The World's Greatest Books [Volumes 1-15, 17-20]
- Автор: Gutenberg
- Год: 1910
- Язык: английский
- Жанр: Культурология
Электронная книга - «The World's Greatest Books [Volumes 1-15, 17-20]». Краткое содержание книги:
The World's Greatest Books — Volume 01 — Fiction от Неизвестный
The World's Greatest Books — Volume 02 — Fiction от Неизвестный
The World's Greatest Books — Volume 03 — Fiction от Неизвестный
The World's Greatest Books — Volume 04 — Fiction от Неизвестный
The World's Greatest Books — Volume 05 — Fiction от Неизвестный
The World's Greatest Books — Volume 06 — Fiction от Неизвестный
The World's Greatest Books — Volume 07 — Fiction от Неизвестный
The World's Greatest Books — Volume 08 — Fiction от Неизвестный
The World's Greatest Books — Volume 09 — Lives and Letters от Неизвестный
The World's Greatest Books — Volume 10 — Lives and Letters от Неизвестный
The World's Greatest Books — Volume 11 — Ancient and Mediæval History от Неизвестный
The World's Greatest Books — Volume 12 — Modern History от Неизвестный
The World's Greatest Books — Volume 13 — Religion and Philosophy от Неизвестный
The World's Greatest Books — Volume 14 — Philosophy and Economics от Неизвестный
The World's Greatest Books — Volume 15 — Science от Неизвестный
The World's Greatest Books — Volume 17 — Poetry and Drama от Неизвестный
The world's greatest books от Mee, Arthur, 1875-1943, joint editor & Hammerton, John Alexander, Sir, 1871-1949, joint editor & McClure, S. S. (Samuel Sidney), 1857-1949, joint editor
The World's Greatest Books — Volume 19 — Travel and Adventure от Неизвестный
The World's Greatest Books — Volume 20 — Miscellaneous Literature and Index от Неизвестный
No further engagement followed at the opera, and Consuelo's thoughts turned more and more to the Rudolstadts. If only she could hear from Christian or his son, she would know whether she was free to devote herself absolutely to her art. For she had made her promise to Count Christian that she would send him word should she feel sure of being in love with Albert; and now that word had been sent, and no reply had come.
Porpora, with a promise of an engagement at the royal theatre in Berlin, and anxious to take Consuelo with him, had confessed, in answer to her objection to leaving Vienna before hearing from Christian, that letters had come from the Rudolstadts, which he had destroyed.
"The old count was not at all anxious to have a daughter-in-law picked up behind the scenes," said Porpora, "and so the good Albert sets you at liberty."
Consuelo never suspected her master of this profound deceit, and, taking the story he had invented for truth, signed an agreement to go to Berlin for two months.
IV.--The Return to Bohemia
The carriage containing Porpora and Consuelo had reached the city of Prague, and was on the bridge that spans the Moldau, when a horseman approached and looked in at the window, gazing with a tranquil curiosity. Porpora pushed him back, exclaiming:
"How dare you stare at ladies so closely."
The horseman replied in Bohemian, and Consuelo, seeing his face, called out:
"Is it the Baron Frederick of Rudolstadt?"
"Yes, it is I, signora!" replied the baron, in a dejected tone. "The brother of Christian, the uncle of Albert. And in truth, is it you also?"
The baron accompanied them to a hotel, and there explained to Consuelo that he had received a letter from the canoness, his sister, bidding him, at Albert's request, be on the bridge of Prague at seven o'clock that evening.
"The first carriage that passes you will stop; if the first person you see in it can leave for the castle that same evening, Albert, perhaps, will be saved. At least, he says it will give him a hold on eternal life. I do not know what he means, but he has the gift of prophecy and the perception of hidden things. The doctors have given up all hope for his life."
"Is the carriage ready, sir?" Consuelo said, when the latter was finished. "If so I am ready also, and we can set out instantly."
"I shall follow you," said Porpora. "Only we must be in Berlin in a week's time."
The carriage and horses were already in the courtyard, and in a few minutes the baron and Consuelo were on their journey to the castle of the Rudolstadts.
At the doorway of the castle they were met by the aged canoness, who, seizing Consuelo by the arm, said:
"We have not a moment to lose. Albert begins to grow impatient. He has counted the hours and minutes till your arrival, and announced your approach before we heard the sound of the carriage wheels. He was sure of your coming; but, he said, if any accident detained you, it would be too late. Signora, in the name of Heaven, do not oppose any of his wishes; promise all he asks; pretend to love him. Albert's hours are numbered; his life is close. All we ask of you is to soothe his sufferings." Then, as they approached the great saloon, she added, "Take courage, signora. You need not be afraid of surprising him, for he expects you, and has seen you coming hours ago."
The door opened and Consuelo darted forward to her lover. Albert was seated in a large arm-chair before the fire. It was no longer a man, it was a spectre, Consuelo saw. His face, still beautiful, was as a face of marble. There was no smile on his lips, no ray of joy in his eyes. Consuelo knelt before him; he looked fixedly at her, and then, giving a sign to the canoness, she placed his arms on Consuelo's shoulders. Then she made the young girl lay her head on Albert's breast, and the dying man whispered in her ear: "I am happy." With another sign, he made the canoness understand that she and his father were to kiss his betrothed.
"From my very heart!" exclaimed the canoness, with emotion. The old count who had been holding his brother's hand in one of his and Porpora's in the other, left them to embrace Consuelo fervently.
The doctor urged an immediate marriage.
"I can answer positively for nothing," he said, "but I venture to think much good may come of it. Your excellency consented to this marriage formerly----"
"I always consented to it. I never opposed it," said the count. "It was Master Porpora who wrote to say that he would never consent, and that she likewise had renounced all idea. Alas, it was the death-blow to my unhappy child!"
"Do not grieve," murmured Albert to Consuelo. "I have understood for many days now that you were faithful. I know that you have endeavoured to love me, and have succeeded. But we have been deceived, and you must forgive your master, as I forgive him."
Consuelo looked at Porpora, and the old musician reproached himself for homicide, and burst into tears. Only Consuelo's consent was necessary, and this was given.
The marriage was hastened on. Porpora and the doctor served as witnesses. Albert found strength to pronounce a decisive "Yes," and the other responses in the service in a clear voice, and the family from this felt a new hope for his recovery. Hardly had the chaplain recited the closing prayer over the newly-married couple, before Albert arose and threw himself into his father's arms; then, seating himself again in his arm-chair, he pressed Consuelo to his heart, and exclaimed:
"I am saved!"
"It is nature's last effort," said the doctor.
Albert's arms loosed their hold, and fell forward on his knees. His gaze was riveted on Consuelo; gradually the shade crept from his forehead to his lips, and covered his face with a snowy veil.
"It is the hand of Death!" said the doctor, breaking the silence.
Consuelo would take neither her husband's title nor his riches.
"Stay with us, my daughter?" cried the canoness, "for you have a lofty soul and a great heart!"
But Consuelo tore herself away after the funeral, though her heart was wrung with grief. As she crossed the drawbridge with Porpora, Consuelo did not know that already the old count was dead, and that the Castle of the Giants, with its riches and its sufferings, had become the property of the Countess of Rudolstadt.
Mauprat
It was while George Sand was pleading for a separation from her husband, on the ground of incompatibility of temperament, that "Mauprat" was written, and the powerful story, full of storm, sentiment, and passion, bears the marks of its tumultuous birth.
I.--Bernard Mauprat's Childhood
In the district of Varenne, within a gloomy ravine, stands the ruined castle of Roche-Mauprat. It is a place I never pass at night without some feeling of uneasiness; and now I have just learnt its history from Bernard Mauprat, the last of the line.
Bernard Mauprat is eighty-four and no man is more represented in the province. Passing his house with a friend who knew the old man, we ventured to call, and were received with stately welcome. Later Mauprat told us his story in the following words:
There were formerly two branches of the Mauprat family and I belonged to the elder. My grandfather was that Tristan de Mauprat whose crimes are still remembered. My father was his eldest son, and on his death, which occurred at a shooting party, the only living member of the younger branch, the chevalier, Hubert de Mauprat, a widower with an infant daughter, begged that he might be allowed to adopt me, promising to make me his heir. My grandfather refused the offer, and when I was seven years old and my mother died--poisoned some said by my grandfather--I was carried off by that terrible man to his house at Roche-Mauprat. I only knew afterwards that my father was the only son of Tristan's who had married and that consequently I was the heir to the property.
It was a terrible journey I made with my grandfather but more terrible still was the life led at Roche-Mauprat by Tristan and his eight sons. Beset by creditors, the Mauprats with a dozen peasants and poachers defied the civil laws as they had already broken all moral laws. They formed themselves into a body of adventurers, levying blackmail on the small farms of the neighbourhood, intimidating the tax-collectors and at times not hesitating from petty thefts at fairs. Masters and servants were united in bonds of infamy. Debauchery, extortion, fraud, and cruelty were the precept and example of my youth. All notions of justice were scoffed at, and the civilisation, the light of education, and the philosophy of social equality, then spreading in France and preparing the way for the convulsion of the Revolution, found no entrance at Roche-Mauprat.