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King Suckerman

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King Suckerman is a sterling thriller that weaves the blaxploitation films, the drug deals, the soul music and the racial tensions that defined the seventies into a story of natural-born killers and two men who risk everything to bring them down. Wilton Cooper is at a drive-in movie when he notices the ugly white boy walk into the projection booth. Seconds later he hears a gun goes off, perfectly timed to coincide with the movie’s noisy climax. When the boy struts coolly out, blood sprayed on the front of his cheap print shirt, Cooper knows he’s found his partner. Dimitri Karras and Marcus Clay are old friends whose affection transcends the barriers of race. Clay is a Vietnam vet trying to make a go of his own small business, while Karras is drifting, playing pickup basketball and supporting himself with small-time drug dealing. When Karras takes Clay with him to make a buy from a new supplier, they cross paths with Wilton Cooper — and enter a world where merciless, unpredictable violence is the only certainty. Cooper cuts a swath of bloody mayhem that leads straight to Karras’s door, and Karras has the battle of a lifetime to keep his walk on the wild side from destroying his entire world. Set in Washington, D.C., on the eve of the Bicentennial, King Suckerman is an unforgettable novel of morality, friendship, and unexpected consequences. This powerful novel confirms George Pelecanos as one of the great original talents in crime fiction.
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Dinah was just about to start. Marchetti pointed the remote in the direction of the nineteen-inch Sony across the room, cut the power. He dropped the remote in the center drawer of the varnished desk in front of him. He swiveled in his chair, looked out the big picture window to the street.

A million-dollar view! A ’dozer pushing gravel into a mountain of it, and past the mountain of stones some kind of tepee-shaped silo. Beyond the fenced-in lot that housed the miniquarry was a big windowless structure of brick, a dead building by day but a fag club by night. Huge, sweaty dance floor, dick shots projected on the walls, angled mirrors in the johns so the tail-gunners could check out your equipment while you were trying to take a leak, disco music so loud you couldn’t even taste the liquor in your drink. Fuck all that. Before Marchetti’s cousin Arturo had gone back to North Jersey, just after he had set Eddie up down in D.C., the two of them had checked the place out, Arturo Marchetti claiming that it would be easy pickings for a couple of swingin’ dicks like them, on account of in a fag joint there wasn’t any competition for the broads. But none of the women had wanted to dance with them, which left Eddie and Arturo standing there, sipping their drinks like a couple of mo-mos, looking at slide shows of bright-eyed, toothy guys with lizards hanging down to their knees. Eddie wanted to leave, but Arturo, he wanted to stay, ride the night out. For all Eddie knew, maybe Arturo was half queer. And the bitches, the ones that wouldn’t dance with Eddie? He figured they must have been faggids themselves.

So the view, it sucked the high hard one. When the family had asked him to leave Jersey, set up a little business out of town — they were only trying to get rid of him, he knew — they had promised to put him in a nice office in a beautiful part of town. First and Potomac, they said, and when he heard the address it sounded so goddamn right. Like it caught a breeze off the river and shit. Well, it was a few blocks from the water, but not that you could tell, and when the odd breeze did come through, it stank of sulfur and diesel. So here he sat, in a moldy cinder-block building in a hot, treeless, dead-ass warehouse district in Southeast D.C. The absolute shithole part of town.

Eddie would show them, though. He’d stick it out. He’d make something happen down here and then he’d go back to his sweet hometown like the fattest motherfucker who ever rode in on four wheels. He would do that if he ever did one thing.

“Come here, baby,” said Marchetti, spreading his arms out wide.

Vivian looked up from her place on the wine leather couch across the room. She tapped some ash onto her jeans from the joint dangling between her long thin fingers and returned her gaze to the paperback resting in her lap. Keeping her eyes on the page, she rubbed at the ashes until they had disappeared into the denim.

“Hey, Viv!” said Marchetti, more jovial now. “Come on over here, give Eddie Spags a hug.” The kids used to call him Eddie Spaghetti back in Jersey, on account of he was a guido and he did love his pasta. Then Eddie Spags for short, which stuck. Marchetti liked the sound of it. Like it was right out of The Valachi Papers or some shit like that, though Eddie knew down deep that the Marchettis were strictly small-time players, double zeros on the back of a uniform. He and his relatives were about as connected as an amputated leg.

Vivian, still not looking up, said, “How about this, Eddie? How about you get up out of that chair, walk across the room, give me a hug? How about that?”

Eddie said, “Forget it,” though he wished right away he hadn’t spoken so quick. A hug, you never knew, if you forced it just a little, it could turn into something else.

Eddie opened the center drawer of his desk, brushed aside the snub-nosed .38 that lay there, grabbed the remote. Christ, if his own girlfriend was more interested in getting high and reading some make-believe story than paying a little attention to him, he might as well watch a little tube. It felt like a morgue in there, anyway, without the sound of the Sony.

Eddie switched on the set, sighed at the snow running across Dinah Shore’s face.

“Hey, Clarenze!” he yelled, loud as he could. And Vivian looked up.

Clarence Tate was listening to Eugene Record’s tenor, the harmonica drifting in behind the vocal, when he heard the sound of Eddie’s voice. “Oh, Girl,” that was one of the prettiest records the Chi-Lites had ever cut, and Tate had been sitting way back in the other side of the warehouse, just getting into the tortured beauty of the song, doing nothing but minding his own self. It would be just like Eddie to bust on Tate’s groove at a time like that.

Tate got out of his chair, pulled the eight-track from the Capehart compact system, went through the doorway, headed on down the hall.

He passed rows of television sets still in their cartons, stereo systems, compacts and components, some boxed, some not. They’d have to move these right quick. Tate had hooked himself up with a delivery man — cat by the name of Bernard — who drove a truck for the big electronics distributor up in Baltimore. Bernard’s company supplied all of D.C.’s electronics retailers — Luskin’s-Dalmo, George’s, Nutty Nathan’s, and others — with their goods, and Bernard had a deal with one of the warehousemen, who’d load up Bernard’s truck with a couple of extra pieces on every run. Tate figured it wouldn’t be long before either that boy Bernard or the warehouseman would be caught, because that’s the way things always ended for small-time boosters like them. So he thought it’d be a good idea to maximize the profit potential while the getting was still good. Profit potential — he’d been reading books lately on how to run a hard-goods operation. Course, the books never said a damn thing about fencing hard goods. But he figured the basic principles, they had to be about the same.

Didn’t Eddie know you had to turn the inventory so you could take in more goods? Didn’t he know nothin’ about cash flow? No, he didn’t expect that Eddie did. Tate would have to bring up the issue with him soon. Sit down with Eddie, counsel him a little, make up one of those business plans.

That is, if he could keep the fat man focused. The thing that bothered Tate was, Eddie was all over the place, throwing all the balls up in the air at the same time, trying to make that big score. He could do all right if he just kept to moving hard goods in and out of the warehouse. But uh-uh, the man had to be going in ten different directions at once, selling herb, pounds at a time, and now cocaine, brokering a deal between those Southern boys on their way into town and the Howard County bikers. Eddie, he had no idea what it meant to play with bad motherfuckers like that.

Clarence didn’t know why he worried about it anyway. He had never meant to take on all this responsibility. It started when he had gone and answered that Washington Post ad, the one Eddie had placed for an “executive assistant,” the description vague but with phrases thrown in like “sky’s the limit, self-starter,” bullshit hustle like that. He figured he’d take the job for a short while, a transition thing, buy a few things extra for his little girl. Here he was a year later, still wet-nursing the Italian, running the show, strategizing, himself. Didn’t that beat all?

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