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The Lacquer Screen

Электронная книга - «The Lacquer Screen». Краткое содержание книги:

A.D. 663
Early in his career, Judge Dee visits a senior magistrate who shows him a beautiful lacquer screen on which a scene of lovers has been mysteriously altered to show the man stabbing his lover. The magistrate fears he is losing his mind and will murder his own wife. Meanwhile, a banker has inexplicably killed himself, and a lovely lady has allowed Dee's lieutenant, Chiao Tai, to believe she is a courtesan. Dee and Chiao Tai go incognito among a gang of robbers to solve this mystery, and find the leader of the robbers is more honorable than the magistrate.
One of the most satisfyingly devious of the Judge Dee novels, with unusual historical richness in its portrayal of the China of the T'ang dynasty.-—New York Times Book Review
Even Judge Dee is baffled by Robert van Gulik's new mysteries in The Lacquer Screen. Disguised as a petty crook, he spends a couple of precarious days in the headquarters of the underworld, hobnobbing with the robber king. Dee's lively thieving friends furnish some vital clues to this strange and fascinating jigsaw.-—The Spectator
So scrupulously in the classic Chinese manner yet so nicely equipped with everything to satisfy the modern reader.-—New York Times
Robert Van Gulik (1910-67) was a Dutch diplomat and an authority on Chinese history and culture. He drew his plots from the whole body of Chinese literature, especially from the popular detective novels that first appeared in the seventeenth century.
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After the formal questions about his name and profession, Teng stated that the court accused Kun-shan of murder and robbery. Kun-shan recited his confession, exactly as Judge Dee had instructed him. Once he lost the thread of his narra­tive, but the magistrate brought him onto the right track again with a few skilful questions.

Kun-shan heard his confession read out by the senior scribe, agreed that it was correct and affixed his thumb-mark to it. Magistrate Teng pronounced him guilty of the two crimes cited, and condemned him to death by decapitation. Kun-shan was led back to the jail. There he would wait for the final sentence, which in due time would be forthcoming from the metropolitan court in the capital, which had to ratify all capital punishments. A confused noise rose from the audience. Some shouted invectives at the criminal, others protested their sympathy and admiration for Magistrate Teng. Teng rapped his gavel. Judge Dee whispered to him: 'I would like to have Mrs Ko called now.' Teng filled out a slip, and presently the matron of the jail led Mrs Ko before the bench. She had pulled her hair straight back and done it up in a simple chignon, with a green jade comb as her only ornament. She had not powdered or rouged her face, and in the straight white robe she looked like a sedate housewife. As she slowly knelt down on the stone floor, Judge Dee asked himself worriedly whether he had made a mistake after all.

After Teng had put the routine questions to her, he stated that the Assessor would now conduct the questioning. Judge Dee spoke:

'Last night, Mrs Ko, the dead body of your husband was discovered under the floor of his bedroom, in your presence. Pan Yoo-te, counsellor of this tribunal, and I myself are pre­pared to testify that you gave proof of knowing that the body had been buried there. Before this court formulates its case against you, you shall give a circumstantial account of what happened on the night of the fifteenth, after your hus­band had left the dinner in the pavilion and entered the house.'

Mrs Ko raised her head and began in a soft but clear voice:

'This person pleads guilty. She is guilty because she did not at once report to this tribunal the terrible truth. I can only hope that the court will deign to remember that I am only a weak and ignorant woman who has always led a secluded life, and therefore view my case with leniency.'

She paused a moment. A murmur of sympathy rose from the audience. Magistrate Teng rapped his gavel and called for order. Mrs Ko went on:

'How many times have I lived through again, in my feverish nightmares, those agonizing moments! I had gone from my boudoir to my husband's bedroom, to see whether the servants hadn't forgotten to lay out his bed-robe. When I was standing near the table, I suddenly felt that I was not alone. When I turned round, the bed-curtains opened and a man sprang into the room. I wanted to shout for help, but he raised a long, evil-looking knife, and I could only moan, frozen with fright. He stepped up to me and ...'

'Describe that man, madam!' Judge Dee interrupted her.

'He had wound a thin blue veil all around his head, Your Honour. He was tall and thin and he was wearing — I can hardly remember, I was so frightened — yes, I believe he wore a blue jacket and trousers, as workmen do . . .'

The judge nodded and she continued:

'Standing very close to me, he hissed: "One sound and . . ." He pressed the point of the knife against my breast. "Soon your husband will come in," he went on in that hor­rible, muffled voice. "Talk to him, do whatever he says." Just then I heard footsteps in the passageway that leads to the terrace. The man quickly jumped towards the door and pressed his back against the wall next to it. My husband entered, saw me, opened his mouth to speak . . . Then the man suddenly struck him down from behind . . .'

She buried her face in her hands and began to sob. On Judge Dee's sign the headman gave her a bowl of strong tea. She greedily drank it. Then she went on:

'I must have fainted. When I came to, my husband wasn't there, I saw only his robe and cap lying on a chair. The man put them on. That face, that terrible masked face, above the familiar robe of my husband ... And the blood, the veil was soaked with blood ... The man whispered: "Your husband is dead, he killed himself, you understand? If you ever open your mouth, I'll cut your throat!" He pushed me roughly towards the door. I stumbled through the empty corridor to my boudoir. I had barely sunk down on my couch when I heard loud cries in the garden outside. The servants were shouting that my husband had drowned himself, thrown himself into the river. I wanted to tell the truth, Your Honour, I swear I wanted to! But, just as I had made up my mind to go to this tribunal, I saw again that fearful mask, covered with blood . . . and I dared not. I know I am guilty, Your Honour, but I didn't dare . . .'

Again she burst out sobbing.

'You may rise and stand back, madam!' Judge Dee spoke. The matron helped Mrs Ko up. She remained standing against the desk of the clerk, to the left of the bench, staring vacantly ahead. Judge Dee bent over to Magistrate Teng and said:

'Have Hsia Liang called now, please.'

Two constables brought a young man before the bench. He was clad in a jacket, open at the neck, and blue baggy trousers. Judge Dee thought he looked as sullen as when he had seen him first, in the taproom of the Phoenix Inn. When the Student saw the judge he stiffened. Then his eye fell on Mrs Ko, who gave him a cold stare. Slowly he knelt down.

'State your name and profession!' the judge ordered.

'This person is called Hsia, named Liang,' the young man replied in a steady voice. 'Graduate of the town school.'

'Dare you announce your literary grade?' Judge Dee barked at him. 'You who have brought shame on the literary class and committed the sordid crime you stand accused of? That woman has just made a full confession!'

'This person,' the Student said calmly, 'doesn't know what crime Your Honour refers to. And he never saw that woman before.'

Judge Dee was vexed. He had counted on the Student breaking down when he saw him sitting behind the bench, and was confronted unexpectedly with Mrs Ko. Apparently he had underrated the youngster's presence of mind. He said curtly:

'Rise, Hsia Liang, and face that woman! 'Then he asked Mrs Ko: 'Do you recognize this man as the murderer of your husband?'

Mrs Ko looked steadily at the Student. For one brief moment their eyes met. Then she said, slowly and very clearly:

'How could I? I told Your Honour that the intruder wore a mask!'

'In deference to your late husband,' Judge Dee spoke, 'this court wished to give you full opportunity for clearing your­self. Although it is up to the accused to prove his innocence, this court even brought forward a suspect for you to identify. Since the explanation you gave is evidently a false story, the court now formulates its case. You stand accused of having murdered your husband, Mrs Ko, together with an accom­plice as yet unknown. Headman, you can release the witness Hsia Liang!'

'Wait! Let me think, please!' Mrs Ko cried out. She again looked at the Student, biting her lips. After some hesitation she went on: 'Yes, the build seems similar . . . But I can't tell about the face, of course . . ."

'That is not enough, madam!' the judge said quickly. 'You must supply concrete proof!'

'Yes,' Mrs Ko said in a faltering voice, 'since there was all that blood, on the veil . . .' Suddenly she looked up at the judge and said: 'If he is the murderer, he must have a wound on his head!'

Judge Dee gave a sign to the headman. He grabbed the young man by his shoulders and roughly pulled his head back. The forelock fell away, and a badly healed cut became visible at the root of his hair.

'It is he,' Mrs Ko said, very softly. She buried her face in her hands.

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