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Murder in E Minor

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Nero Wolfe, the brilliant orchid-growing gourmet detective, and his inimitable confidential assistant, Archie Goodwin, are America’s most beloved detection team. Now they are back in a splendid new murder mystery that takes up where Rex Stout left off. In the perfect Stout tradition, author Robert Goldsborough has ingeniously rendered every detail of character and place with such uncanny accuracy that fans will savor every page to its surprising and immensely satisfying conclusion. Threatening notes have been sent to Milan Stevens, celebrated conductor of the New York Symphony. His niece, Maria, fears for her uncle’s life and travels to the Thirty-fifth Street brownstone of Nero Wolfe. Archie can barely conceal his surprise when Wolfe agrees to investigate — Archie has just spent two spectacularly unsuccessful years trying to pry his employer out of retirement. But Wolfe has his own reasons for taking the case, reasons that have nothing to do with helping a pretty young woman in distress. For while the world knows Milan Stevens as a brilliant conductor, Wolfe knows him as Milos Stefanovic, the brave freedom fighter who saved Wolfe’s life many years ago. It is a debt that must be paid. But Maria has come to the big detective too late. Milan Stevens is soon found dead, and Maria’s musician boyfriend, Gerald, is in police custody. Despite Maria’s cries that Gerald could not have possibly committed such a bloody act, there are plenty of witnesses who overheard Stevens screaming at Gerald that marrying his niece was out of the question. To make matters worse, Gerald also happened to be the only person seen entering Stevens’s apartment on the night when the final curtain was pulled on his brilliant life. The juicy public scandal of it all enthralls the city, which is anxious for the next development and the climax of the case. With precious little to go on, and not sold on Gerald’s guilt, Wolfe and Archie begin compiling a list of suspects, discovering very soon that the problem isn’t where to start — it s where to stop. But when the scanty clues finally arrange themselves like notes on a score, Wolfe recognizes a dark melody that only a talented murderer could perform.
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“Oh no, no, he never mentioned it. Milan didn’t ever seem to fear for himself. I think his main concern was for the orchestra. And he felt his associate conductor wasn’t supportive of him.”

“Not from the sound of it,” I agreed, drawing on my cigarette. “Tell me, why didn’t you tell me about this yesterday?”

Her answer was a coy smile. “You made me nervous, Archie. I guess you could say I wasn’t thinking straight... all those questions, all the strain after what happened.”

She was one hell of an actress, that was for sure. She knew where to make the pauses, which words to accent, how to tilt her head. It was almost like watching one of those British whodunit plays Lily drags me to every so often.

“While I’m here and we’re on the subject, do you happen to know Donald Sommers?” I asked.

“From the orchestra?” Lucinda paused and pushed back a stray hair. “I don’t really know him, but I’ve met him a few times.”

“Did Stevens ever say anything about him, anything negative?”

“You mean he’s another one who is suspected?” she asked, shifting to face me.

“I didn’t say that.” I grinned. “I was just curious because I’ve heard his name a few times.”

“I think perhaps he and Milan had fought over a solo once. But he is so young — he looks so young. I would think of him as just a boy.”

“A boy who’s pushing thirty.”

She shrugged. “Well, I somehow got the feeling that Milan wasn’t fond of him, that maybe he would be happier if he were not a part of the orchestra.”

“You seem to be remembering all kinds of things that you couldn’t yesterday,” I said lightly.

“Oh, Archie, please don’t tease me. I really can’t recite anything specific that Milan said about Mr. Sommers. It’s just an impression I got.”

“Okay, one last thing before I go. How would you describe Stevens’s relationship with Charles Meyerhoff?”

Another shrug. “Maybe somewhat strained. But to be honest, I don’t ever remember Milan talking at all about Charles to me.”

“Could that have been because you used to go out with Meyerhoff?”

“That of course is possible,” she said. “But I never once got the feeling Milan felt any bitterness toward Charles for any reason, and although I haven’t seen Charles that much recently, I never sensed any dislike for Milan on his part. But then” — she stretched out both arms palms up and did another eye-roll — “what do I know?”

“You know a great deal,” I said, “but whether I’m hearing all of it is a different matter.” When she started to protest, I held up a silencing hand and said I really had to go, but that she’d be hearing from me or Wolfe. We wrapped our arms around each other at the door, and I was the one who finally broke the clinch, or we might still be there.

It was harder getting a cab back, and it was after one when I walked into the office. Wolfe looked up from a book, his face a question mark.

“Lucinda F-M is really something,” I said, slipping into my desk chair. “Seems she had a sudden burst of recollection and had to share it with me.” I then gave him a verbatim report, leaving out only the details of our opening and closing embraces, which he wouldn’t have appreciated anyway. “Has your opinion of her changed since yesterday?” he asked after I had finished.

“I think I trust her less than I did. Maybe it’s all those damn theatrical poses she strikes,” I said. “Also, she seems to have a very selective memory. If you’re looking for odds on whether she did it, I’m still not ready to give any, though. Maybe that’s because she kisses so well.”

Wolfe grimaced and picked up the sheet with the thumbnail biographies. “They’re all still coming?”

“Yes, sir, at least as far as I know. I talked to Remmers this morning — that’s where I got the biographical stuff. Do you want to see them all at once, or should I hold them in the front room and bring them in one at a time?”

“All at once. The interaction may be instructive to watch, particularly if Mr. Meyerhoff does indeed have a quick temper. Has Saul or Fred called?”

I said they hadn’t and he nodded, then picked up his book and submerged himself while I went back to playing catch-up with the orchid records.

If nothing else could be said for that Sunday-afternoon visit, at least they arrived promptly: My watch read two minutes past four when the doorbell rang. Through the one-way panel, I didn’t have any trouble figuring out which body was attached to which name. Meyerhoff was standing in front of the others, and he didn’t look happy. He was the shortest of the three, with wavy brown hair that was retreating up his forehead and probably would disappear altogether in the next ten years. The one with horn-rimmed glasses had to be Hirsch, if for no other reason than age. He was three or four inches taller than Meyerhoff and had a scraggly mustache, and his face wasn’t filled with sunshine either. Sommers was a head taller than Hirsch, and even with his black topcoat on, I could see that he was nearly as thin as the instrument he played. He had shaggy black hair and eyebrows, and his own expression was one of worry rather than anger.

The bell rang for a second time just as I swung the door open. “Good afternoon, gentlemen, please come in,” I said in a hearty tone. “Awful day, isn’t it?” I got only grunts in reply, and my calling each by name as I helped him off with his coat didn’t seem to make an impression. “Where’s Wolfe?” Meyerhoff demanded. “I want to get this over with fast.”

I led them to the office, still playing the hearty butler role. Before I was finished with the brief introductions, Meyerhoff had attached himself to the red leather chair and thrust his chin at Wolfe as if daring him to challenge the choice of seats.

It didn’t get a rise. Wolfe acknowledged each of them with a nod, then slipped the gold strip into his book and put it down deliberately. His eyes settled on Meyerhoff, then went to Hirsch, seated next to him in a yellow chair, and finally to Sommers, who had been left with the yellow chair closest to me.

“We can give you a half-hour, no more,” Meyerhoff said loudly, looking at his wrist. “We wouldn’t have come at all, except that Jason asked us to. I can’t see any reason for this, what with—”

“A moment, please,” Wolfe said, holding up a hand. “If you’ll indulge me in a preface, Mr. Meyerhoff? Thank you. I assure you my admiration for brevity is at least equal to your own. Before we begin, would anyone care for refreshments? I’m having beer.”

Meyerhoff gave a vigorous shake of his head, which seemed to set the mood for the others. They also declined, although more graciously.

“Very well,” Wolfe said, touching his buzzer and giving them the once-over again. “As Mr. Remmers told you and as you have no doubt read in the papers, I have been hired to identify the killer of Milan Stevens. Now, I—”

“This is crazy!” Meyerhoff roared. “Everybody knows who killed Milan. The police got the right person, and they got him fast. Why can’t we just—”

“We seem to be interrupting each other, Mr. Meyerhoff,” Wolfe snapped. “If you please. You’ve all taken the trouble to brave execrable weather to get here, and I thank you for it. You moments ago expressed your desire that this meeting be brief. It can only be so if you allow me to continue. You’ll all have your turn to speak.”

“God, you’re every bit as arrogant as I’d heard,” Meyerhoff said, crossing his arms. Then he gestured to me. “Is he going to stay in here taking notes?”

“Arrogant?” Wolfe asked, lifting his shoulders a quarter of an inch and dropping them. “Perhaps, although I prefer ‘self-possessed.’ As to Mr. Goodwin, yes, he is present at all meetings in this room. And his faculties are such that if he did not take notes, he could nonetheless reconstruct verbatim a conversation of several hours’ duration. I had no idea anyone would object to his attendance. After all, each of you also is a witness to everything that will be said here.” Wolfe focused on Meyerhoff, who scowled but didn’t open his mouth.

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