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The Black Lizard Big Book of Black Mask Stories

Электронная книга - «The Black Lizard Big Book of Black Mask Stories». Краткое содержание книги:

An unstoppable anthology of crime stories culled from Black Mask magazine the legendary publication that turned a pulp phenomenon into literary mainstream.
Black Mask was the apotheosis of noir. It was the magazine where the first hardboiled detective story, which was written by Carroll John Daly appeared. It was the slum in which such American literary titans like Dashiell Hammett and Raymond Chandler got their start, and it was the home of stories with titles like “Murder Is Bad Luck,” “Ten Carets of Lead,” and “Drop Dead Twice.” Collected here is best of the best, the hardest of the hardboiled, and the darkest of the dark of America’s finest crime fiction. This masterpiece collection represents a high watermark of America’s underbelly. Crime writing gets no better than this.
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Reeling and scraping to a stop, the car turned off abruptly into an opening between the trees, climbing over half-hidden roots and spewing up dead leaves. The man at the wheel braked with a grim sound of finality, and there was a moment’s breathless silence after the car’s racket.

Lindquist’s voice broke it, in calm interrogation. “Vhy are you stopping here? Vhat are you going to do here?”

“Get out, you cold-blooded Swede, you’ll find out. I don’t want my car all messed up when I shoot you full of holes!”

Nothing seemed able to get a rise out of the doctor. “But vhy are you going to shoot me? I never saw you before until you met my train this afternoon.”

“Just to make sure you don’t horn into that Swanson case!”

The doctor was evidently the type of man who becomes garrulous during crises. “But vhy don’t you vant me to help Swanson? Vhat have you got against him?”

The man next to him had unleashed a gun. “Because he’s the guy that’s taking the rap for us, and we wanna make sure he takes it!”

“Oh, so that’s what you did to Dr. Meredith, too?” The doctor’s voice suddenly lost its Swedish accent.

“So you know that, do you?” The man’s face contorted violently. “Well, we’ll see that it doesn’t go any further!”

“Will you get him out and finish him?” the woman screeched wildly, standing up in back of them.

She swung the small pistol she had been carrying in her muff, backhand, brought it down butt-first toward his skull. But out of the corner of his eye he had seen the blow coming. He swerved his head aside and the reversed butt chopped down past his shoulder.

He caught the butt with both hands, dragged it forward, twisted it around, her hand still pinned to it, into the other man’s face.

“Now just drop that gun, Cochrane, or I’ll blow your pretty Greek nose off. If there’s going to be any shooting in this car, I’ll do it!”

The woman had the more courage of the two, the courage of despair. Dragged half across the top of the front seat, unable to extricate her own hand from the gun because of the intended victim’s stranglehold on it, she urged breathlessly: “Shoot him, Allen! Don’t be afraid of getting hurt! He’s some kind of a dick! Don’t you see it’s either him or us?”

Butler, alias Dr. Lindquist, who could see Cochrane nerving himself to pull the trigger even in the face of the bore pointed straight at his own face, fired first, tilting it a little to avoid killing him if possible. It tore a long crease up Cochrane’s scalp. The heavier weapon he was holding thundered out by reflex finger-action, harmlessly puncturing one of the air bladders Butler wore under his balloonish Lindquist clothes.

Cochrane fell over backwards across the front seat, with his head hanging down over the rim of the door, baying with the pain of the burning track across the top of his skull.

Butler, who was momentarily in danger of losing his eyesight from Mrs. Ranger’s flailing left hand, swung a pulled but powerful fist straight under her jaw, as the easiest solution, and knocked her limp and passive across the back seat.

“You’re too damned vivacious for a recently bereaved widow!” the detective grunted.

He detached the thick-lensed glasses, which were hanging from one ear by now, blew out his breath, leaned across the back of the seat, and switched off a little unobtrusive lever protruding from his bag.

“It’s got about everything on it I need now,” he remarked to the writhing Cochrane. “They won’t care to listen to how loud you can howl just from a little nick in your dome.”

He straightened him up by the shoulder. “So you were his friend — his business partner! I suppose you dipped into his money in the firm’s assets, played his wife, and then took the easiest way out of both predicaments. Came out and met her a block or two away from the house that night, instead of waiting for her in town; slipped inside and gave it to him.

“Then the two of you calmly went in to the theater and pretended to phone him to see how he was. Well, that’ll all come out at the end of a garden hose. Now, hold your little handy up and pull your cuff back out of the way; I’ve got something for you.”

“Is the paper going to bring charges against me for... for defrauding them?” Swanson asked apprehensively when he had been changed from the central figure of an impending murder trial to merely a second-string witness.

“Probably not,” Butler assured dryly. “From what I know about papers, the sooner the public at large forgets the little transaction the better they’ll like it. And the only reason all of us down here at Headquarters don’t take turns giving you a good swift kick in the pants is because in a way you really helped to break this case for us.

“If you hadn’t plumped yourself down in the middle of it and made them show their hands a couple of times more, it might still be unsolved. Y’better take my advice and don’t try anything like that again. Go out to your motherless kid in Arizona; he needs you. Leave crimes alone that don’t belong to you. There’s enough going around that have lost their rightful owners as it is.”

“I’ll go,” Swanson said.

Permissions Acknowledgments

“Come and Get It” by Erle Stanley Gardner from Black Mask Magazine, April 1927. Copyright © 1927 by Erle Stanley Gardner, copyright renewed 1954. Reprinted by permission of the Estate of Erle Stanley Gardner and Queen Literary Agency.

“Cry Silence” by Fredric Brown from Black Mask Magazine, November 1948. Copyright © 1948 by Fredric Brown. Renewed. Reprinted by permission of the author’s estate and Barry Malzberg.

“Arson Plus” by Dashiell Hammett writing as Peter Collinson from Black Mask Magazine, October 1923. Copyright © 1923, copyright renewed 1951 by Dashiell Hammett. Reprinted by permission of the Dashiell Hammett Literary Property Trust, administered by the Joy Harris Literary Agency, Inc.

“Fall Guy” by George Harmon Coxe from Black Mask Magazine, June 1936. Copyright © 1936 by George Harmon Coxe. All rights reserved. Reprinted by permission of Brandt & Hochman Literary Agents, Inc.

“Doors in the Dark” by Frederick Nebel from Black Mask Magazine, February 1933. Copyright © 1933 by Pro-Distributors Publishing Company, Inc., copyright renewed 1961 by Popular Publications, Inc. Reprinted by special arrangement with Keith Alan Deutsch (keithdeutsch@comcast.net; www.blackmaskmagazine.com) proprietor and conservator of the respective copyrights, and successor-in-interest to Popular Publications, Inc.

“Luck” by Lester Dent. This previously unpublished piece is an earlier draft of the selection “Sail” from Black Mask Magazine, October 1936. Copyright © 2010 by the Estate of Norma Dent. Reprinted by permission of Will Murray, Agent for the Estate of Norma Dent.

The Maltese Falcon by Dashiell Hammett from Black Mask Magazine, September-December 1929, January 1930. From the novel The Maltese Falcon. Copyright © 1929, 1930 by Alfred A. Knopf, a division of Random House, Inc., copyright renewed 1957, 1958 by Dashiell Hammett. Reprinted by arrangement with Alfred A. Knopf, a division of Random House, Inc.

“Ten Carats of Lead” by Stewart Sterling from Black Mask Magazine, August 1940. Copyright © 1940, copyright renewed 1968 by Popular Publications, Inc. Reprinted by special arrangement with Keith Alan Deutsch (keithdeutsch@comcast.net; www.blackmaskmagazine.com) proprietor and conservator of the respective copyrights, and successor-in-interest to Popular Publications, Inc.

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