The World's Greatest Books [Volumes 1-15, 17-20]
- Автор: Gutenberg
- Год: 1910
- Язык: английский
- Жанр: Культурология
Электронная книга - «The World's Greatest Books [Volumes 1-15, 17-20]». Краткое содержание книги:
The World's Greatest Books — Volume 01 — Fiction от Неизвестный
The World's Greatest Books — Volume 02 — Fiction от Неизвестный
The World's Greatest Books — Volume 03 — Fiction от Неизвестный
The World's Greatest Books — Volume 04 — Fiction от Неизвестный
The World's Greatest Books — Volume 05 — Fiction от Неизвестный
The World's Greatest Books — Volume 06 — Fiction от Неизвестный
The World's Greatest Books — Volume 07 — Fiction от Неизвестный
The World's Greatest Books — Volume 08 — Fiction от Неизвестный
The World's Greatest Books — Volume 09 — Lives and Letters от Неизвестный
The World's Greatest Books — Volume 10 — Lives and Letters от Неизвестный
The World's Greatest Books — Volume 11 — Ancient and Mediæval History от Неизвестный
The World's Greatest Books — Volume 12 — Modern History от Неизвестный
The World's Greatest Books — Volume 13 — Religion and Philosophy от Неизвестный
The World's Greatest Books — Volume 14 — Philosophy and Economics от Неизвестный
The World's Greatest Books — Volume 15 — Science от Неизвестный
The World's Greatest Books — Volume 17 — Poetry and Drama от Неизвестный
The world's greatest books от Mee, Arthur, 1875-1943, joint editor & Hammerton, John Alexander, Sir, 1871-1949, joint editor & McClure, S. S. (Samuel Sidney), 1857-1949, joint editor
The World's Greatest Books — Volume 19 — Travel and Adventure от Неизвестный
The World's Greatest Books — Volume 20 — Miscellaneous Literature and Index от Неизвестный
On the eve of the day destined to be his last on earth Eugene Aram placed in Walter's hands a paper which that young man pledged himself not to read till Rowland Lester's grey hairs had gone to the grave. This document set forth at length the story of Aram's early life, how he sought knowledge amidst grinding poverty, and how, when a gigantic discovery in science gleamed across his mind, a discovery which only lack of means prevented him from realising to the vast benefit of truth and man, the tempter came to him. This tempter took the form of a distant relative, Richard Houseman, with his doctrine that "Laws order me to starve, but self-preservation is an instinct more sacred than society," and his demand for co-operation in an act of robbery from one Daniel Clarke, whose crimes were many, who was, moreover, on the point of disappearing with a number of jewels he had borrowed on false pretences.
"Houseman lied," wrote the condemned man. "I did not strike the blow. I never designed a murder. But the deed was done, and Houseman divided the booty. My share he buried in the earth, leaving me to withdraw it when I chose. There, perhaps, it lies still. I never touched what I had murdered my own life to gain. Three days after that deed a relative, who had neglected me in life, died and left me wealth--wealth, at least, to me! Wealth greater than that for which I had----My ambition died in remorse!"
Houseman passed away in his own bed. But he had to be buried secretly in the dead of night, for, ten years after Eugene Aram had died on the scaffold, the hatred of the world survived for his accomplice. Rowland Lester did not live long after Madeline's death. But when Walter returned from a period of honourable service with the great Frederick of Prussia, it was with no merely cousinly welcome that Ellinor received him.
The Last Days of Pompeii
"The Last Days of Pompeii," the most popular of Lytton's historical romances, was begun and almost completed at Naples in the winter of 1832-3, and was first published in 1834. The period dealt with is that of 79 A.D., during the short reign of Titus, when Rome was at its zenith and the picturesque Campanian city a kind of Rome-by-the-Sea. Lytton wrote the novel some thirty years before the excavations of Pompeii had been systematically begun; but his pictures of the life, the luxuries, the pastimes and the gaiety of the half-Grecian colony, its worship of Isis, its trade with Alexandria, and the early struggles of Christianity with heathen superstition are exceptionally vivid. The creation of Nydia, the blind flower-girl, was suggested by the casual remark of an acquaintance that at the time of the destruction of Pompeii the sightless would have found the easiest deliverance.
I.--The Athenian's Love Story
Within the narrow compass of the walls of Pompeii was contained a specimen of every gift which luxury offered to power. In its minute but glittering shops, its tiny palaces, its baths, its forum, its theatre, its circus--in the energy yet corruption, in the refinement yet the vice, of its people, you beheld a model of the whole Roman Empire. It was a toy, a plaything, a show-box, in which the gods seemed pleased to keep the representation of the great monarchy of earth, and which they afterwards hid from time, to give to the wonder of posterity--the moral of the maxim, that under the sun there is nothing new.
Crowded in the glassy bay were vessels of commerce and gilded galleys for the pleasures of the rich citizens. The boats of the fishermen glided to and fro, and afar off you saw the tall masts of the fleet under the command of Pliny.
Drawing a comrade from the crowded streets, Glaucus the Greek, newly returned to Pompeii after a journey to Naples, bent his steps towards a solitary part of the beach; and the two, seated on a small crag which rose amidst the smooth pebbles, inhaled the voluptuous and cooling breeze which, dancing over the waters, kept music with its invisible feet. There was something in the scene which invited them to silence and reverie.
Clodius, the aedile, who sought the wherewithal for his pleasures at the gaming table, shaded his eyes from the burning sky, and calculated the gains of the past week. He was one of the many who found it easy to enrich themselves at the expense of his companion. The Greek, leaning upon his hand, and shrinking not from that sun, his nation's tutelary deity, with whose fluent light of poesy and joy and love his own veins were filled, gazed upon the broad expanse, and envied, perhaps, every wind that bent its pinions toward the shores of Greece.
Glaucus obeyed no more vicious dictates when he wandered into the dissipations of his time that the exhilarating voices of youth and health. His heart never was corrupted. Of far more penetration than Clodius and others of his gay companions deemed, he saw their design to prey upon his riches and his youth; but he despised wealth save as the means of enjoyment, and youth was the great sympathy that united him to them. To him the world was one vast prison to which the sovereign of Rome was the imperial gaoler, and the very virtues which, in the free days of Athens, would have made him ambitious, in the slavery of earth made him inactive and supine.
"Tell me, Clodius," said the Athenian at last, "hast thou ever been in love?"
"Yes, very often."
"He who has loved often," answered Glaucus, "has loved never."
"Art thou, then, soberly and earnestly in love? Hast thou that feeling which the poets describe--a feeling which makes us neglect our suppers, forswear the theatre, and write elegies? I should never have thought it. You dissemble well."
"I am not far gone enough for that," returned Glaucus, smiling. "In fact, I am not in love; but I could be if there but be occasion to see the object."
"Shall I guess the object? Is it not Diomed's daughter? She adores you, and does not affect to conceal it. She is both handsome and rich. She will bind the door-post of her husband with golden fillets."
"No, I do not desire to sell myself. Diomed's daughter is handsome, I grant; and at one time, had she not been the grandchild of a freedman, I might have--yet, no--she carries all her beauty in her face; her manners are not maiden-like, and her mind knows no culture save that of pleasure."
"You are ungrateful. Tell me, then, who is the fortunate virgin."
"You shall hear, my Clodius. Several months ago I was sojourning at Naples, a city utterly to my own heart. One day I entered the temple of Minerva to offer up my prayers, not for myself more than for the city on which Pallas smiles no longer. The temple was empty and deserted. The recollections of Athens crowded fast and meltingly upon me. Imagining myself still alone, my prayer gushed from my heart to my lips, and I wept as I prayed. I was startled in the midst of my devotions, however, by a deep sigh. I turned suddenly, and just behind me was a female. She had raised her veil also in prayer, and when our eyes met, methought a celestial ray shot from those dark and smiling orbs at once into my soul.
"Never, my Clodius, have I seen mortal face more exquisitely moulded. A certain melancholy softened, and yet elevated, its expression. Tears were rolling down her eyes. I guessed at once that she was of Athenian lineage. I spoke to her, though with a faltering voice. 'Art thou not, too, Athenian?' said I. At the sound of my voice she blushed, and half drew her veil across her face. 'My forefathers' ashes,' she said, 'repose by the waters of Ilyssus; my birth is of Naples; but my heart, as my lineage, is Athenian.'
"'Let us, then,' said I, 'make our offerings together!' And as the priest now appeared, we stood side by side, and so followed the ceremonial prayer. Together we touched the knees of the goddess; together we laid our olive garlands on the altar. Silently we left the temple, and I was about to ask her where she dwelt, when a youth, whose features resembled hers, took her by the hand. She turned and bade me farewell, the crowd parted us, and I saw her no more; nor when I returned to Naples after a brief absence at Athens, was I able to discover any clue to my lost country-woman. So, hoping to lose in gaiety all remembrance of that beautiful apparition, I hastened to plunge myself amidst the luxuries of Pompeii. This is all my history, I do not love but I remember and regret."