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The World's Greatest Books [Volumes 1-15, 17-20]

Электронная книга - «The World's Greatest Books [Volumes 1-15, 17-20]». Краткое содержание книги:

Антология содержит:
The World's Greatest Books — Volume 01 — Fiction от Неизвестный
The World's Greatest Books — Volume 02 — Fiction от Неизвестный
The World's Greatest Books — Volume 03 — Fiction от Неизвестный
The World's Greatest Books — Volume 04 — Fiction от Неизвестный
The World's Greatest Books — Volume 05 — Fiction от Неизвестный
The World's Greatest Books — Volume 06 — Fiction от Неизвестный
The World's Greatest Books — Volume 07 — Fiction от Неизвестный
The World's Greatest Books — Volume 08 — Fiction от Неизвестный
The World's Greatest Books — Volume 09 — Lives and Letters от Неизвестный
The World's Greatest Books — Volume 10 — Lives and Letters от Неизвестный
The World's Greatest Books — Volume 11 — Ancient and Mediæval History от Неизвестный
The World's Greatest Books — Volume 12 — Modern History от Неизвестный
The World's Greatest Books — Volume 13 — Religion and Philosophy от Неизвестный
The World's Greatest Books — Volume 14 — Philosophy and Economics от Неизвестный
The World's Greatest Books — Volume 15 — Science от Неизвестный
The World's Greatest Books — Volume 17 — Poetry and Drama от Неизвестный
The world's greatest books от Mee, Arthur, 1875-1943, joint editor & Hammerton, John Alexander, Sir, 1871-1949, joint editor & McClure, S. S. (Samuel Sidney), 1857-1949, joint editor
The World's Greatest Books — Volume 19 — Travel and Adventure от Неизвестный
The World's Greatest Books — Volume 20 — Miscellaneous Literature and Index от Неизвестный
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I.--The Portrait

"I want a glass of wine," groaned the old man; "it would keep me alive a little longer."

John Melmoth offered to get some for him. The dying man clutched the blankets around him, and looked strangely at his nephew.

"Take this key," he said. "There is wine in that closet."

John knew that no one but his uncle had entered the closet for sixty years--his uncle who had spent his life in greedily heaping treasure upon treasure, and who, now, on his miserable death-bed, grudged the clergyman's fee for the last sacrament.

When John stepped into the closet, his eyes were instantly riveted by a portrait that hung on the wall. There was nothing remarkable about costume or countenance, but the eyes, John felt, were such as one feels they wish they had never seen. In the words of Southey, "they gleamed with demon light." John held the candle to the portrait, and could distinguish the words on the border: "Jno. Melmoth, anno 1646." He gazed in stupid horror until recalled by his uncle's cough.

"You have seen the portrait?" whispered old Melmoth.

"Yes."

"Well, you will see him again--he is still alive."

Later in the night, when the miser was at the point of death, John saw a figure enter the room, deliberately look round, and retire. The face of the figure was the face of the portrait! After a moment of terror, John sprang up to pursue, but the shrieks of his uncle recalled him. The agony was nearly ended; in a few minutes old Melmoth was dead.

In the will, which made John a wealthy man, there was an instruction to him to destroy the portrait in the closet, and also to destroy a manuscript that he would find in the mahogany chest under the portrait; he was to read the manuscript if he pleased.

On a cold and gloomy evening John entered the closet, found the manuscript, and with a feeling of superstitious awe, began to read it. The task was a hard one, for the manuscript was discoloured and mutilated, and much was quite indecipherable.

John was able to gather, however, that it was the narrative of an Englishman, named Stanton, who had travelled in Spain in the seventeenth century. On one night of storm, Stanton had seen carried past him the bodies of two lovers who had been killed by lightning. As he watched, a man had stepped forward, had looked calmly at the bodies, and had burst into a horrible demoniac laugh. Stanton saw the man several times, always in circumstances of horror; he learnt that his name was Melmoth. This being exercised a kind of fascination over Stanton, who searched for him far and wide. Ultimately, Stanton was confined in a madhouse by relatives who wanted to secure his property; and from the madhouse he was offered, but refused, release by Melmoth as a result of some bargain, the nature of which was not revealed.

After reading this story, John Melmoth raised his eyes, and he started involuntarily as they encountered those of the portrait. With a shudder, he tore the portrait from its frame, and rushed into his room, where he flung its fragments on the fire.

The mansion was close by the iron-bound coast of Wicklow, in Ireland, and on the next night John was summoned forth by the news that a vessel was in distress. He saw immediately that the ship was doomed. She lay beating upon a rock, against which the tempest hurled breakers that dashed their foam to a height of thirty feet.

In the midst of the tumult John descried, standing a little above him on the rock, a figure that showed neither sympathy nor terror, uttered no sound, offered no help. A few minutes afterwards he distinctly heard the words, "Let them perish!"

Just then a tremendous wave dashing over the vessel extorted a cry of horror from the spectators. When the cry had ceased, Melmoth heard a laugh that chilled his blood. It was from the figure that stood above him. He recalled Stanton's narrative. In a blind fury of eagerness, he began to climb the rock; but a stone gave way in his grasp, and he was hurled into the roaring deep below.

It was several days before he recovered his senses, and he then learned that he had been rescued by the one survivor of the wreck, a Spaniard, who had clutched at John and dragged him ashore with him. As soon as John had recovered somewhat, he hastened to thank his deliverer, who was lodged in the mansion. Having expressed his gratitude, Melmoth was about to retire, when the Spaniard detained him.

"Señor," he said, "I understand your name is"--he gasped--"Melmoth?"

"It is."

"Had you," said the Spaniard rapidly, "a relative who was, about one hundred and forty years ago, said to be in Spain?"

"I believe--I fear--I had."

"Are you his descendant? Are you the repository of that terrible secret which--?" He gave way to uncontrollable agitation. Gradually he recovered himself, and went on. "It is singular that accident should have placed me within the reach of the only being from whom I could expect either sympathy or relief in the extraordinary circumstances in which I am placed--circumstances which I did not believe I should ever disclose to mortal man, but which I shall disclose to you."

II.--The Spaniard's Story

I am, as you know, a native of Spain; but you are yet to learn that I am a descendant of one of its noblest houses--the house of Monçada. While I was yet unborn, my mother vowed that I should be devoted to religion. As the time drew near when I was to forsake the world and retire to a monastery, I revolted in horror at the career before me, and refused to take the vows. But my family were completely under the influence of a cunning and arrogant priest, who threatened God's curse upon me if I disobeyed; and ultimately, with a despairing heart, I consented.

"The horror with which I had anticipated monastic life was nothing to my disgust and misery at the realisation of its evils. The narrowness and littleness of it, the hypocrisies, all filled me with revolt; and it was only by brooding over possibilities of escape that I could avoid utter despair. At length a ray of hope came to me. My younger brother, a lad of spirit, who had quarrelled with the priest who dominated our family, succeeded with great difficulty in communicating with me, and promised that a civil process should be undertaken for the reclamation of my vows.

"But presently my hopes were destroyed by the news that my civil process had failed. Of the desolation of mind into which this failure plunged me, I can give no account--despair has no diary. I remember that I used to walk for hours in the garden, where alone I could avoid the neighbourhood of the other monks. It happened that the fountain of the garden was out of repair, and the workmen engaged upon it had had to excavate a passage under the garden wall. But as this was guarded by day and securely locked by night, it offered but a tantalising image of escape and freedom.

"One evening, as I sat gloomily by the door of the passage, I heard my name whispered. I answered eagerly, and a paper was thrust under the door. I knew the handwriting--it was that of my brother Juan. From it I learned that Juan was still planning my escape, and had found a confederate within the monastery--a parricide who had turned monk to evade his punishment.

"Juan had bribed him heavily, yet I feared to trust him until he confided to me that he himself also intended to escape. At length our plans were completed; my companion had secured the key of a door in the chapel that led through the vaults to a trap-door opening into the garden. A rope ladder flung by Juan over the wall would give us liberty.

"At the darkest hour of the night we passed through the door, and crawled through the dreadful passages beneath the monastery. I reached the top of the ladder-a lantern flashed in my eyes. I dropped down into my brother's arms.

"We hurried away to where a carriage was waiting. I sprang into it.

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