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To Paradise

Электронная книга - «To Paradise». Краткое содержание книги:

**From the author of the classic *A Little Life --*a bold, brilliant novel spanning three centuries and three different versions of the American experiment, about lovers, family, loss and the elusive promise of utopia.**
In an alternate version of 1893 America, New York is part of the Free States, where people may live and love whomever they please (or so it seems). The fragile young scion of a distinguished family resists betrothal to a worthy suitor, drawn to a charming music teacher of no means. In a 1993 Manhattan besieged by the AIDS epidemic, a young Hawaiian man lives with his much older, wealthier partner, hiding his troubled childhood and the fate of his father. And in 2093, in a world riven by plagues and governed by totalitarian rule, a powerful scientist's damaged granddaughter tries to navigate life without him--and solve the mystery of her husband's disappearances.
These three sections are joined in an enthralling and...
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For days, he did not leave: not his bed, not his room. He was tormented by thoughts of Andrew, and of his degradation, and if he was not thinking of one, he was thinking of the other. It seemed that if he stopped engaging with the world, then it too might stop engaging with him, and as days turned into weeks, he lay in his bed and tried to think of nothing, certainly not of himself within the world’s dizzying vastness, and finally, after many weeks, the world did indeed shrink to something manageable—his bed, his room, his grandfather’s undemanding daily and nightly visits. Finally, after nearly three months, something broke, as if he had been encased in a shell and someone—not him—had tapped it open, and he emerged feeble and pale and hardened, he thought, against Andrew and his own mortification. He swore, then, that he would never again let himself feel so passionately, never let himself be so full of adoration, so replete with happiness, a vow that he would extend not just to people but to art as well, so that when Grandfather sent him to Europe for a year under the guise of a Grand Tour (but really, they both knew, as a way to avoid Andrew, who was still living in the city, still with his beau, who was now his fiancé), he moved lightly among the frescoes and paintings that loomed down from every ceiling, from every walclass="underline" He looked up and at them and felt nothing.

When he returned home to Washington Square fourteen months later, he was cooler, more distant, but also more alone. His friends, those quiet boys he had neglected and then discarded once he had begun seeing Andrew, had found their own lives—he rarely saw them. John and Eden too seemed to have become more capable than ever before: John was soon to be married; Eden was in college. Something had been gained, a sense of remoteness, a greater strength, but something had also been lost: He tired quickly, he craved solitude, and his first month at Bingham Brothers—where he began as a clerk, as his father and grandfather had both done upon their entry into the company—was so taxing as to be almost debilitating, especially when compared with John, who was training alongside him and yet whose numerical dexterity and general ambition distinguished him from the beginning. It was Grandfather who suggested that David might have contracted an illness, something unknown and depleting, on the Continent, and might do with a few weeks’ rest, but they both knew that this was a fiction, and that he was giving David a way to excuse himself without having to actually admit failure. Weary, David accepted, and then those weeks became months, and then years, and he never returned to the bank.

He did his best to forget the wildness of emotion, the passion, that he had felt around Andrew, but sometimes he was gripped with the memory of that time, and its humiliation, and he would retreat once more to his room and take to his bed. These episodes, what he and his grandfather would come to call his confinements—and what his grandfather characterized, delicately, to Adams and his siblings as his “nervous trouble”—would usually be preceded or succeeded by a period of mania, frenzied days he would spend feverishly shopping, or painting, or walking, or at the bordello: all things he did in his normal life, but intensified and excessively writ. They were, he knew, ways for him to escape himself, and yet he had not invented these methods; they had been invented for him, and he was at their mercy, they made his body move either too quickly or not at all. Two years after his return from Europe, he had received a card from Andrew announcing the adoption of his and his husband’s first child, a girl, and he had written a congratulatory note back. But then, that night, he had begun to wonder: What was the purpose of Andrew’s note? Had it truly been sent intentionally, or was it an oversight? Was it a gesture of friendship, or was it meant to ridicule? He sent a longer letter to Andrew, inquiring about him and confessing how he missed him.

And then it was as if something had been undammed in him, and he began to write letter after letter, by turns accusing Andrew and pleading with him, condemning him and imploring him. After dinner, he would sit with Grandfather in his drawing room, trying to stop his fingers from twitching with impatience, looking at the chessboard but seeing in his mind his desk with its paper and blotter, and as soon as he was able, he would leave, running up the final steps, and write Andrew again, ringing for Matthew late into the night to post his most recent missive. His disgrace, when it came—as even he knew it would—was great: An attorney who represented Andrew’s husband’s family asked for a meeting with Frances Holson and gravely drew from his case a stack of David’s letters to Andrew, dozens of them, the last twenty or so not even opened, and told Frances that David must stop bothering his client. Frances spoke to his grandfather, and his grandfather spoke to him, and though he had been gentle, David’s anguish had been so intense that this time it had been his grandfather who had confined him to his room, with one of the maids to watch over him day or night, so worried was he that David might harm himself. This, David could see, was when his siblings had lost their final residue of respect for him, was when he became, truly, an invalid; someone whose normal state went from being one of health to one of illness, so that wellness was something to be measured in interludes, a respite before he was returned to his native lunacy. He knew he had become a problem for his grandfather, and although his grandfather never mentioned it, he feared he would soon graduate from being a difficulty into being a burden. He did not go out, he knew no one; a marriage would clearly have to be found for him, for he was incapable of finding his own. And yet he rejected all of Frances’s candidates, unable to contemplate the energy and deception it would take to trick someone into marrying him. Gradually, the offers had thinned, and then stopped, until, at some point, Frances and Grandfather must have talked about finding a different caliber of man—that is how Frances would have stated it: A different caliber, perhaps someone slightly more mature, what did Nathaniel think?—and Charles Griffith had been contacted by the marriage broker, and David’s dossier presented to him as a possible candidate.

This was the end for him. This year, he would be twenty-nine. If Charles knew of his confinements, others did as well—he must not delude himself about that. With each year, his money meant less, for the world was growing wealthier: Not now, but within the next few decades, there would emerge a family richer than the Binghams, and he would have rejected all his opportunities, and still be living in Washington Square, his hair gone white, his skin lined, spending his money on amusements—books and drawing paper and paints and men—as a child does on candy and toys. He did not only want to believe Edward, he had to believe him; if he went to California, he would be leaving behind his home and his grandfather, but might he not also be leaving behind his sickness, his past, his mortifications? His history, so entangled with New York itself that every block he walked was the scene of some past embarrassment?: Could it not be draped in a sheet and hung in the back of his closet like his winter coat? What was life worth if he might not have his chance, slim as it might be, of feeling that it was truly his, his to make or destroy, his to mold like clay or shatter like china?

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