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Widespread Panic

Электронная книга - «Widespread Panic». Краткое содержание книги:

Freddy Otash was the man in the know and the man to know in ’50s L.A. He was a rogue cop, a sleazoid private eye, a shakedown artist, a pimp — and, most notably, the head strong-arm goon for Confidential magazine.
Confidential presaged the idiot internet — and delivered the dirt, the dish, the insidious ink, and the scurrilous skank. It mauled misanthropic movie stars, sex-soiled socialites, and putzo politicians. Mattress Jack Kennedy, James Dean, Montgomery Clift, Burt Lancaster, Liz Taylor, Rock Hudson — Frantic Freddy outed them all. He was the Tattle Tyrant who held Hollywood hostage, and now he’s here to CONFESS.
“I’m consumed with candor and wracked with recollection. I’m revitalized and resurgent. My meshugenah march down memory lane begins NOW.”
In Freddy’s viciously entertaining voice, Widespread Panic torches 1950s Hollywood to the ground. It’s a blazing revelation of coruscating corruption, pervasive paranoia, and of sin and redemption with nothing in between.
Here is James Ellroy in savage quintessence. Freddy Otash confesses — and you are here to read and succumb.
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The Book of Revelation 2:9–10: I know about your suffering and your poverty... I know the blasphemy of those opposing you.

I owed Sambo a warning. I sensed his malevolent move, back in Russia. He finked Meyerhold and his missus to the Politburo and the NKVD. He cited reconstructionism, recidivism, formalism. He kissed Commie ass as only Commies can. His motive was most likely envy. He didn’t want to be a bomb big shot. He wanted to be a radical-theater rajah. He wanted to mesmerize the masses, à la Meyerhold in his hoodwinked heyday.

Dusk hit. I looped Coldwater Canyon northbound and hit the Valley. The Valley Vista Villas loomed. I surveillance-circled the block and came back behind the buildings. I noticed a series of second-floor terraces with connecting walkways.

Let’s surprise Comrade Sambo. Pick the sliding-glass-door lock and enter his crib. Hey, Sambo — it’s dues time. Run while you can. Claire Klein is radical theater beyond your corrupt ken.

I parked and schlepped it up to the terrace walkway. Sambo’s pad was three glass doors down. I heard shuddering Shostakovich bursting from within. The muted message was Fuck the Soviet Beast. The doors were heavy glass and locked from inside. I thought I heard one single screech.

I was too late. Sambo ran toward the terrace — and me. He was naked. His pubic hair had been shaved. His eyes had been stabbed out. His chest and legs had been stabbed. Claire chased after him. She wore a wooden Kabuki mask. Kabuki masks were a Meyerhold trademark. Claire’s mask bore the face of Zinaida Raikh.

Comrade Sam couldn’t see me. Zinaida-Claire didn’t see me. Comrade Sam tripped and fell. Claire ran her shiv between his legs and eviscerated him.

Rush-hour traffic. It slowed my trek back. I stopped at a pay phone to kill time. I called Bill Parker and gave him a loose lowdown. He said, “Thanks, Freddy.” He said, “Better dead than Red,” and hung up.

I hung up and snail-trailed back to 6th and Dunsmuir. Charlie Fullerton lived above his garage. His garage enticed me.

Old police detectives and Feds. They saved their most fecund files and stored them in marked boxes. They piled said boxes in their garages — more often than not.

Charlie would be off at the Raincheck Room or Rick’s Riptide. It was 7:45. I had lock picks and a penlight. I had Whiskey Bill Parker’s home number if I fell in the shit.

It went as predicted. I picked the lock and picked through stuffed boxes. They were code-named and listed code-numbered rat-outs. I found the “Redbird” boxes and counted numbered snitches. Who killed you, baby? There’s just numbers — no names.

Fullerton inked occasional comments. Rat-out #114 stood out. This guy was Hard Red and Deep Red. Sammy Ahlendorf mentored him. He talked up the need to snuff Federal snitches. He did this incessantly. Joan ratted him in May ’49. He never joined the cell. Fullerton called him a fellow traveler. He was a closeted Party member. He drifted off for parts unknown, fall ’49.

I wrote “114” and Fullerton’s comments on my scratch pad. I wrote down numbers and comments for a dozen other snitches. I planned to pop the den mother with Pentothal. I believe in coerced confessions. How could I not? Bill Parker just made me his snitch.

I beat retreat feet to Googie’s. The Tattle Tyrant turns tail. He slinks in defeat.

Rock Hudson sat in my booth. He was anchored in anguish and locked in loss. He’s all worrisome and woe is me.

I sat down. Rock said, “Ask me why I look like warmed-over shit. I’m a movie star. I can’t afford days like this.”

“Tell me — but it’s not like I can’t guess.”

Rock said, “Claire robbed me. She cracked the safe in my den, and stole twelve grand in cash and forty grand in gold Krugerrands. She’ll be long gone by now, and I know I’ll never see her again. I called Lew Wasserman, and, man, is he pissed.”

“You got off easy, brother. Some day I’ll tell you why.”

Rock slid me a slip of paper. “She left this in the safe. It’s for you. You get a good-bye, but I don’t.”

I read the note. It was bravura brief:

Freddy, love:

Rain check, okay? I’ll be thinking of you.

All best,

C.K.

The Den Mother’s Red Bedroom

4/8/54

I said, “It’s for Joan.”

She said, “You know exactly what to say to get exactly what you want from me. Truth serum, really.

Connie sat in the red chair. I sat on the red footstool. She held out her left arm. I swipe-swabbed it with alcohol and measured a mainline. I spike-speared her and jammed her the juice.

She sighed and went loosey-goosey. I said, “Count backward from one hundred and feel free to shut your eyes.”

She moved her lips. I barely heard it: 100, 99, 98, gonesville. I took a brief breather and consulted my control notes.

Joan rat-out #84. Code name: Lazy Maizie. She’s a San Marino socialite. She makes big donations to the Strikebusters’ International. It’s a known Commo front. Joan rat-out #204. Code name: John Henry. He’s a male Negro. He’s right tackle for the Detroit Lions. Charlie Fullerton’s comment: “All the mud-shark girls go nuts for him.”

I said, “How do you feel, Connie?”

Connie said, “Loose. But what if I don’t feel inclined to...”

“Name names? That’s okay. I’d be satisfied with simple, candid responses.”

Connie, très loose: “Love, I’m sure that’s all you’ll ever get from...”

I said, “Lazy Maizie.”

Connie, très, très loose. “She smoked hashish. She... put... her... hand on Joan’s leg... and Joan slapped her.”

That was gooooood. It was Joan-centric and Joan-phobic. I laid John Henry on her.

Connie, yet more loose: “He was... a steel-driving man in a Negro spiritual. We... sang that song at all the Scottsboro Boys rallies... we knew that something like half of them were guilty, though.”

It was half good. Connie voiced un-Commie-esque candor. I gave her a brief breather.

Rat-out #114 was un-code-named. I’d have to mention Sammy Ahlendorf to rouse recollection. The papers toed Bill Parker’s line, per dead Sammy. It’s suicide, case closed. Connie believed that horseshit.

I said, “Joan informed on this man. She must have felt very strongly about him. He said he wanted to murder all FBI snitches, but I don’t know his name. He never joined your cell, although he was very much in the thrall of Sammy Ahlendorf, and I think it’s safe to say that he shared Sammy’s anti-A-bomb mentality, which is to say he was pissed off when we A-bombed the Japs, even though they were fascists, and even though they dropped those eggs on Pearl Harbor.”

Connie sighed. Her hands twitched. Her eyelids fluttered. She’s digging deep here.

“I... remember him... He said, ‘We’ve got to expose the bomb before it wipes out the human race, and I’m going to build my career on it.’ ”

She snapped awake then. She didn’t name names or say his name. She didn’t need to. She’d already said this to me:

“He was my last tortured and torturing male lover — before you.”

Fullerton’s file facts fit. They surged circumstantial. Joan’s rat-out rang true. It did not mean that Steve Cochran killed her.

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