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Dune [Frank Herbert's Dune Saga Collection: Books 1 - 6]

Электронная книга - «Dune [Frank Herbert's Dune Saga Collection: Books 1 - 6]». Краткое содержание книги:

Perfect for longtime fans and new readers alike—this eBook collection includes all six original novels in the Dune Saga written by Frank Herbert.
*DUNE* IS SOON TO BE A MAJOR MOTION PICTURE directed by Denis Villeneuve, starring Timothée Chalamet, Josh Brolin, Jason Momoa, Zendaya, Rebecca Ferguson, Oscar Isaac, Javier Bardem, Dave Bautista, Stellan Skarsgård, and Charlotte Rampling.
In the far future, on a remote planet, an epic adventure awaits. Here are the first six novels of Frank Herbert’s magnificent Dune saga—a triumph of the imagination and one of the bestselling science fiction series of all time.
The Dune Saga begins on the desert planet Arrakis with the story of the boy Paul Atreides—who would become known as Muad’Dib—and of a great family’s ambition to bring to fruition humankind’s most ancient and unattainable dream....
Includes Books 1 - 6: DUNE • DUNE MESSIAH • CHILDREN OF DUNE • GOD EMPEROR OF DUNE • HERETICS OF DUNE • CHAPTERHOUSE: DUNE
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We are not people passing this way, he thought. We are primal elements linking one piece of Time to another. And when we have passed, everything behind us will drop off into no-sound, a place like the no-room of the Ixians, yet never again the same as it was before we came.

A bit from one of the lute-player’s songs wafted through Moneo’s memory and his eyes went out of focus in the remembrance. He knew that song for its wishfulness, a wish that all of this were ended, all past, all doubts banished, tranquility returned. The plaintive song drifted through his awareness like smoke, twisting and compelling:

“Insect cries in roots of pampas grass.”

Moneo hummed the song to himself:

“Insect cries mark the end.

Autumn and my song are the color

Of the last leaves

In roots of pampas grass.”

Moneo nodded his head to the refrain:

“Day is ended,

Visitors gone.

Day is ended.

In our Sietch,

Day is ended.

Storm wind sounds.

Day is ended.

Visitors gone.”

Moneo decided that the lute-player’s song had to be a really old one, an Old Fremen song, no doubt of it. And it told him something about himself. He wished the visitors truly gone, the excitements ended, peace once more. Peace was so near . . . yet he could not leave his duties. He thought of all that impedimenta piled out there on the sand just beyond visibility range from Tuono. They would see it all soon—tents, food, tables, golden plates and jeweled knives, glowglobes fashioned in the arabesque shapes of ancient lamps . . . everything rich and full of expectations from completely different lives.

They will never be the same in Tuono.

Moneo had spent two nights in Tuono once on an inspection tour. He remembered the smells of their cooking fires—aromatic bushes kindled and flaming in the dark. They would not use sunstoves because “that is not the most ancient way.”

Most ancient!

There was little smell of melange in Tuono. A sweet acridity and the musky oils of oasis shrubs, these dominated the odors. Yes . . . and the cesspools and the stink of rotting garbage. He recalled the God Emperor’s comment when Moneo had finished reporting on that tour.

“These Fremen do not know what is lost from their lives. They think they keep the essence of the old ways. This is a failure of all museums. Something fades; it dries out of the exhibits and is gone. The people who administer the museum and the people who come to bend over the cases and stare—few of them sense this missing thing. It drove the engine of life in earlier times. When the life is gone, it is gone.”

Moneo focused on the three Fish Speakers who stood just ahead of him on the bridge. They lifted their arms high and began to dance, whirling and skipping away from him only a few paces distant.

How odd, he thought. I’ve seen the other people dance in the open, but never Fish Speakers. They only dance in the privacy of their quarters, in the intimacy of their own company.

This thought was still in his mind when he heard the first awful humming of the lasgun and felt the bridge lurch beneath him.

This is not happening, his mind told him.

He heard the Royal Cart scrape sideways across the roadbed, then the snap-slap of the cart’s cover slamming open. A bedlam of screams and cries arose from behind him, but he could not turn. The bridge’s roadbed had tipped steeply to Moneo’s right, spilling him onto his face while he went sliding toward the abyss. He clutched a severed strand of cable to stop himself. The cable went with him, everything grating in the spilling film of sand which had covered the roadbed. He clutched the cable with both hands, turning with it. He saw the Royal Cart then. It skewed sideways toward the edge of the bridge, its cover open. Hwi stood there, one hand steadying her on the folding seat while she stared past Moneo.

A horrible screaming of metal filled the air as the roadbed tipped even farther. He saw people from the cortege falling, their mouths open, arms waving. Something had caught Moneo’s cable. His arms were stretched out over his head as he turned once more, twisting. He felt his hands, greased by the perspiration of fear, slipping along the cable.

Once more, his gaze came around to the Royal Cart. It lay jammed against the stubs of broken girders. Even as Moneo looked, the God Emperor’s futile hands groped for Hwi Noree, but failed to reach her. She fell from the cart’s open end, silently, the golden gown whipping upward to reveal her body stretched out as straight as an arrow.

A deep, rumbling groan came from the God Emperor.

Why doesn’t he activate the suspensors? Moneo wondered. The suspensors will support him.

But the lasgun was still humming and, as Moneo’s hands slipped from the cable’s severed end, he saw lancing flame strike the cart’s suspensor bubbles, piercing one after another in eruptions of golden smoke. Moneo stretched his hands over his head as he fell.

The smoke! The golden smoke!

His robe whipped upward, turning him until his face was directed downward into the abyss. With his gaze on the depths, he recognized a maelstrom of boiling rapids there, the mirror of his life—precipitous currents and plunges, all movement gathering up all substance. Leto’s words wound through his mind on a path of golden smoke: “Caution is the path to mediocrity. Gliding, passionless mediocrity is all that most people think they can achieve.” Moneo fell freely then in the ecstasy of awareness. The universe opened for him like clear glass, everything flowing in a no-Time.

The golden smoke!

“Leto!” he screamed. “Siaynoq! I believe!”

The robe tore away from his shoulders then. He turned in the wind of the canyon—one last glimpse of the Royal Cart tipping . . . tipping from the shattered roadbed. The God Emperor slid out of the open end.

Something solid smashed into Moneo’s back—his last sensation.

Leto felt himself sliding from the cart. His awareness held only the image of Hwi striking the river—the distant pearly fountain which marked her plunge into the myths and dreams of termination. Her last words, calm and steady, rolled through all of his memories: “I shall go on ahead, Love.”

As he slipped from the cart, he saw the scimitar arc of the river, a silver-edged thing which shimmered in its mottled shadows, a vicious blade of a river honed through Eternity and ready now to receive him into its agony.

I cannot cry, nor even shout, he thought. Tears are no longer possible. They’re water. I’ll have water enough in a moment. I can only moan in my grief. I am alone, more alone than ever before.

His great ridged body flexed as it fell, twisting him about until his amplified vision revealed Siona standing at the broken brink of the bridge.

Now, you will learn! he thought.

The body continued to turn. He watched the river approach. The water was a dream inhabited by glimpses of fish which ignited an ancient memory of a banquet beside a granite pool—pink flesh dazzling his hungers.

I join you, Hwi, in the banquet of the gods!

A bursting flash of bubbles enclosed him in agony. Water, vicious currents of it, buffeted him all around. He felt the gnashing of rocks as he struggled upward to broach in a torrential cascade, his body flexing in a paroxysm of involuntary, writhing splashes. The canyon Wall, wet and black, sped past his frantic gaze. Shattered spangles of what had been his skin exploded away from him, a rain of silver all around him darting away into the river, a ring of dazzling movement, brittle sequins—the scale-glitter of sandtrout leaving him to begin their own colony lives.

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