The Black Lizard Big Book of Pulps
- Автор: Anderson Lars, Barr Randolph
- Год: 2007
- Язык: английский
- Год: Vintage Books
- ISBN: 978-0-307-28048-0
- Жанр: Криминальные детективы
Электронная книга - «The Black Lizard Big Book of Pulps». Краткое содержание книги:
Weighing in at over a thousand pages, containing over forty-seven stories and two novels, this book is big baby, bigger and more powerful than a freight train — a bullet couldn’t pass through it. Here are the best stories and every major writer who ever appeared in celebrated Pulps like Black Mask, Dime Detective, Detective Fiction Weekly, and more. These are the classic tales that created the genre and gave birth to hard-hitting detectives who smoke criminals like packs of cigarettes; sultry dames whose looks are as lethal as a dagger to the chest; and gin-soaked hideouts where conversations are just preludes to murder. This is crime fiction at its gritty best.
The big twist was that the astronaut was a woman. But then, so was the quick-thinking victim. One could argue that this is progress of a sort, women seizing the initiative and taking action, with no men at all in the climactic confrontation. Or one could conclude that feminism is still a little spotty when women decide that eliminating other women is the way to resolve a romantic triangle. All I know is that I prefer the company of the dames within these pages, who parade before us in impeccable suits, filmy negligees, torn evening dresses, and — in the memorable case of Sarah Watson — a voluminous purple kimono worn over a corset. But not a diaper, never a diaper, thank God. Even the most venal among them have more class than that.
Angel Face
Cornell Woolrich
In 1935, Cornell Woolrich (1903–1968) submitted a story titled “Angel Face” to Dime Detective, which published it as “Murder in Wax” in its March 1, 1935, issue. A couple of years later, he sold a similar story about an avenging angel to Black Mask, who published it as “Face Work.” This story has been reprinted often as the title Woolrich clearly wanted for it, “Angel Face,” finally given to it by Frederic Dannay when he reprinted it in Ellery Queen’s Mystery Magazine for December 1946. While it has the usual number of plot inconsistencies one expects from the great poet of darkness, it is quintessential Woolrich in all its noir glory. Both “Face Work” and “Murder in Wax” were the basis for one of the seven great novels in his memorable “Black” series, The Black Angel (1943).
In addition to its frequent reprints, “Face Work” enjoyed other incarnations. It was bought for the movies soon after publication — the first of numerous Woolrich stories to be filmed. Columbia made it into a weak fifty-eight-minute B movie titled Convicted in 1938. Although it starred a young Rita Hayworth and meticulously followed the story, even lifting much of the original dialogue, it is neither a noir film nor a memorable one. Twelve years later, it was aired as “Angel Face” on radio’s famous Suspense series (May 18, 1950) with Claire Trevor as the good-hearted stripper who tries to save her brother from being convicted of a murder.
“Face Work” was first published in the October 1937 issue of Black Mask.
Beauty plus brains makes a deadly weapon
I had on my best hat and my warpaint when I dug into her bell. You’ve heard make-up called that a thousand times, but this is one time it rated it; it was just that — warpaint. I caught Ruby Rose Reading at breakfast time — hers, not mine. Quarter to three in the afternoon. Breakfast was a pink soda-fountain mess, a tomato-and-lettuce, both untouched, and an empty glass of Bromo Seltzer, which had evidently had first claim on her. There were a pair of swell ski slides under her eyes; she was reading Gladys Glad’s beauty column to try to figure out how to get rid of them before she went out that night and got a couple more. A Negro maid had opened the door, and given me a yellowed optic.
“Yes ma’am, who do you wish to see?”
“I see her already,” I said, “so skip the Morse Code.” I went in up to Ruby Rose’s ten-yard line. “Wheeler’s the name,” I said. “Does it mean anything to you?”
“Should it?” She was dark and Salomeish. She was mean. She was bad medicine. I could see his finish right there, in her eyes. And it hadn’t been any fun to dance at Texas Guinan’s or Larry Fay’s when I was sixteen, to keep him out of the orphan asylum or the reformatory. I hadn’t spent most of my young girlhood in a tinseled G-string to have her take apart what I’d built up, just to see what made him tick.
I said, “I don’t mind coming right out with it in front of your maid — if you don’t.”
But evidently she did. Maybe Mandy was on a few other payrolls besides her own. She hit her with the tomato-and-lettuce in the left eye as preamble to the request: “Whaddo I pay you for, anyway? Take Foo-Too around the block a couple of times!”
“I tuk him once already, and he was a good boy,” was the weather report she got on this.
“Well, take him again. Maybe you can kid him it’s tomorrow already.”
Mandy fastened something that looked like the business-end of a floor mop to a leash, went out shaking her head. “You sho didn’t enjoy yo’self last night. That Sto’k Club never do agree with you.”
As soon as the gallery was out of the way I said, “You lay off my brother!”
She lit a cigarette, nosed the smoke at me. “Well, Gracie Allen, you’ve come to the wrong place looking for your brother. And, just for the record, what am I supposed to have done to him, cured him of wiping his nose on his sleeve or something?”
“He’s been spending dough like wild, dough that doesn’t come out of his salary.”
“Then where does it come from?” she asked.
“I haven’t found out. I hope his firm never does, either.” I shifted gears, went into low — like when I used to sing “Poor Butterfly” for the customers — but money couldn’t have dragged this performance out of me, it came from the heart, without pay. “There’s a little girl on our street, oh not much to look at, thinks twelve o’clock’s the middle of the night and storks leave babies, but she’s ready to take up where I leave off, pinch pennies and squeeze nickels along with him, build him into something, get him somewhere, not spread him all over the landscape. He’s just a man, doesn’t know what’s good for him, doesn’t know his bass from his oboe. I can’t stand by and watch her chew her heart up. Give her a break, and him, and me. Pick on someone your size, someone that can take it. Have your fun and more power to you — but not with all I’ve got!”
She banged her cigarette to death against a tray. “O.K., is the screen test about over? Now, will you get out of here, you ham-actress, and lemme get my massage?” She went over and got the door ready for me. Gave a traffic-cop signal over her shoulder with one thumb. “I’ve heard of wives pulling this act, and even mothers, and in a pitcher I saw only lately, Camilly it was called, it was the old man. Now it’s a sister!” She gave the ceiling the once-over. “What’ll they think of next? Send grandma around tomorrow — next week East Lynne. Come on, make it snappy!” she invited, and hitched her elbow at me. If she’d touched me, I think I’d have murdered her.
“If you feel I’m poison, why don’t you put it up to your brother?” she signed off. And very low, just before she walloped the door after me: “And see how far you get!”
She was right. I said, “Chick, you’re not going to chuck your job, you’re not going to Chicago with that dame, are you?”
He looked at me funny and he said, “How did you know?”
“I saw your valise all packed, when I wanted to send one of your suits to the cleaners.”
“You ought to be a detective,” he said, and he wasn’t pally. “O.K.,” he said, “now that you mention it,” and he went in and he got it to show me — the back of it going out the door. But I got over there to the door before he did, and pulled a Custer’s Last Stand. I skipped the verse and went into the patter chorus. And boy did I sell it, without a spot and without a muted trumpet solo either! At the El-Fay in the old days they would have all been crying into their gin and wiring home to mother.
“I’m not asking anything for myself. I’m older than you, Chick, and when a girl says that you’ve got her down to bedrock. I’ve been around plenty, and ‘around’ wasn’t pretty. Maybe you think it was fun wrestling my way home each morning at five, and no holds barred, just so... so... Oh, I didn’t know why myself sometimes; just so you wouldn’t turn out to be another corner lizard, a sharpshooter, a bum like the rest of them. Chick, you’re just a punk of twenty-four, but as far as I’m concerned the sun rises and sets across your shoulders. Me and little Mary Allen, we’ve been rooting for you all along; what’s the matter with her, Chick? Just because her face don’t come out of boxes and she doesn’t know the right grips, don’t pass her by for something that ought to be shampooed out of your hair with gasoline.”