The Black Lizard Big Book of Pulps
- Автор: Anderson Lars, Barr Randolph
- Год: 2007
- Язык: английский
- Год: Vintage Books
- ISBN: 978-0-307-28048-0
- Жанр: Криминальные детективы
Электронная книга - «The Black Lizard Big Book of Pulps». Краткое содержание книги:
Weighing in at over a thousand pages, containing over forty-seven stories and two novels, this book is big baby, bigger and more powerful than a freight train — a bullet couldn’t pass through it. Here are the best stories and every major writer who ever appeared in celebrated Pulps like Black Mask, Dime Detective, Detective Fiction Weekly, and more. These are the classic tales that created the genre and gave birth to hard-hitting detectives who smoke criminals like packs of cigarettes; sultry dames whose looks are as lethal as a dagger to the chest; and gin-soaked hideouts where conversations are just preludes to murder. This is crime fiction at its gritty best.
Joey Deth said for the third time: “It’s a lousy racket.”
Cardigan half closed his eyes. He sighed, nodded his head. He picked up the French phone and said in a tired voice:
“Get me the D.A.’s office, will you? Yeah — it’s important. It’s about — Kid Deth.”
The Sinister Sphere
Frederick C. Davis
Many writers for the pulps were extremely prolific, as they needed to be with pay rates that commonly were no more than one penny a word, but none more than Frederick C. Davis (1902–1977). He wrote about numerous characters, both under his own name, as Stephen Ransome, and, most famously, as Curtis Steele for the Operator 5 thrillers.
In addition to nearly fifty full-length novels, Davis wrote more than a thousand short stories, producing more than a million words a year, but none were more popular than his series about the Moon Man — Stephen Thatcher, the policeman by day and a notorious robber by night.
The son of the police chief, Sergeant Thatcher was utterly dedicated to helping those unable to handle the trials of America’s Great Depression, even if it meant breaking the law. In the tradition of Robin Hood, he stole from the wealthy to give to the poor.
To keep his true identity a secret, Thatcher donned the most peculiar disguise in all of pulp fiction — not a mask, but a dome made of highly fragile oneway glass, fitted with a breathing apparatus that filtered air. The glass, known as Argus glass, was manufactured in France and was, at the time, unknown in the United States. As the perpetrator of innumerable crimes, he was the most-hunted criminal in the city, saving lives in equally impressive numbers along the way.
There were thirty-nine adventures about the Moon Man, all published in Ten Detective Aces between June 1933 to November 1939. “The Sinister Sphere” is the first adventure of the character seen by Depression-era readers as a common man who became a hero.
With a strange, uncanny knowledge the Moon Man selected his victims. Those victims had climbed roughshod to power; some within the law, and others outside the pale. And the Moon Man called on them with a very definite and grim plan — for he walked in the eternal danger of a double menace.
Chapter I
The Moon Man
It was robbery.
The French door inched open. A figure crept through, into the dark room. It paused.
It turned from side to side, as if looking around, a head that had no eyes, no nose, no mouth! From side to side it turned its head, a head that was a perfect sphere of silver! Mottled black markings covered the shining surface of the ball, reproducing the shaded areas of the full moon whose light streamed in through the windows.
If the silent figure had any face at all, it was the face of the man in the moon!
The silver, spherical head sat low on a pair of broad shoulders from which a long, black cape hung. A pair of black-gloved hands stole through slits in the sides of the cape.
The dark room was not silent. From below came the soft strains of dance music, mingled with laughter and the rhythmic moving of feet on polished floor. It was midnight; the party was at its height. The man whose head was a globe of silver nodded as though pleased.
He glided through the darkness across the room. At an inner door he drifted to a stop. He opened it carefully. The music became louder in the ears of him who had no ears. The hallway outside was empty. The cloaked figure closed the door and turned to the wall.
He removed from its nail a mirror which hung between two doors, and disclosed the circular front of a safe. His black hand twirled the combination dial. He turned his moon head, listening alertly. He heard faint clicks. When he drew up, he turned the handle of the safe door and opened it.
Locks meant little to him.
Into the safe he thrust a black-gloved hand, and brought out a sheaf of banknotes. He drew them inside his cape. He closed the safe and twirled the combination.
Suddenly a loud snap!... A flood of light drenched the room.
The figure whirled.
In the doorway stood a woman, her eyes widened with fright. She was forty and fat. She was wearing a spangled gown. Her one bejewelled hand dropped limply from the light-switch. She stood transfixed, staring at the figure with the silver head, and gasped:
“Martin!”
She had no need to call. Her husband was at her back. He stared over her shoulder, as startled as she.
“The Moon Man!” he exclaimed.
The man in the silver mask whirled toward the open French door.
Martin Richmond, clubman, broker, man of position, was wiry and athletic. He leaped past his wife with one bound. He sprang toward the French windows with the intention of blocking the way of the grotesque thief. The Moon Man reached it at the same instant.
Richmond flung up his arms to grapple with the intruder. He groped through empty air. An ebony hand, clenched into a fist, cracked against the point of Richmond’s chin.
Richmond staggered, making a desperate attempt to clasp the man with the spherical head. His hand clutched a black one. Another thrust tumbled him backward. Something soft remained in his fingers as he sprawled. The Moon Man darted through the door slamming it shut behind him.
The door opened on a balcony. Beneath it was twenty feet of empty space. The Moon Man leaped over the railing of the balcony, throwing himself into the void.
Martin Richmond scrambled up. From below came a quick, smooth purr. He rushed onto the balcony and looked down. He saw nothing. The Moon Man was gone.
“Call the police!” Richmond gasped as he sprang back into the room.
He jerked to a stop and looked at the thing he had in his hand. It was a black silk glove.
“We’ve been robbed!”
The words came ringing over the wire into the ear of Detective Lieutenant Gil McEwen. He was perched at his desk, in his tiny office in headquarters. He clamped the receiver tightly to his ear.
“Who’s talking?”
“Martin Richmond, Morning Drive. The Moon Man robbed me. He got away!”
“Coming right out!” snapped McEwen.
He slammed the receiver on its hook and whirled in his chair to face a young man who was standing by the window. McEwen’s face was hard and wrinkled as old leather; the young man’s was smooth-skinned and clean-cut. McEwen’s eyes were gray and glittering; the young man’s were blue and warm. McEwen was fifty, hardened, by twenty years on the force; the young man was half his age, and had just been made a detective sergeant.
He was Stephen Thatcher, son of Peter Thatcher, the chief of police.
“Steve, it’s the Moon Man again!” the veteran detective snapped. “Come on!”
“I’ll be damned!” said Steve Thatcher. “Can’t we do anything to stop his robberies?”
“I’ll stop him!” McEwen vowed as he grabbed for the knob. “I’ll stop him if it’s the last thing I ever do!”
He went out the office on a run. Steve Thatcher ran after him with long legs flexing lithely. They thumped down the wooden steps. They rushed into the adjoining garage. A moment later they swerved a police-car into the street and dashed away with the speedometer flickering around sixty.
Martin Richmond’s residence on Morning Drive was five miles away. Gill McEwen made it in less than five minutes. With Steve Thatcher at his side he hurried to the front door and knocked very urgently. Martin Richmond himself opened it.
The party was still going on. Couples were still dancing in the large room at the right. McEwen saw them through closed French doors, and followed Richmond into the library opposite. Richmond wasted no time.