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The Year's Best Fantasy and Horror. Fifth Annual Collection

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This acclaimed series, winner of numerous World Fantasy Awards, continues its tradition of excellence with scores of short stories from such writers as K. W. Jeter, Karl Edward Wagner, Terry Bisson, S. P. Somtow, Charles de Lint, Kobo Abe, Jane Yolen and many others. Supplementing the stories are the editors' invaluable overviews of the year in fantastic fiction, Edward Bryant's witty roundup of the year's fantasy films, and a long list of Honorable Mentions—all of which adds up to an invaluable reference source, and a font of fabulous reading.
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Now We Are Sick edited by Neil Gaiman and Stephen Jones (Dreamhaven Books) is the long-awaited sicko poetry anthology for kids with weird taste and their elders. The silver-on-black embossed cover by Clive Barker and interiors by Andrew Smith look elegant. Most of the poems, reprint and original, are quite a lot of fun and some of the originals are very good, particularly those by Neil Gaiman and Steve Jones, Richard Hill, Kim Newman, Galad Elflandsson, Colin Greenland and Storm Constantine. A lovely package.

Pandemonium: Further Explorations into the Worlds of Clive Barker conceived and edited by Michael Brown (Eclipse) makes an interesting companion volume to last year’s Clive Barker Illustrator. Impressive essays by Barker on his own work, and others by Gary Hoppenstand and Douglas E. Winter; interviews with the cenobites and with friends who worked with Barker in the Dog Theatre company. Sometimes it’s a bit hagiographic but for the most part there’s genuinely insightful analyses of his work. Includes Barker-designed theater posters, photos and artwork and a complete unpublished play.

Clive Barkers Shadows in Eden edited by Stephen Jones (Underwood-Miller) would have had a far greater impact if it had been published when scheduled in 1989. Now it has competition—the two Eclipse volumes on Barker. There’s some overlap in Shadows and Pandemonium, but Shadows is the more elegantly designed and better-looking of the two books (also pricier), with very funny and gruesome color-illustrated endpapers by Barker (a psychoanalyst would have a field day) and wonderful spot illustrations throughout by the author/artist. A conversation with J. G. Ballard I’ve never seen before, numerous quotes from magazine and news articles (some judicious pruning of overlapping material would have been useful) are scattered throughout the book. More than 450 pages with a full-color, six-page insert of photographs.

The True Story of the 3 Little Pigs! by A. Wolf, as told to Jon Scieszka and illustrated by Lane Smith (Viking Kestral-1989) is a very clever children’s book amusingly told and beautifully illustrated. Smith has solo books out, including the following one. Highly recommended for those who like variations on fairy tales and for anyone who enjoys good children’s illustration work.

Glasses Who Needs ’Em? by Lane Smith (Viking) is an illustrated book about a young boy who is told by his mad optometrist that he needs glasses. The boy thinks that only dorks wear glasses, but the good doctor proves otherwise in an amusing series of examples of who wears glasses.

A Witch by August Strindberg, translated by Mary Sandbach, (The Lapis Press) is the first English translation of this oddity by the Swedish playwright best-known for his bleak mysogynist plays Dance of Death and Miss ]ulie. Set in the period of history when witches were still “tested” and burned, this novella is about Tekla, a spoiled young woman desperate to rise above her station in life. Her shallowness, frustration, and envy congeal into active malice when she accuses a rich young woman who befriended her of witchcraft. The book itself is striking, with images of hellfire on the back and front covers. There are portraits of Strindberg and his daughter, and rare paintings by the author as illustrations. (The Lapis Press, 589 North Venice Blvd., Venice, CA 90291 for information).

The Castle of Argol by Julien Gracq, translated by Louise Varese, is also from The Lapis Press. Written in 1938, the author considered his first novel a “demoniac version” of the Grail legend. It tells of a quest for the essential that ends with the embrace of fatality and dissolution. Illustrations in color and black-and-white. (Not seen.)

Visions from the Twilight Zone by Arlen Schumer (Chronicle) is an homage to Rod Serling and his surrealistic creation, The Twilight Zone. Using actual images and words from the show, which ran from 1959—1964, Schumer lovingly recreates (as much as possible in two dimensions) the feel of the series. In addition, there are essays on the show and its impact on a generation of television viewers by Carol Serling, film critic Jonathan Hoberman, TZ producer Buck Houghton and Serling himself. A must for admirers.

A Social History of the American Alligator by Vaughn L. Glasgow (St. Martin’s) is lavishly and amusingly illustrated. The natural history can be found in other books but the societal ramifications and accompanying illustrations are what make this book shine—for instance, a rundown of various Louisiana mascot gators’ life histories. However, there are some minor annoyances that are very distracting from the text such as the use of “sic” every time some historical reference uses the word crocodile instead of alligator. A footnote would have been quite sufficient and less distracting. There are some odd errors peppering the section on popular culture: Captain Hook lost his hand to the croc, not his whole arm; V, A. C.

Crispin’s novelization of the TV series is mentioned but the series itself is not. The mentions of movies with alligators in them are, mostly, a stretch and superficial— Glasgow doesn’t even summarize the plots so why bother mentioning the films at all? Despite these minor flaws, the book is fun reading and terrific to look at.

The Carroll & Graf Colin Wilson series: paperback editions of nonfiction crime detection books previously published only in hardcover and only in Great Britain, including A Criminal History of Mankind, The Mammoth Books of True Crime 1 & 2 and The Mammoth Book of the Supernatural.

Written in Blood: Detectives & Detection by Colin Wilson (Warner) is the first of three paperback volumes appearing for the first time in the U.S. This volume is an historic overview of the evolution of criminal detection, including the use of the microscope, the first informer, the use of forensic evidence and so forth. Fascinating book, which reads like a novel (I’ve been warned that Wilson is sometimes inaccurate, so beware).

Spring-Heeled Jack by Philip Pullman (Knopf) is described by Locus as “an extremely bizarre young adult combination of prose and cartoon, illustrated by David Mostyn, creating a superhero out of the 19th-century legend of the superhuman Spring-Heeled Jack—with Mack the Knife as the villain. Peculiar but fascinating.” Sounds good to me.

Meat: A Natural Symbol by Nick Fiddes (Routledge) is a fascinating albeit biased study of humankind’s relationship to “meat. ” The book started as a doctoral thesis presuming that the primary cultural importance of meat is founded on its vividly representing to us the domination we have sought over nature. It’s quite readable, but only because of out-of-context interviews with unknown parties on their thoughts about meat-or-vegetable eating. For all the reader knows, Fiddes might have interviewed his own family. Some interesting points: According to Fiddes’s sources, cannibalism has never been documented as a regular practice in any society but the accusation of it has always been used by one group in order to prove moral superiority over another. Excluded witnesses are missionaries and explorers (fairly or not) who have a vested interest in portraying the accused as in need of being “civilized.” Pets are a “gray” area—they are given semihuman status—and Fiddes makes the intriguing point that we don’t have canned mouse for cats to eat but rather, chicken, tuna, liver and so forth. An infuriating book if you’re a meat eater and proud of it (as I am), but interesting.

The Faber Book of Madness edited by Roy Porter (Faber and Faber) is a nice large (over 500 pages) oddity through which to browse. An anthology mixing fact and fiction, serious and amusing, including writings by the mentally disturbed themselves, exploring consciousness in all its extremes and society’s responses to the problems of psychic disorder. Includes quotations from the novels of Virginia Woolf, the plays of Shakespeare, treatises of Nietzsche and essays about asylum life.

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