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The Historians' History of the World 08 [Parthians, Sassanids and Arabs; The Crusades and the Papacy]

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The Historians' History of the World 08 [Parthians, Sassanids and Arabs; The Crusades and the Papacy]
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Mosaic, Representing the Temporal and Spiritual Power of Jesus Christ

Like most ordinary minds, and if we are to judge by his letters Gregory’s was a very ordinary mind, he was merely governed by the circumstances and passions of his time without the least foreknowledge of the result of his actions. The letter of Pope Gregory to the emperor (729 A.D.) is arrogant without dignity, dogmatic without persuasiveness; in the stronger part of the argument far inferior, both in skill and ingenuity, to that of the aged Germanus, or the writer who guided his pen. The strange mistakes in the history of the Old Testament, the still stranger interpretations of the New, the loose legends which are advanced as history, give a very low opinion of the knowledge of the times.

[731-742 A.D.]

When Gregory addressed this and a second letter to the emperor Leo, the tumult in Constantinople, the first public act of rebellion against iconoclasm, had taken place; but the aged bishop Germanus was not yet degraded from his see. Germanus, with better temper and more skilful argument, had defended the images of the East. Before his death (731), he was deposed or compelled to retire from his see. He died most probably in peace; his extreme age may well account for his death. His personal ill treatment by the emperor is the legend of a later age to exalt him into a martyr.

But these two powerful prelates were not the only champions of their cause whose writings made a strong impression on their age. It is singular that the most admired defender of images in the East was a subject not of the emperor but of the Mohammedan sultan. John of Damascus was famed as the most learned man in the East, and it may show either the tolerance, the ignorance, or the contempt of the Mohammedans for these Christian controversies, that writings which became celebrated all over the East should issue from one of their capital cities, Damascus.

In the West, all power, almost all pretension to power, excepting over Sicily and Calabria, expired with Leo;[90] and this independence partly arose out of and was immeasurably strengthened by the faithful adherence of the West to image-worship.

CONSTANTINE COPRONYMUS (741-775 A.D.)

Leo was succeeded by his son Constantine. The name by which this emperor was known is a perpetual testimony to the hatred of a large part of his subjects. Even in his infancy he was believed to have shown a natural aversion to holy things, and in his baptism to have defiled the font. Constantine Copronymus sounded to Greek ears as a constant taunt against his filthy and sacrilegious character.

The accession of Constantine (741), although he had already been acknowledged for twenty years with his father as joint emperor, met formidable resistance. The contest for the throne was a strife between the two religious parties which divided the empire. During the absence of Constantine, on an expedition against the Saracens, a sudden and dangerous insurrection placed his brother-in-law, Artavasdes, on the throne. Constantinople was gained to the party of the usurper by treachery. The city was induced to submit to Artavasdes only by a rumour, industriously propagated and generally believed, of the death of Constantine. The emperor on one occasion had been in danger of surprise, and escaped by the swiftness of his horses.

[742-746 A.D.]

In the capital, as throughout Greece and the European part of the empire, the triumph of Artavasdes was followed by the restoration of the images. Anastasius, the dastard patriarch of Constantinople, as he had been the slave of Leo, now became the slave of the usurper, and worshipped images with the same zeal with which he had destroyed them. He had been the principal actor in the deception of the people by the forged letters which announced the death of Constantine. He plunged with more desperate recklessness into the party of Artavasdes. The monks, and all over whom they had influence, took up the cause of the usurper; but the mass of the people, from royal respect for the memory of Leo, or from their confidence in the vigorous character of Constantine and attachment to the legitimate succession, from indifference or aversion to image-worship, still wavered, and submitted rather than clamorously rejoiced in the coronation of Artavasdes.

But Constantine Copronymus with the religious opinions inherited the courage, the military abilities, and the popularity with the army which had distinguished his father Leo. After some vicissitudes, a battle took place near Ancyra, fought with all the ferocity of civil and religious war. After an obstinate resistance, and after having suffered all the horrors of famine, Constantinople was taken. Artavasdes was punished by the loss of his eyes.

Constantine was a soldier, doubtless of a fierce temper; the blinding and mutilation of many, the beheading a few of his enemies, the abandonment of the houses of the citizens to the plunder of his troops, was the natural course of Byzantine revolution; and these cruelties have no doubt lost nothing in the dark representations of the emperor’s enemies, the only historians of the times. But they suffered as rebels in arms against their sovereign, not as image-worshippers. The fate of the patriarch Anastasius was the most extraordinary. His eyes were put out, he was led upon an ass, with his face to the tail, through the city; and after all this mutilation and insult, for which, considering his tergiversation and impudent mendacity, it is difficult to feel much compassion, he was reinstated in the patriarchal dignity. The clergy in the East had never been arrayed in the personal sanctity which, in ordinary occasions, they possessed in the West; but could Constantine have any other object in this act than the degradation of the whole order in public estimation?

THIRD COUNCIL OF CONSTANTINOPLE (746 A.D.)

[746-766 A.D.]

For ten years Constantine refrained from any stronger measures against image worship. In the tenth year of Constantine rumours spread abroad of secret councils held for the total destruction of images. Either the emperor must have prepared the public mind for this great change with consummate address, or reverence for images must have been less deeply rooted in the East than in the West, otherwise it can scarcely be supposed that so large a number of the clergy as appeared at the Third Council of Constantinople (746) would have slavishly assented to the strong measures of the emperor. Three hundred and forty-eight bishops formed this synod.

Part of the proceedings of this assembly have been preserved in the records of the rival council, the second held in Nicæa. The passages are cited in the original words, followed by a confutation, sanctioned apparently by the Nicene bishops. The Council of Constantinople proscribes the lawless and blasphemous art of painting. The fathers of Constantinople assume, as boldly as the brethren of Nicæa their sanctity, that all images are the invention of the devil; that they are idols in the same sense as those of the heathen. Nor do they hesitate to impute community of sentiment with the worst heretics to their opponents. They thought that they held the image-worshippers in an inextricable dilemma. If the painters represented only the humanity of Christ, they were Nestorians; if they attempted to mingle it with the divinity, they were Eutychians, circumscribing the infinite and confounding the two substances. It was impiety to represent Christ without his divinity, Arianism to undeify him, despoil him of his godhead.

The Council of Nicæa admits the perfect unanimity of the Council of Constantinople. These 348 bishops concurred in pronouncing their anathema against all who should represent the incarnate Word by material form or colours, who should not restrict themselves to the pure spiritual conception of the Christ, as he is seated, superior in brightness to the sun, on the right hand of the Father; against all who should confound the two natures of Christ in one human image, or who should separate the manhood from the Godhead in the second person of the indivisible Trinity; against all who should not implore the intercession of the Virgin in pure faith, as above all visible and invisible things; against all who should set up the deaf and lifeless images of saints, and who do not rather paint the living likenesses of their virtues in their own hearts. All images, whether statues or paintings, were to be forcibly removed from the churches; everyone who henceforth should set up an image, if a bishop or priest, was to be degraded; if a layman, excommunicated. They proceed to curse by name the principal asserters of image-worship. “Anathema against the double-minded Germanus, the worshipper of wood! Anathema against George (of Cyprus), the falsifier of the traditions of the fathers! Anathema against Mansar (they called by this unchristian-sounding name the famous John of Damascus), the Saracen in heart, the traitor to the empire—Mansar the teacher of impiety, the false interpreter of Holy Scripture!”

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