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The Black Lizard Big Book of Pulps

Электронная книга - «The Black Lizard Big Book of Pulps». Краткое содержание книги:

The BIGGEST, the BOLDEST, the MOST COMPREHENSIVE collection of PULP WRITING ever assembled!
Weighing in at over a thousand pages, containing over forty-seven stories and two novels, this book is big baby, bigger and more powerful than a freight train — a bullet couldn’t pass through it. Here are the best stories and every major writer who ever appeared in celebrated Pulps like Black Mask, Dime Detective, Detective Fiction Weekly, and more. These are the classic tales that created the genre and gave birth to hard-hitting detectives who smoke criminals like packs of cigarettes; sultry dames whose looks are as lethal as a dagger to the chest; and gin-soaked hideouts where conversations are just preludes to murder. This is crime fiction at its gritty best.
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Canales said: “Pina has talked to me. I saw to that. You killed Harger. Because he was a secret witness against Manny Tinnen. The D.A. kept the secret, and the dick here kept it. But Harger could not keep it himself. He told his broad — and the broad told you... So the killing was arranged, in a way to throw suspicion with a motive on me. First on this dick, and if that wouldn’t hold, on me.”

There was silence. I wanted to say something, but I couldn’t get anything out. I didn’t think anybody but Canales would ever again say anything.

Canales said: “You fixed Pina to let Harger and his girl win my money. It was not hard — because I don’t play my wheels crooked.”

Dorr had stopped shaking. His face lifted, stone-white, and turned towards Canales, slowly, like the face of a man about to have an epileptic fit. Beasley was up on one elbow. His eyes were almost shut but a gun was labouring upwards in his hand.

Canales leaned forward and began to smile. His trigger finger whitened at the exact moment Beasley’s gun began to pulse and roar.

Canales arched his back until his body was a rigid curve. He fell stiffly forward, hit the edge of the desk and slid along it to the floor, without lifting his hands.

Beasley dropped his gun and fell down on his face again. His body got soft and his fingers moved fitfully, then were still.

I got motion into my legs, stood up and went to kick Canales’ gun under the desk — senselessly. Doing this I saw that Canales had fired at least once, because Frank Dorr had no right eye.

He sat still and quiet with his chin on his chest and a nice touch of melancholy on the good side of his face.

The door of the room came open and the secretary with the nose-glasses slid in pop-eyed. He staggered back against the door, closing it again. I could hear his rapid breathing across the room.

He gasped: “Is — is anything wrong?”

I thought that very funny, even then. Then I realized that he might be short-sighted and from where he stood Frank Dorr looked natural enough. The rest of it could have been just routine to Dorr’s help.

I said: “Yes — but we’ll take care of it. Stay out of here.”

He said: “Yes, sir,” and went out again. That surprised me so much that my mouth fell open. I went down the room and bent over the gray-haired Beasley. He was unconscious, but had a fair pulse. He was bleeding from the side, slowly.

Miss Glenn was standing up and looked almost as dopy as Canales had looked. She was talking to me quickly, in a brittle, very distinct voice: “I didn’t know Lou was to be killed, but I couldn’t have done anything about it anyway. They burned me with a branding iron — just for a sample of what I’d get. Look!”

I looked. She tore her dress down in front and there was a hideous burn on her chest almost between her two breasts.

I said: “Okey, sister. That’s nasty medicine. But we’ve got to have some law here now and an ambulance for Beasley.”

I pushed past her towards the telephone, shook her hand off my arm when she grabbed at me. She went on talking to my back in a thin, desperate voice.

“I thought they’d just hold Lou out of the way until after the trial. But they dragged him out of the cab and shot him without a word. Then the little one drove the taxi into town and the big one brought me up into the hills to a shack. Dorr was there. He told me how you had to be framed. He promised me the money, if I went through with it, and torture till I died, if I let them down.”

It occurred to me that I was turning my back too much to people. I swung around, got the telephone in my hands, still on the hook, and put my gun down on the desk.

“Listen! Give me a break,” she said wildly. “Dorr framed it all with Pina, the croupier. Pina was one of the gang that got Shannon where they could fix him. I didn’t—”

I said: “Sure — that’s all right. Take it easy.”

The room, the whole house seemed very still, as if a lot of people were hunched outside the door, listening.

“It wasn’t a bad idea,” I said, as if I had all the time in the world. “Lou was just a white chip to Frank Dorr. The play he figured put us both out as witnesses. But it was too elaborate, took in too many people. That sort always blows up in your face.”

“Lou was getting out of the state,” she said, clutching at her dress. “He was scared. He thought the roulette trick was some kind of a pay-off to him.”

I said: “Yeah,” lifted the phone and asked for police headquarters.

The room door came open again then and the secretary barged in with a gun. A uniformed chauffeur was behind him with another gun.

I said very loudly into the phone: “This is Frank Dorr’s house. There’s been a killing...”

The secretary and the chauffeur dodged out again. I heard running in the hall. I clicked the phone, called the Telegram office and got Von Ballin. When I got through giving him the flash Miss Glenn was gone out of the window into the dark garden.

I didn’t go after her. I didn’t mind very much if she got away.

I tried to get Ohls, but they said he was still down at Solano. And by that time the night was full of sirens.

I had a little trouble but not too much. Fen-weather pulled too much weight. Not all of the story came out, but enough so that the City Hall boys in the two-hundred-dollar suits had their left elbows in front of their faces for some time.

Pina was picked up in Salt Lake City. He broke and implicated four others of Manny Tinnen’s gang. Two of them were killed resisting arrest, the other two got life without parole.

Miss Glenn made a clean getaway and was never heard of again. I think that’s about all, except that I had to turn the twenty-two grand over to the Public Administrator. He allowed me two hundred dollars fee and nine dollars and twenty cents mileage. Sometimes I wonder what he did with the rest of it.

The Monkey Murder

Erle Stanley Gardner

There is a rich tradition in mystery fiction of the Robin Hood thief, the sympathetic figure who steals from the rich to give to the deserving poor. Lester Leith, the hero of more than seventy novelettes, all written for the pulps, approached his thievery from a slightly different angle. He did steal from the rich, but only those who were themselves crooks, and he gave the money to charities — after taking a 20 % “recovery” fee.

Debonair, quick-witted, and wealthy, he enjoyed the perks of his fortune, checking the newspapers in the comfort of his penthouse apartment for new burglaries and robberies to solve, and from which he could reclaim the stolen treasures.

He has a valet, Beaver, nicknamed “Scuttle” by Leith, who is a secret plant of Sergeant Arthur Ackley. Leith, of course, is aware that his manservant is an undercover operative, using that knowledge to plant misinformation to frustrate the policeman again and again.

Leith is only one of a huge number of characters created by the indefatigable Erle Stanley Gardner (1889–1970), many of whom were criminals, including Ed Jenkins (the Phantom Crook), the sinister Patent Leather Kid, and Senor Arnaz de Lobo, a professional soldier of fortune and revolutionary.

“The Monkey Murder” was first published in the January 1939 issue of Detective Story.

Chapter I

Lester Leith, his slender, well-knit form attired in a cool suit of Shantung pongee, sprawled indolently in the reclining wicker chair. The cool afternoon breezes filtered through the screened windows of the penthouse apartment. Leith’s valet, Beaver, nicknamed “Scuttle” by Lester Leith, ponderous in his obsequious servility, siphoned soda into a Tom Collins and deferentially placed the glass on the table beside his master’s chair.

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