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Электронная книга - «Power Lines». Краткое содержание книги:

Yanaba Maddock's short-lived career as a company spy had ended the moment the planet Petaybee and its people had adopted her as one of their own. Now she was dedicated to keeping Intergal from exploiting and wounding--or even killing--the world she had come to love. For Intergal persisted in denying that Petaybee was sentient, and nothing would stop it from stripping the ore-rich planet--sentient or not.
Only solid evidence would convince the company to leave the planet alone, and for all its sentience, Petaybee's communications were highly subjective; indeed, some outsiders seemed entirely immune to its voice. So Yana and her friends would have to find some other way to prove that the planet was worth more to the company alive than dead...
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"Our second son, Alejandro."

To Yana's count that made the last of those from Petaybee who had died in that incident. She heaved a sigh of relief and allowed herself to be escorted into the house.

"Hey, a guitar!" The exclamation burst from Diego's lips and then he flushed, realizing that his excitement was not quite suitable following mention of those who died at Bremport.

"You like guitar?" Lonciana asked, her whole expression brightening.

"Do I like guitar? I've been trying to make one." Diego reached into his backpack and brought out the neck he had been so patiently shaping.

"Que hombre!" Lonciana embraced him as if he were a long-lost friend. Diego, momentarily engulfed by her, grinned-more with acceptance of her enthusiasm than embarrassment.

They ate first, of course, and various young Ondelacy-Chompases were sent to inform the entire village that there would be a special singing this evening: too late to make it a latchkay, but certainly there would be blurry and a bite or two to go down with it.

"I thought blurry was Clodagh's specialty," Yana commented as she washed up before dinner.

Johnny grinned. "The north doesn't have a corner on the market of all good things, Yana. Had you come up from the ranks as I did, instead of training at an officer's academy with so few Petaybean candidates, you'd have learned something of the joys of comparative Petaybean blurry drinking. Every time Loncie returned from leave, she used to bring back a stash: Old Armadillo is what we nicknamed her recipe, because it armors you so well against the slings and arrows of outrageous fortune. The spice she uses gives it a little more kick than the mulled-cider kinda thing you get up north."

Bunny, who was watching Pablo demonstrate to an enraptured Diego first the techniques of playing the guitar and then the sound made by the bagpipes, said, "They have more than a few things down here that we don't have up north.''

Lonciana did something with a mess of beans that Yana, sensitive now to such subtleties, would have given her right big toe to discover. It was tasty and filling, satisfying even their hearty appetites.

Immediately afterward, the table was dismantled and taken out of the main room, and chairs, benches, stools, and odd crates were placed about the room. The guitar came off the wall again, and Yana identified one round object with jingling bits fastened in its lip as a tambourine.

Lonciana was busy in the kitchen end of the house, mixing the blurry with the help of her eldest daughters, while Pablo, Johnny, and the older Ondelacy boys began to greet the visitors as they began to pour in.

Once again Yana wondered at the way a small Petaybean house could seem to expand infinitely to contain so many people. Eventually there was only a small space around the high stool that had been placed in the center of the room for the singers-of which Yana was one, and probably the first. Bunny and Johnny both kept her mug as well as Diego's full of blurry once Diego announced that he had his song, too.

Yana missed Sean desperately, but Johnny took her to the stool and settled her on it, taking the mug when she drained the last of the blurry.

"This is Major Yana Maddock, who was at Bremport and who is now one of us," Johnny began simply. "She has a song for you."

Silence has different qualities, Yana knew, from the absolute one she'd not heard on her few space walks to that of expectancy, either a hopeful or happy one, or a mean and miserable show-us-your-stuff kind. This was expectant and almost reverent. That startled her so much that she began to sing to stop what her ears weren't hearing.

After the first few lines got past her teeth, she actually began to enjoy the act of singing, not that she would ever truly enjoy the song that she must sing. Maybe one day soon, as Sean had suggested, she'd find joy in making a song.

"I was sent here to die, too, here where the snows live,

The waters live, the animals and trees live.

And you And now I live."

The last words came out before she realized she had added them to the song.

Then Lonciana and Pablo made their way to her and took her hands, holding them to their cheeks, their tears moistening the backs of her fingers. Each of the Ondelacy children, smiling shyly with their misty eyes, touched her hands. too.

Other voices lifted in appreciation of her song and she was able to get down off the stool without any help.

Bunny led Diego to the stool. There was a purpose in the young man's eye now, Yana noticed, that hadn't been there before. He was growing into his true manhood, and what had happened at McGee's Pass had tempered him.

"This is Diego Metaxos, who was with me at McGee's Pass and risked his life to save me," Bunny said, giving Diego's hand a squeeze before she released it. "He has a song that all must hear."

Diego tipped his head back, closed his eyes to slits, and rested his hands on his thighs with his feet hooked on the lower stretcher of the stool.

"Deep is the place of communion Where mist and ice and stone are warm With what is more than friendship, More than father or mother love, With nurturing and understanding. We all treasure this place of communion. It is our place, our place, our place."

His voice, now firmly baritone, raised to the top of his range and intensified as he repeated the phrase. Then his tone altered to that of a story teller who is forced to relate truths that disturb him.

"There are others who do not believe that our place Is ours and has been since men and women came here. They were once of us, and knew of communion. They left and in their years of leaving learned Much of evil and selfishness and unsharing, uncaring, un- kind, self-seeking, self-helping self-first and always. Having knowledge of things that bind and score and cover They have returned to make evil what was good"

Again his voice changed, colored with a bitterness that made Yana twitch uneasily, a bitterness that roused all his listeners.

"Why steal what is ours for no purpose but to keep it for only one? Why deprive the many of communion and hope and peace in times of worry? Why bury truth? Why bury our planet alive!"

Gasps of horror greeted that phrase, but Diego did not falter.

"For it has been buried alive, screaming unheard At McGee's Pass. The stone smothered, The roots strangled, The soil smothered White death like Your snow-skin From one like But unlike A son. What son wishes death to his father? What son demands honor unearned? Women raped and villages frightened And deprived of their place of communion And the gentle mists that heal, The gentle touch that soothes, The spirit that nurtures us. All of us!"

Diego's song roused the indignation of every listener that evening. Bunny was so proud of his song and his singing she almost vibrated. Then, when he had rested from the exertions of his singing, both young people related what had happened at McGee's Pass, and described Satok's treachery.

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