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The Black Lizard Big Book of Black Mask Stories

Электронная книга - «The Black Lizard Big Book of Black Mask Stories». Краткое содержание книги:

An unstoppable anthology of crime stories culled from Black Mask magazine the legendary publication that turned a pulp phenomenon into literary mainstream.
Black Mask was the apotheosis of noir. It was the magazine where the first hardboiled detective story, which was written by Carroll John Daly appeared. It was the slum in which such American literary titans like Dashiell Hammett and Raymond Chandler got their start, and it was the home of stories with titles like “Murder Is Bad Luck,” “Ten Carets of Lead,” and “Drop Dead Twice.” Collected here is best of the best, the hardest of the hardboiled, and the darkest of the dark of America’s finest crime fiction. This masterpiece collection represents a high watermark of America’s underbelly. Crime writing gets no better than this.
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Patten came forward very slowly, very cautiously, as though he expected some hidden menace. When he got close, Casey saw the cold fury in the man’s gray eyes. They seemed very small and bright and absolutely merciless; the lips and mustache had a flat, stretched look.

“So that’s it, huh?” Casey said bitterly. He didn’t know exactly what he meant, but he wanted to talk; and he felt the luxury of relief that he had called Logan. All he had to do was play along; so he thought of other things to say, and said them as they occurred to him.

“It was you and this louse, Gilbert, from the start, huh? Sorenson, Ambrose and Boyden ganged up for the touch and you slipped a cog and skidded into murder. Well” — his lids came down — “it’ll take more than a flock of friends to get you out of this.”

Patten’s reaction to all this was peculiar. If he heard, he gave no sign. Not once did his expression change, and all the time those cold gray eyes kept moving, searching every corner of the room.

“Where’s Norma?” he rapped suddenly.

“Norma?” echoed Casey hollowly; then glanced at the stone-faced Gilbert to see that the man’s eyes were bright with new alarm.

“She called me,” Patten pressed, “and I—”

A muffled pounding checked the sentence. Casey’s jaw went slack and his eyes slid to a closed door in an inner hall, apparently a closet.

“Open it!” Patten ordered.

Casey stepped up and tried the knob. When he opened the door Norma Patten half fell into his arms. Her eyes were wide and startled, her auburn hair disheveled. A blue-checked scarf made a makeshift gag and she had apparently nearly freed her hands of the belt of her camel’s-hair sport coat, which was wound around her wrists.

“Martin!” she gasped as soon as she could talk.

“Well,” Patten said stonily.

“I was afraid you’d come and — I had to call you.” Norma Patten stood with breast heaving and color high. She thrust her hands into her coat pockets and turned to face Fred Gilbert, the lines of her jaw hard and her eyes flashing. Then she turned back to her husband and began to talk.

“There,” she said, pointing an accusing finger at Gilbert, “is your blackmailer. I didn’t know it until he called me here. He made me telephone you. And if it hadn’t been for Flash Casey he would have killed you and Les Boyden to make it look—”

Gilbert’s voice cut like a whip.

“So I’m the sucker, huh?” He backed close to a chair, his chin out-thrust and his handsome face livid as he faced Patten. “Well, I don’t take this rap alone. I played the sap long enough; played the part and she made me like it. She’s right about framing you and Boyden, but she did the calling because—

Gilbert stopped with his mouth open, the next word ready but unuttered. In that instant the gun barked.

There had been no warning. Casey heard the shot and saw Gilbert’s coat lift under the impact of the slug, but he didn’t know who held the gun until it crashed again. Then he saw it in Norma Patten’s hand. It was a little gun, a .25, like the one Mary Nason had; a woman’s gun.

Between those two shots was not more than a fifth of a second, but it was long enough for Casey to do a lot of thinking.

Norma Patten, the woman who always got what she wanted. The thing had been a frame from the start, and he was the fall guy when it backfired. He remembered the damp polo coat on the Queen Anne love seat when he went to the Carteret. Norma had already been out — and she had killed Sorenson. Why—

He didn’t know why. He was listening to the little automatic. It was still going off in snapping, spiteful barks. He heard the door open, sensed that it was Logan without turning. He dropped to one knee, groped for the gun he had dropped, found it, then didn’t know just what to do with it.

There was blood on Gilbert’s neck and shirtfront. He went back into the chair with a curious smile, a sagging jaw and a burning vacantness in his eyes. Then, suddenly, the rest of the drama happened all at once.

Gilbert straightened in the chair with a gun in his hand. Patten, who had wasted the first two seconds in openmouthed amazement, pulled his own gun towards his wife. Norma Patten screamed. Gilbert’s gun roared, jumped in his hand and he dropped it as he collapsed.

Simultaneously another gun crashed and Casey thought it was Patten’s until he saw the man’s shoulder jerk and the automatic fly from his hand.

Gilbert slumped back in the chair. Norma Patten staggered and a red spot stained the left side of her fawn-colored dress. She was dead before she fell, but even then she went down gracefully, silently and was lost to Casey’s sight behind the table.

For a long time no one spoke. The only sound was the noisy, tortured breathing of the unconscious Gilbert. Then windows began to bang up in the courtyard and excited voices bounced back and forth, raucous and shrill.

Logan stepped forward, gun in hand. Patten, holding tightly to his right arm, turned slowly and looked at the lieutenant while the fury died in his eyes. Blood began to show through his clenched fingers and he finally said:

“Thanks, Lieutenant, for that shot of yours. If you hadn’t got me I guess I’d’ve plugged her!”

“That’s what I thought,” Logan said thickly. “I couldn’t see Gilbert’s gun. I took you when I saw you meant business.”

Except in the flicker of his eyes Patten showed no emotion. His appearance was unruffled. He still looked like a man accustomed to success, a man who could not be shoved around. His voice betrayed no inner misgivings.

“She had it coming,” he said grimly. “She and that heel” — he nodded to the crumpled Gilbert — “have been chiseling for months. I had a private dick on their trail in Chicago and I was about ready to get clear.

“When she pulled this blackmail story I smelled a rat, and I gave her the money because I figured I could trap her and force the showdown. I thought I could persuade Sorenson to see it my way, but something went wrong and—”

He shrugged distastefully. “I’ll give you what I know when we get this mess cleaned up.”

Casey looked down at the little automatic in his hand. He put it away, wiped his sweaty face and blew out his breath with so much noise that Logan heard him and said dryly:

“And what’s your story?”

“Me?” Casey sighed wearily and spoke disgustedly. “Where would I get a story? This is a job for you cops to dig out; it’s too tough for an amateur like me.

“I get tangled up in all the grief and — hell, I don’t even get a picture out of it. I’m just the fall guy.”

IX

Later, in Logan’s office, Casey stared moodily at his fingernails and said grouchily: “So I can’t even tell the story to a rewrite man to make up for the pictures I didn’t get?”

“Nope,” Logan said cheerfully. “For once you’re out of luck.”

“For once, huh?”

“The D.A.’s clamping down,” Logan said. “The story we’re giving out is that Gilbert was the blackmailer. He shot Norma Patten and the police shot him.”

“What police? You?”

“Lots of different police,” Logan said, grinning. “Just the police.”

“Well,” Casey grumbled, “that gag has been worked before, I guess it’ll work again.”

“The truth,” Logan went on, “would just make a big stink, and it wouldn’t do any good. Patten was pretty clean from the start. Gilbert lived just long enough to clear him.

“Sorenson actually did blackmail Norma Patten. He came around with the story of the films and release and touched her for a thousand. Right then she and Gilbert got the idea. They had a hunch Patten was getting wise to them, and they saw a chance to get some getaway money.

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