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The World's Greatest Books [Volumes 1-15, 17-20]

Электронная книга - «The World's Greatest Books [Volumes 1-15, 17-20]». Краткое содержание книги:

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The World's Greatest Books — Volume 01 — Fiction от Неизвестный
The World's Greatest Books — Volume 02 — Fiction от Неизвестный
The World's Greatest Books — Volume 03 — Fiction от Неизвестный
The World's Greatest Books — Volume 04 — Fiction от Неизвестный
The World's Greatest Books — Volume 05 — Fiction от Неизвестный
The World's Greatest Books — Volume 06 — Fiction от Неизвестный
The World's Greatest Books — Volume 07 — Fiction от Неизвестный
The World's Greatest Books — Volume 08 — Fiction от Неизвестный
The World's Greatest Books — Volume 09 — Lives and Letters от Неизвестный
The World's Greatest Books — Volume 10 — Lives and Letters от Неизвестный
The World's Greatest Books — Volume 11 — Ancient and Mediæval History от Неизвестный
The World's Greatest Books — Volume 12 — Modern History от Неизвестный
The World's Greatest Books — Volume 13 — Religion and Philosophy от Неизвестный
The World's Greatest Books — Volume 14 — Philosophy and Economics от Неизвестный
The World's Greatest Books — Volume 15 — Science от Неизвестный
The World's Greatest Books — Volume 17 — Poetry and Drama от Неизвестный
The world's greatest books от Mee, Arthur, 1875-1943, joint editor & Hammerton, John Alexander, Sir, 1871-1949, joint editor & McClure, S. S. (Samuel Sidney), 1857-1949, joint editor
The World's Greatest Books — Volume 19 — Travel and Adventure от Неизвестный
The World's Greatest Books — Volume 20 — Miscellaneous Literature and Index от Неизвестный
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Bertalda waywardly complained that this proceeding deprived her of water that was good for her complexion, but Undine privately explained to Huldbrand that she had caused the servants to seal up this spring because only by that way of access could her uncle Kühleborn come to disturb their peace.

As time passed on, Huldbrand gradually cooled toward his wife and turned affectionately towards Bertalda. Undine bore patiently and silently the sorrow thus inflicted on her. But when her husband was impatient and angry she would plead with him never to speak to her in accents of unkindness when they happened to be on the water, for the water spirits had her completely in their power on their element, and would seek to protect her, and even seize her and take her down for ever to dwell in the crystal castles of the deep.

After some estrangements, Undine and Bertalda had again become loving friends, and Huldbrand's affection for his wife had revived with its old and welcome warmth, while the attachment between him and Bertalda seemed forgotten.

One day the three were enjoying a delightful excursion on the glorious Danube. Bertalda had taken off a beautiful coral necklace which Huldbrand had given her. She leaned over and drew the coral beads across the surface, enjoying the glitter thus caused, when suddenly a great hand from beneath seized the necklace and snatched it down. The maiden's scream of terror was answered by mocking laughter from the water.

In an outburst of passion, Huldbrand started up and poured forth curses on the river and its denizens, whether spirits or sirens. With tears in her eyes, Undine besought him softly not to scold her there, and she took from her neck a beautiful necklace and offered it to Bertalda as a compensation.

But the angry knight snatched it away, and hurled it into the river, exclaiming, "Are you still connected with them? In the name of all the witches, remain among them with your presents, and leave us mortals in peace, you sorceress!"

Bitterly weeping and crying, "Woe! Woe!" she vanished over the side of the vessel. Her last words were, "Remain true! Woe! Woe!" Huldbrand lay swooning on the deck, and little waves seemed to be sobbing on the surface of the Danube, "Woe! Woe! Remain true!"

IV.--The White Stranger

For a time deep sorrow fell on the lord of Ringstetten and Bertalda. They lived long in the castle quietly, often weeping for Undine, tenderly cherishing her memory. Undine often visited Huldbrand in his dreams, caressing him and weeping silently so that his cheeks were wet when he awoke. But these visions grew less frequent, and the knight's grief diminished by degrees. At length he and Bertalda were married, but it was in spite of a grave warning from Father Heilmann, who declared that Undine had appeared to him in visions, beseeching him to warn Huldbrand and Bertalda to leave each other. They were too infatuated to heed the admonition, and a priest from a neighbouring monastery promised to perform the ceremony in a few days.

Meantime, when lying between sleeping and waking, the knight seemed fanned by the wings of a swan, and, as he fell asleep, seemed borne along on the wings of swans which sang their sweetest music. All at once he seemed to be hovering over the Mediterranean Sea. Its waters were so crystalline that he could see through them to the bottom, and there, under a crystal arch, sat Undine, weeping bitterly. She seemed not to perceive him. Kühleborn approached her, and told her that Huldbrand was to be wedded again, and that it would be her duty, from which nothing could release her, to end his life.

"That I cannot do," said she. "I have sealed up the fountain against my race."

Huldbrand felt as if he were soaring back again over the sea, and at length he seemed to reach his castle. He awoke on his couch, but he could not bring himself to break off the arrangements that had been made.

The marriage feast at Ringstetten was not as bright and happy as such occasions usually are, for a veil of gloom seemed to rest over the company. Even the bride affected a happy and thoughtless demeanour which she did not really feel. The company dispersed early, Bertalda retiring with her maidens, and Huldbrand with his attendants.

In her apartment Bertalda, with a sigh, noticed how freckled was her neck, and a remark she made to her maidens as she gazed in the mirror excited the eager attention of one of them. She heard her fair mistress say, "Oh, that I had a flask of the purifying water from the closed fountain!" Presently the officious waiting-woman was seen leading men to the fountain. With levers they quickly lifted the stone, for some mysterious force within seemed to aid them.

Then from the fountain solemnly rose a white column of water. It was presently perceived that it was a pale female figure, veiled in white. She was weeping bitterly as she walked slowly to the building, while Bertalda and her attendants, pale with terror, watched from the window. The figure passed on, and at the door of Huldbrand's room, where the knight was partly undressed, was heard a gentle tap. The white figure slowly entered. It was Undine, who softly said, "They have opened the spring, and now I am here and you must die." Said the knight, "It must be so! But let me die in your embrace."

"Most gladly, my loved one," said she, throwing back her veil and disclosing her face divinely smiling. Imprinting on his lips a sacred kiss, Undine clasped the knight in her arms, weeping as if she would weep her very soul away. Huldbrand fell softly back on the pillows of his couch, a corpse.

At the funeral of Huldbrand the veiled figure appeared when the procession formed a circle round the grave. All knelt in mute devotion at a signal from Father Heilmann. When they rose again the white stranger had vanished, and on the spot where she had knelt a silvery little fountain gushed forth, which almost encircled the grave and then ran on till it reached a lake near by. And to this day the inhabitants cherish the tradition that thus the poor rejected Undine still lovingly embraces her husband.

ÉMILE GABORIAU

"File No. 113"

Émile Gaboriau, one of the best-known exponents of the "police story," was born at Saujon, in France, on November 9, 1833. He began life in a lawyer's office, became a volunteer in a cavalry regiment, and, later, secretary to Paul Feval, the novelist and dramatist. In the meantime, Gaboriau had contributed a number of sketches dealing with military and fashionable life to various minor Parisian journals, but it was not until 1866, with the publication of "L'Affaire Lerouge," that he suddenly sprang into fame. From that time until his death, on September 28, 1873, story after story appeared rapidly from his pen. "File No. 113" ("Le Dossier 113") was published in 1867, and was the first of a remarkable series of detective tales introducing the figure of Lecoq. "File No. 113" is perhaps the most characteristic specimen of his work, exhibiting as it does a careful study of the Paris police system, and a thorough acquaintance with all phases of criminal life.

I.--The Robbery and a Clue

The first mention of the celebrated robbery which took place at M. Fauvel's bank in Paris--the dossier of the case is numbered 113 in the police files--appeared in the evening papers, February 28, 1866.

On the previous day a certain Count Louis de Clameran sent word to M. Fauvel that he wished to withdraw the following morning at ten o'clock the sum of £12,000 which had been deposited in the bank by his brother, an ironmaster from the south of France who had recently died.

M. Fauvel made it a rule never to keep any large sums of money on the premises, but to deposit all such amounts in the keeping of the Bank of France. As this sum, however, had to be paid the first thing in the morning, the chief cashier, M. Prosper Bertomy, thought he was justified in obtaining the amount from the Bank of France on the evening of the 27th, and in locking it up in the bank safe against the morning.

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