “I’m twenty-eight.”

“Here all alone in the big bad city,” Will said.

“Yep, here all alone,” Jessica said.

“Is that where you girls sleep?” Will asked. “The bed across the room there? The two of you all alone in that big bad bed?”

“Uh-oh,” Jessica said. “He wants to know where we sleep, Sue.”

“Better be careful,” Susan said.

Will figured he ought to back off a little, play it a bit more slowly here.

“So where’s this acting school you go to?” he asked.

“Right on Eighth Avenue.”

“Near the Biltmore,” Susan said. “Do you know the Biltmore Theater?”

“No, I don’t,” Will said. “I’m sorry.”

“Well, near there,” Jessica said. “Madame D’Arbousse, do you know her work?”

“No, I’m sorry, I don’t.”

“Well, she’s only famous,” Susan said.

“I’m sorry, I’m just not familiar with...”

“The D’Arbousse School? You’ve never heard of the D’Arbousse School of Acting?”

“I’m sorry, no.”

“It’s only world-famous,” Susan said.

She seemed to be pouting now, almost petulant. Will figured he was losing ground here. Fast.

“So... uh... what was the idea of putting on the costume tonight?” he asked. “Going to that bar as a... well... I hope you’ll forgive me... a frumpy little file clerk, was what I thought you were.”

“It was that good, huh?” Susan said, smiling. Her smile, without the fake overbite, was actually quite lovely. Her mouth didn’t look as thin-lipped anymore, either. Amazing what a little lipstick could do to plump up a girl’s lips. He imagined those lips on his own lips, in the bed across the room there. He imagined her sister’s lips on his, too. Imagined all their lips entangled, intertwined...

“That was part of the exercise,” Susan said.

“The exercise?”

“Finding the place,” Jessica said.

“The character’s place,” Susan said. “For a private moment,” Jessica explained.

“Finding the place for a character’s private moment.”

“We thought it might be the bar.”

“But now we think it might be here.”

“Well, it will be here,” Jessica said. “Once we create it.”

They were losing Will. More important, he felt he was losing them. That bed, maybe fifteen feet away across the room, seemed to be receding into an unreachable distance. He had to get this thing back on track. But he didn’t know how quite yet. Not while they were rattling on about... what were they saying, anyway?

“I’m sorry,” he said, “but what exactly is it you’re trying to create?”

“A character’s private moment,” Jessica said.

“Is this the place we’re going to use?” Susan asked.

“I think so, yes. Don’t you think so? Our own apartment. A real place. It feels very real to me. Doesn’t it feel real to you, Sue?”

“Oh, yes. Yes, it does. It feels very real. But I don’t feel private yet. Do you feel private?”

“No, not yet.”

“Excuse me, ladies...” Will said.

“Ladies, ooo hoo,” Susan said, and rolled her eyes.

“...but we can get a lot more private here, if that’s what you ladies are looking for here.”

“We’re talking about a private moment? Jessica explained. “The way we behave when no one’s watching.”

“No one’s watching us right now,” Will said encouragingly. “We can do whatever we wish to do here, and no one will ever...”

“I don’t think you understand,” Susan said. “A character’s private feelings and emotions are what we’re trying to create here tonight.”

“So let’s start creating all these feelings and emotions,” Will suggested.

“These feelings have to be real,” Jessica said.

“They have to be absolutely real,” Susan said.

“So that we can apply them to the scene we’re doing.”

“Ah-ha!” Will said.

“I think he’s got it,” Jessica said.

“By George, he’s got it.”

“You’re rehearsing a scene together.”

“Bravo!”

“What scene?” Will asked.

“A scene in Macbeth,” Susan said.

“Where she tells him to screw his courage to the sticking point,” Jessica said.

“Lady Macbeth.”

“Tells Macbeth. When he’s beginning to waver about killing Duncan.”

“Screw your courage to the sticking point,” Jessica said again, with conviction this time. “And we shall not fail.”

She looked at her sister.

“That was very good,” Susan said.

Will figured maybe they were back on track again.

“Screw your courage, huh?” he said, and smiled knowingly, and took another sip of champagne.

“She’s telling him not to be such a wuss,” Susan said.

“The thing is they’re plotting to kill the king, you see,” Jessica said.

“This is a private moment for both of them.”

“Where they’re both examining what they’re about to do.”

“They’re planning a murder, you see.”

“What does that feel like?” Susan asked.

“What is that like inside your head?” Jessica said.

“That private moment inside your head.

“When you’re actually contemplating someone’s death.”

The room went silent for an instant.

The sisters looked at each other.

“Would anyone like some more champagne?” Susan asked.

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