Грандиозная история музыки XX века
- Автор: Рондарев Артем
- Язык: русский
- Год: РИПОЛ
- ISBN: 978-5-386-14405-0
- Жанр: История искусств
Электронная книга - «Грандиозная история музыки XX века». Краткое содержание книги:
В основу настоящей книги положен цикл лекций, прочитанных Артёмом Рондаревым в Высшей школе экономики в рамках курса о современной музыке, где он смог описать весь спектр основных жанров, течений и стилей XX века: от академического авангарда до джаза, рок-н-ролла, хип-хопа и электронной музыки.
– Reisch G. A. Is Radiohead the Pink Floyd of the Twenty- First Century? / Radiohead and Philosophy: Fitter Happier More Destructive // B. W. Forbes, G. A. Reisch (eds.). Chicago; La Salle: Open Court, 2009.
– Reising R. Vacio Luminoso: “Tomorrow Never Knows” and the Coherence of the Impossible // Reading the Beatles: Cultural Studies, Literary Criticism, and the Fab Four / K. Womack, T. F. Davis (eds.). Albany: State University of New York Press, 2006.
– Reitano J. The Restless City: A Short History of New York from Colonial Times to the Present. N. Y.; L.: Routledge, 2006.
– Richards K., Fox J. Life. L.: Weidenfeld & Nicolson, 2010.
– Rinzler P. E. The Contradictions of Jazz. Lanham; Toronto; Plymouth: The Scarecrow Press, Inc. 2008.
– Ripani R. J. The New Blue Music: Changes in Rhythm & Blues, 1950–1999. Jackson: University Press of Mississippi, 2006.
– Roads C. Composing Electronic Music: A New Aesthetic. N. Y.; Oxford: Oxford University Press, 2015.
– Roads C. The Computer Music Tutorial. L.; Cambridge: The MIT Press, 1996.
– Robertson M., Armstrong R. Aaron Copland: A Guide to Research. N. Y.; L.: Routledge, 2001.
– Robins W. A Brief History of Rock, Off the Record. N.Y.: Routledge, 2008.
– Rodman G. B. Race… and Other Four Letter Words: Eminem and the Cultural Politics of Authenticity // Eminem and Rap, Poetry, Race: Essays / S. F. Parker (ed.). Jefferson: McFarland & Company, 2014.
– Roessner J. We All Want to Change the World: Postmodern Politics and the Beatles’ White Album // Reading the Beatles: Cultural Studies, Literary Criticism, and the Fab Four / K. Womack, T. F. Davis (eds.). Albany: State University of New York Press, 2006.
– Rosenthal D. Hard Bop: Jazz and Black music, 1955–1965. N. Y.; Oxford: Oxford University Press. 1992.
– Romero E. Free Stylin’: How Hip Hop Changed the Fashion Industry. Santa Barbara: Praeger, 2012.
– Rose A. I Remember Jazz: Six Decades Among the Great Jazzmen. Baton Rouge; L.: Louisiana State University Press, 1987.
– Rose T. Black Noise: Rap Music and Black Culture in Contemporary America. Middletown: Wesleyan University Press, 1994.
– Rose T. The Hip Hop Wars: What We Talk About When We Talk About Hip Hop – and Why It Matters. N. Y.: Basic Books, 2008.
– Ross A. The Rest is Noise: Listening to the Twentieth Century. N.Y.: Picador, 2007.
– Roszak T. The Making of an Elder Culture: Reflections on the Future of America’s Most Audacious Generation. Gabriola Island: New Society Publishers, 2009.
– Rothbard M. N. America’s Great Depression. Auburn: Mises Institute, 2000.
– Roy W. G. Reds, Whites, and Blues: Social Movements, Folk Music, and Race in the United States. Princeton: Princeton University Press, 2010.
– Rubin J. DO IT!: Scenarios of the Revolution. N.Y.: Simon & Schuster, 1970.
– Russell E. A. Let It Bleed: The Rolling Stones, Altamont, and the End of the Sixties. N.Y.: Springboard Press, 2009.
– Russel G. Lydian Chromatic Concept of Tonal Organization. In 2 Vols. Brookline: Concept Publishing Company, 2001. Vol. I: The Art and Science of Tonal Gravity.
– Russell J. The Beat Generation. Harpenden: Pocket Essential, 2002.
– Sabin R. Introduction // Punk Rock: So What? The Cultural Legacy of Punk / R. Sabin (ed.). L., N.Y.: Routledge, 1999.
– Sachs J. Henry Cowelclass="underline" A Man Made of Music. Oxford; N. Y.: Oxford University Press, 2012.
– Santoro G. Highway 61 Revisited: The Tangled Roots of American Jazz, Blues, Rock, & Country Music. N. Y.: Oxford University Press, 2004.
– Santoro G. Myself When I Am Reaclass="underline" The Life and Music of Charles Mingus. Oxford; N. Y.: Oxford University Press, 2000.
– Sanchez L. A. The Beach Boys’ Smile. N.Y., L.: Bloomsbury, 2014.
– Saul S. Freedom is, Freedom ain’t: Jazz and the Making of the Sixties. Cambridge; L.; Harvard University Press, 2005 – Saxton A. Blackface Minstrelsy // Inside the Minstrel Mask: Readings in Nineteenth- century Blackface Minstrelsy / A. Bean, J. V. Hatch, B. McNamara (eds.). Hanover; L.: Wesleyan University Press, 1996.
– Savage J. England’s Dreaming: Anarchy, Sex Pistols, Punk Rock, And Beyond. N.Y.: St. Martin’s Press, 1992.
– Savage J. Teenage: The Creation of Youth Culture. L.: Chatto & Windus, 2007.
– Schafer J. K. Brothels, Depravity, and Abandoned Women: Illegal Sex in Antebellum New Orleans. Baton Rouge: Louisiana State University Press, 2009.
– Schiffer M. B., Hollenback K. L., Bell C. L. Draw the Lightning Down: Benjamin Franklin and Electrical Technology in the Age of Enlightenment. Berkeley: University of California Press, 2003.
– Schinder S., Schwartz A. Icons of Rock: An Encyclopedia of the Legends Who Changed Music Forever. Westport; L.: Greenwood Press, 2008.
– Schleifer R. Modernism and Popular Music. Cambridge: Cambridge University Press, 2011.
– Schloss J. G. Foundation: B- Boys, B- Girls, and Hip-Hop Culture in New York. Oxford; N.Y.: Oxford University Press, 2009.
– Schloss J. G. Making Beats: The Art of Sample- Based Hip-Hop. Middletown: Wesleyan University Press, 2004.
– Schmidt J. Mephistopheles in Hollywood: Adorno, Mann, and Schoenberg // The Cambridge Companion to Adorno / T. Huhn (ed.). Cambridge, N. Y.: Cambridge University Press, 2006. – Schoenberg’s Early Correspondence 1891— May 1907 / E. Haimo, S. Feisst (eds.). Oxford; N. Y.: Oxford University Press, 2016.
– Schoenberg A. Theory of Harmony. Berkeley; L. A.: University of California Press, 1978.
– Schonberg H. C. Music: Leon Theremin, Inventor of Instrument Bearing His Name Is Interviewed in the Soviet Union // The New York Times. 26.04.1967.
– Schuller G. Early Jazz: Its Roots and Musical Development. N. Y: Oxford University Press, 1968.
– Schuller G. Musings: The Musical Worlds of Gunther Schuller. Oxford: Oxford University Press, 1986.
– Schur R. L. Parodies of Ownership: Hip-Hop Aesthetics and Intellectual Property Law. Ann Arbor: The University of Michigan Press and The University of Michigan Library, 2009.
– Schwartz R. F. How Britain Got the Blues: The Transmission and Reception of American Blues Style in the United Kingdom. Aldershot: Ashgate, 2007.
– Scotto R. Moondog, the Viking of 6th Avenue: The Authorized Biography. N.Y.: Process, 2007.
– Segrave K. Jukeboxes: An American Social History. Jefferson: McFarland, 2002. – Selected correspondence of Charles Ives / T. C. Owens (ed.). Berkeley; L. A.: University of California Press, 2007. – The Selected Letters of John Cage / L. Kuhn (ed.). Middletown: Wesleyan University Press, 2016.
– Serrano S. The Rap Year Book: The Most Important Rap Song from Every Year Since 1979 Discussed, Debated, and Deconstructed. N. Y.: Abrams, 2015.
– Shaw A. Honkers and Shouters: The Golden Years of Rhythm and Blues. N.Y.: Collier/Macmillan, 1978.