The Black Lizard Big Book of Black Mask Stories
- Автор: Adams Cleve F., Babcock Dwight V.
- Год: 2010
- Язык: английский
- Год: A Vintage Crime/Black Lizard
- ISBN: 978-0-307-45543-7
- Жанр: Криминальные детективы
Электронная книга - «The Black Lizard Big Book of Black Mask Stories». Краткое содержание книги:
Black Mask was the apotheosis of noir. It was the magazine where the first hardboiled detective story, which was written by Carroll John Daly appeared. It was the slum in which such American literary titans like Dashiell Hammett and Raymond Chandler got their start, and it was the home of stories with titles like “Murder Is Bad Luck,” “Ten Carets of Lead,” and “Drop Dead Twice.” Collected here is best of the best, the hardest of the hardboiled, and the darkest of the dark of America’s finest crime fiction. This masterpiece collection represents a high watermark of America’s underbelly. Crime writing gets no better than this.
Collins said: “Van Diesten, are you all right?”
Van Diesten was choking for breath. “Yuh-yes.”
“Find the light. Shine it down here.”
The flashlight moved its beam down through the torn stretch of flooring. On the ground, crumpled in a limp pile, lay Rick Preston. His glasses were broken and glistening beside him, and his thin, hungry face was twisted into a frozen snarl. He still had the revolver clutched in his right hand, and his coatfront was sodden with blood.
“That one,” said Van Diesten in numbed amazement. “That is the reporter that came only tonight to my home to ask me about this Myra Martin.”
“He’s dead,” said Collins, climbing up on the floor again. “Where’s the girl?”
The light moved away and circled across the floor toward the dark secretiveness of a corner. There was Myra Martin, at last. She was sitting up and smiling a little with her dead lips, and there was a red hole in her forehead and a trickle of blood that scarcely marred her still white prettiness.
“Poor little dummy,” said Collins.
“What is it, please?” said Van Diesten. “This... all this... I do not understand.”
Collins said slowly: “Myra Martin was a foolish little girl who wanted desperately to get into the movies. She couldn’t in the ordinary way, because she didn’t have enough talent or training, but of course she didn’t believe that. She’d gotten quite a little fame out of some publicity she got from winning a beauty contest, and she thought the same thing might work out here. She was going to use you as a stooge.”
“Me?” said Van Diesten. “But why?”
“You’re a famous director. She disappeared, leaving a lot of clues that would, by inference, point to you. Then her mother appeared, searching for her. She inquired everywhere — drawing attention to herself with her pathetic little story about her lost daughter and her lost business. Then she, too, disappeared just as her daughter had.”
“But why?” Van Diesten repeated blankly.
“To draw attention to Myra’s disappearance. As soon as either of those disappearances were investigated at all, all the planted clues and hints would point right at you. There’d be inquiries made and publicity.”
“And tonight?” Van Diesten asked.
“Tonight you were to have a mysterious interview with Myra. When questions were asked, you’d testify to that. Then Mrs. Martin would reappear, and you’d meet her. They’d bounce you back and forth between them, and you’d have to play along because you’d be more and more under suspicion of trying some dirty work. But right here, another party cut in. That was Rick Preston — very clever, very unscrupulous. He saw what Myra was up to — saw it quicker than I did. He wasn’t interested in two-for-a-penny publicity. He wanted money and a lot of it, and he realized instantly that Myra’s scheme was an ideal one for blackmailing you. If he changed that setup a little, you’d be right behind the eight-ball. You’d be accused of complicity in the disappearance of Myra and Mrs. Martin, and even if you could prove in court you had nothing to do with either, you’d be ruined in pictures. They won’t take a scandal like that.”
“No,” said Van Diesten. “That was why I was so afraid. Why I came here when she called and told me to. And then, I am trying to become a citizen — for my two boys and my little girl as well as myself. If I was implicated in any crime, then they would not let me.”
Collins nodded. “They figured on that. Mrs. Martin came to me, thinking I would go to the police after she disappeared. Myra was still after publicity. But Preston didn’t want it — not through me. He tried to scare me off. He was already in touch with Myra. He found her at the Fortmount Hotel and got in with her by telling her he was a reporter. He played along with her until tonight, pretending to help her, and then he told her what he really meant to do — he wasn’t going to get publicity for her. He was going to get money from you. She refused, and she made a scene. She was a little fool, and she didn’t realize how dangerous... Preston didn’t think he could lose by killing her. She had planned her own disappearance too well, and it gave him another weapon to use against you — a real one, not a fake.”
“But... but what is this publicity she was going to get?”
Collins said: “Myra was going to prove what a wonderful actress she was. Prove it by fooling an expert — you.”
“How could she do that?”
“There is no Mrs. Della Martin. Myra and her mother are the same person. Myra played the part of her mother. That was her little scheme. If she could fool you — doing that — it would prove how clever she was.”
“Same person...” Van Diesten repeated.
“Then, she planned, she would have suddenly faced you and proved to you that she had been playing two parts and playing them so well she had fooled you, and you’d have given her a job, in self-defense if for no other reason.”
“How did... how did you know?”
“When she came to see me as Mrs. Della Martin, she didn’t cry. She told a very sad story. She nearly made me cry. She should have at least shed a tear or two. But she couldn’t. If she had, she’d have spoiled her make-up.”
There was a long silence, and then Van Diesten fumbled uncertainly over words: “You did all this, and you do not even know me...”
“Well, to tell the truth,” Collins said, “I think I brought it on myself. The only way I can figure that Myra would know anything about me is that I must have gotten crocked at a party somewhere and talked too much about my experiences in Europe. She either heard me or someone she knew did. If I’d have kept my big mouth shut, I’d never have gotten in this in the first place.”
“That does not make any difference. You have done so much, and I want to show you how I feel...”
Collins chuckled. “Never mind. I don’t even want a job. I’ve got a better one than you could give me coming up.”
“Better?” Van Diesten said.
“Yes. The Army. I’m just sitting around and loafing while I’m waiting to be inducted. You run along home now. I’ll report this, and I won’t even mention your name. There’s a detective by the name of Tilwitz who is going to come steaming around here in a little while. He won’t believe me no matter what I say, so I’ll dream up something real fancy for him.” Collins’ voice sobered suddenly. “This is Myra’s last chance, and I’m going to give her as big a part to play as I can.”
T. McGuirk Steals a Diamond
Ray Cummings
Ray(mond) (King) Cummings (1887–1957) was born in what is now Times Square and, in later years, made it a habit to eat at a restaurant built near the place of his birth, specifically asking for the table nearest the actual spot. His family was wealthy and he attended Princeton at a precocious sixteen years of age, but was removed after only a month to go to Puerto Rico, where his father and brothers had started a large orange plantation. He got a private tutor, but neither he nor the tutor was particularly interested in studying, instead enjoying the nightlife of the island. After brief stints working at oil wells in Wyoming and mines in British Columbia and Alaska, Cummings went to work for Thomas Alva Edison, mostly writing for and editing house organs and record album covers, before becoming a full-time fiction writer. His first story, “The Girl in the Golden Atom” (1919), became an instant classic of science fiction, helping to earn him the title “the founding father of pulp science fiction.” He went on to produce more than seven hundred short stories, mostly science fiction and mystery, for the pulps, as well as numerous SF novels. In later years, the quality of his writing declined, so he collaborated with both his wife and his daughter. His imagination remained intact, and with them he wrote a series of “impossible crime” stories; a collection titled Tales of the Scientific Crime Club was published in 1979.