The Historians' History of the World 03 [Greece to the Peloponnesian War]
- Автор: Gutenberg
- Год: 1905
- Язык: английский
- Жанр: История
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Looking at the subject in the broadest way it, perhaps, does not greatly matter which view, as to the status of myths, is the true one. After all, the main purport of history in all its phases has value, not for what it tells us of the deeds of individual men or the conflicts of individual nations, but for what it can reveal of the process of the evolution of civilisation. Weighed by this standard, the beautiful myths of the Greeks are of value chiefly as revealing to us the essential status of the Greek mind in the early historical period, and the stage of evolution of that mind.
The beautiful myths of Greece cannot and must not be given up, and fortunately they need not. The view which Grote and the host of his followers maintained, practically solves the problem for the historian. He may retain the legend and gain from it the fullest measure of imaginative satisfaction; he may draw from it inferences of the greatest value as to the mental status of the Greek people at the time when the legends were crystallised into their final form; he may even believe that, in the main, the legends have been built upon a substructure of historical fact, and he may leave to specialists the controversy as to the exact relations which this substructure bears to the finished whole, content to accept the decision of the greatest critical historians of Greece that this question is insoluble.
From the period of myth pure and simple when the gods and goddesses themselves roved the earth achieving miracles, taking various shapes, slaying pythons, titans, and other monsters, and exercising their amorous fancies among the men and women of earth—from this period we come to the semi-historical time of the activity of the demi-gods and the men who, superior to the ordinary clay, were called Heroes.
The term “Heroic Age” has passed into general use with the historian as applying to the period of Grecian history immediately preceding and including the Trojan wars. As there are very few reliable documents at hand relating to this period—there were none at all until recently—it is clear that this age is in reality only the latter part of that mythical period to which we have just referred. Recent historians tend to treat it much more sceptically than did the historians of an earlier epoch; some are even disposed practically to ignore it. But the term has passed far too generally into use to be altogether abandoned; and, indeed, it is not desirable that it should be quite given up, for, however vague the details of the history it connotes, it is after all the shadowy record of a real epoch of history. We shall, perhaps, do best, therefore, to view it through the eyes of a distinguished historian of an earlier generation, remembering only that what is here narrated is still only half history—that is to say, history only half emerged from the realm of legend.a
The real limits of this period cannot be exactly defined; but still, so far as its traditions admit of anything like a chronological connection, its duration may be estimated at six generations, or about two hundred years.[6] The history of the heroic age is the history of the most celebrated persons belonging to this class, who, in the language of poetry, are called heroes. The term “hero” is of doubtful origin, though it was clearly a title of honour; but in the poems of Homer, it is applied not only to the chiefs, but also to their followers. In later times its use was narrowed, and in some degree altered; it was restricted to persons, whether of the Heroic or of after ages, who were believed to be endowed with a superhuman, though not a divine, nature, and who were honoured with sacred rites, and were imagined to have the power of dispensing good or evil to their worshippers; and it was gradually combined with the notion of prodigious strength and gigantic stature. Here however we have only to do with the heroes as men. The history of their age is filled with their wars, expeditions, and adventures; and this is the great mine from which the materials of the Greek poetry were almost entirely drawn. But the richer a period is in poetical materials, the more difficult it usually is to extract from it any that are fit for the use of the historian; and this is especially true in the present instance. We must content ourselves with touching on some which appear most worthy of notice, either from their celebrity, or for the light they throw on the general character of the period, or their connection, real or supposed, with subsequent historical events.
THE EXPLOITS OF PERSEUS
We must pass very hastily over the exploits of Bellerophon and Perseus, and we mention them only for the sake of one remark. The scene of their principal adventures is laid out of Greece, in the East. The former, whose father Glaucus is the son of Sisyphus, having chanced to stain his hands with the blood of a kinsman, flies to Argos, where he excites the jealousy of Prœtus, and is sent by him to Lycia, the country where Prœtus himself had been hospitably entertained in his exile. It is in the adjacent regions of Asia that the Corinthian hero proves his valour by vanquishing ferocious tribes and terrible monsters. Perseus too has been sent over the sea by his grandfather Acrisius, and his achievements follow the same direction, but take a wider range; he is carried along the coasts of Syria to Egypt, where Herodotus heard of him from the priests, and into the unknown lands of the South. There can be no doubt that these fables owed many of their leading features to the Argive colonies which were planted at a later period in Rhodes, and on the southwest coast of Asia. But still it is not improbable that the connection implied by them between Argolis and the nearest parts of Asia may not be wholly without foundation. We proceed however to a much more celebrated name, on which we must dwell a little longer—that of Hercules.
THE LABOURS OF HERCULES
It has been a subject of long dispute, whether Hercules was a real or a purely fictitious personage; but it seems clear that the question, according to the sense in which it is understood, may admit of two contrary answers, both equally true. When we survey the whole mass of the actions ascribed to him, we find that they fall under two classes. The one carries us back into the infancy of society, when it is engaged in its first struggles with nature for existence and security: we see him cleaving rocks, turning the course of rivers, opening or stopping the subterraneous outlets of lakes, clearing the earth of noxious animals, and, in a word, by his single arm effecting works which properly belong to the united labours of a young community. The other class exhibits a state of things comparatively settled and mature, when the first victory has been gained, and the contest is now between one tribe and another, for possession or dominion; we see him maintaining the cause of the weak against the strong, of the innocent against the oppressor, punishing wrong, and robbery, and sacrilege, subduing tyrants, exterminating his enemies, and bestowing kingdoms on his friends. It would be futile to inquire, who the person was to whom deeds of the former kind were attributed; but it is an interesting question, whether the first conception of such a being was formed in the mind of the Greeks by their own unassisted imagination, or was suggested to them by a different people.
It is sufficient to throw a single glance at the fabulous adventures called the “labours” of Hercules, to be convinced that a part of them at least belongs to the Phœnicians, and their wandering god, in whose honour they built temples in all their principal settlements along the coast of the Mediterranean. To him must be attributed all the journeys of Hercules round the shores of western Europe, which did not become known to the Greeks for many centuries after they had been explored by the Phœnician navigators. The number to which those labours are confined by the legend, is evidently an astronomical period, and thus itself points to the course of the sun which the Phœnician god represented. The event which closes the career of the Greek hero, who rises to immortality from the flames of the pile on which he lays himself, is a prominent feature in the same Eastern mythology, and may therefore be safely considered as borrowed from it. All these tales may indeed be regarded as additions made at a late period to the Greek legend, after it had sprung up independently at home. But it is at least a remarkable coincidence, that the birth of Hercules is assigned to the city of Cadmus; and the great works ascribed to him, so far as they were really accomplished by human labour, may seem to correspond better with the art and industry of the Phœnicians, than with the skill and power of a less civilised race. But in whatever way the origin of the name and idea of Hercules may be explained, he appears, without any ambiguity, as a Greek hero; and here it may reasonably be asked, whether all or any part of the adventures they describe, really happened to a single person, who either properly bore the name of Hercules, or received it as a title of honour.