The Black Lizard Big Book of Black Mask Stories
- Автор: Adams Cleve F., Babcock Dwight V.
- Год: 2010
- Язык: английский
- Год: A Vintage Crime/Black Lizard
- ISBN: 978-0-307-45543-7
- Жанр: Криминальные детективы
Электронная книга - «The Black Lizard Big Book of Black Mask Stories». Краткое содержание книги:
Black Mask was the apotheosis of noir. It was the magazine where the first hardboiled detective story, which was written by Carroll John Daly appeared. It was the slum in which such American literary titans like Dashiell Hammett and Raymond Chandler got their start, and it was the home of stories with titles like “Murder Is Bad Luck,” “Ten Carets of Lead,” and “Drop Dead Twice.” Collected here is best of the best, the hardest of the hardboiled, and the darkest of the dark of America’s finest crime fiction. This masterpiece collection represents a high watermark of America’s underbelly. Crime writing gets no better than this.
Without opening his eyes, Barr said: “Better leave the window alone, Mrs. Ebbett.”
Her lips trembled, but she went back to her chair and sank into it with a helpless little sigh. More minutes passed; then they heard the sound of the downstairs door opening.
Henry’s rap on Mrs. Pettigrew’s door was loud and distinct. “Just wanted to tell you I was back, Mrs. Pettigrew,” he was saying. “Thank you very much for speaking up for me at the inquest...”
Then they heard Henry’s feet on the tread. The apartment door began to swing open.
Barr leaned forward intently.
Bertha Ebbett stifled a scream...
For as Henry came into the warm room, he stopped and stood utterly still before them, blinded by the vapor which immediately condensed on the lenses of his thick horn-rimmed glasses...
Try the Girl
Raymond Chandler
Raymond (Thornton) Chandler (1888–1959) was born in Chicago, then taken to England as a child and became a British citizen in 1907, but returned to America in 1912 and eventually regained his American citizenship in 1956. He worked in numerous jobs before selling his first short story to Black Mask in 1933 at the age of forty-five. Although he is regarded today as perhaps the greatest private-eye writer who ever lived, his pulp stories brought him little fame and not much financial benefit. The detectives in those stories bore different names (Carmady, Dalmas, Mallory, Malvern, and an unnamed protagonist), but they were essentially interchangeable with his most famous hero, Philip Marlowe. After he achieved success with the publication of his first novel, The Big Sleep (1939), the stories were collected in several volumes and the protagonists’ names were all changed to Marlowe. Chandler produced only seven novels in his career, six of which were filmed (the seventh, Playback, is markedly inferior to the others). Farewell, My Lovely (filmed as Murder My Sweet, 1944) starred Dick Powell as Marlowe; it was followed by The Big Sleep (1946, with Humphrey Bogart), Lady in the Lake (1947, with Robert Montgomery), The High Window (1947, filmed as The Brasher Doubloon, with George Montgomery), The Little Sister (1969, filmed as Marlowe, with James Garner), and The Long Goodbye (1973, with Elliott Gould in a memorable masterstroke of miscasting).
“Try the Girl,” Chandler’s last Black Mask story, was published in January 1937.
The big guy wasn’t any of my business. He never was, then or later, least of all then.
I was over on Central, which is the Harlem of Los Angeles, on one of the “mixed” blocks, where there were still both white and colored establishments. I was looking for a little Greek barber named Tom Aleidis whose wife wanted him to come home and was willing to spend a little money to find him. It was a peaceful job. Tom Aleidis was not a crook.
I saw the big guy standing in front of Shamey’s, an all-colored drink and dice second-floor, not too savory. He was looking up at the broken stencils in the electric sign, with a sort of rapt expression, like a hunky immigrant looking at the Statue of Liberty, like a man who had waited a long time and come a long way.
He wasn’t just big. He was a giant. He looked seven feet high, and he wore the loudest clothes I ever saw on a really big man.
Pleated maroon pants, a rough grayish coat with white billiard balls for buttons, brown suede shoes with explosions in white kid on them, a brown shirt, a yellow tie, a large red carnation, and a front-door handkerchief the color of the Irish flag. It was neatly arranged in three points, under the red carnation. On Central Avenue, not the quietest-dressed street in the world, with that size and that make-up he looked about as unobtrusive as a tarantula on a slice of angel food.
He went over and swung back the doors into Shamey’s. The doors didn’t stop swinging before they exploded outward again. What sailed out and landed in the gutter and made a high, keening noise, like a wounded rat, was a slick-haired colored youth in a pinchback suit. A “brown,” the color of coffee with rather thin cream in it. His face, I mean.
It still wasn’t any of my business. I watched the colored boy creep away along the walls. Nothing more happened. So I made my mistake.
I moved along the sidewalk until I could push the swing door myself. Just enough to look in. Just too much.
A hand I could have sat in took hold of my shoulder and hurt and lifted me through the doors and up three steps.
A deep, soft voice said in my ear easily, “Smokes in here, pal. Can you tie that?”
I tried for a little elbow room to get to my sap. I wasn’t wearing a gun. The little Greek barber business hadn’t seemed to be that sort of job.
He took hold of my shoulder again.
“It’s that kind of place,” I said quickly.
“Don’t say that, pal. Beulah used to work here. Little Beulah.”
“Go on up and see for yourself.”
He lifted me up three more steps.
“I’m feeling good,” he said. “I wouldn’t want anybody to bother me. Let’s you and me go on up and maybe nibble a drink.”
“They won’t serve you,” I said.
“I ain’t seen Beulah in eight years, pal,” he said softly, tearing my shoulder to pieces without noticing what he was doing. “She ain’t even wrote in six. But she’ll have a reason. She used to work here. Let’s you and me go on up.”
“All right,” I said. “I’ll go up with you. Just let me walk. Don’t carry me. I’m fine. Carmady’s the name. I’m all grown up. I go to the bathroom alone and everything. Just don’t carry me.”
“Little Beulah used to work here,” he said softly. He wasn’t listening to me.
We went on up. He let me walk.
A crap table was in the far corner beyond the bar, and scattered tables and a few customers were here and there. The whiny voices chanting around the crap table stopped instantly. Eyes looked at us in that dead, alien silence of another race.
A large Negro was leaning against the bar in shirt-sleeves with pink garters on his arms. An ex-pug who had been hit by everything but a concrete bridge. He pried himself loose from the bar edge and came towards us in a loose fighter’s crouch.
He put a large brown hand against the big man’s gaudy chest. It looked like a stud there.
“No white folks, brother. Jes’ fo’ the colored people. I’se sorry.”
“Where’s Beulah?” the big man asked in his deep, soft voice that went with his big white face and his depthless black eyes.
The Negro didn’t quite laugh. “No Beulah, brother. No hooch, no gals, jes’ the scram, brother. Jes’ the scram.”
“Kind of take your goddam mitt off me,” the big man said.
The bouncer made a mistake, too. He hit him. I saw his shoulder drop, his body swing behind the punch. It was a good clean punch. The big man didn’t even try to block it.
He shook his head and took hold of the bouncer by the throat. He was quick for his size. The bouncer tried to knee him. The big man turned him and bent him, took hold of the back of his belt. That broke. So the big man just put his huge hand flat against the bouncer’s spine and threw him, clear across the narrow room. The bouncer hit the wall on the far side with a crash that must have been heard in Denver. Then he slid softly down the wall and lay there, motionless.
“Yeah,” the big man said. “Let’s you and me nibble one.”
We went over to the bar. The barman swabbed the bar hurriedly. The customers, by ones and twos and threes, drifted out, silent across the bare floor, silent down the dim uncarpeted stairs. Their departing feet scarcely rustled.