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The Stone Wife

Электронная книга - «The Stone Wife». Краткое содержание книги:

Just as the bidding gets exciting in a Bath auction house, three armed men stage a hold-up and attempt to steal Lot 129, a medieval carving of the Wife of Bath. The highest bidder, appalled to have the prize snatched away, tries to stop them and is shot dead. Peter Diamond, head of the murder squad, soon finds himself sharing an office with the stone wife — until he is ejected. To his extreme annoyance the lump of stone appears to exert a malign influence over him and his investigation. Refusing to be beaten, he rallies his team and begins finding suspects and motives. The case demands that someone goes undercover. The dangerous mission falls to Sergeant Ingeborg Smith, reverting to her journalist persona to get the confidence of a wealthy local criminal through his pop star girlfriend. And soon, murder makes a reappearance…
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‘I’d rather not go into that.’

‘I mean what happens when your photo feature doesn’t make it into print?’

‘I’ll say the stupid newspapers turned me down. By then I’ll be out of it, anyway.’

‘You hope. You’re playing with fire.’

‘Not playing. It’s my job.’

‘And all you want from me is the intro? What’s wrong with approaching her yourself if she’s going to be as eager to please as you say?’

‘You bring credibility. She knows you. She likes you. If Nathan asks who the hell I am, she’ll say I was recommended by the writer of that brilliant interview in South West.’

‘Greaser.’ Sylvie smiled and sighed. ‘All right, chuck, I’ll call her this afternoon. How much am I allowed to say?’

The hours that followed weren’t easy. Ingeborg could imagine any number of ways her fast-talking, well-lubricated friend could torpedo the plan. So it came as a welcome surprise when Sylvie called early in the evening.

‘She swallowed the bait, darling. She wants to meet you first and she’s suggesting — wait for this — tonight at midnight on the promenade deck of the Great Britain.’

‘Are you serious?’

‘Am I ever not? She’ll be there to film her next video, Seabird. A night shoot. All very hush-hush in case the fans get to hear of it, so keep it to yourself. The crew have to set up after dark and be out before sunrise. She’ll talk to you between takes. Indulge her. This is her chance to be seen doing something glamorous. Get a few pics with your mobile and you’re under way, aren’t you?’

‘I hope so.’

‘Come on, be positive. You’re the big-time journo certain to boost her reputation.’

‘Is that what you told her?’

‘In a nutshell. I’m not going to repeat all the stuff I said in case you get big-headed.’

‘Nothing was said about you-know-who?’

‘Not a syllable. You’re primed and ready to go and my job is done, right?’

The location and the timing may have been unusual, but the arrangement suited Ingeborg rather nicely. She would establish herself as the hotshot hack and give the appearance of being under way with the project before she had to meet Nathan Hazael.

10

Approaching on the A39, you could easily have mistaken it for a church. Chilton Priory, known locally as Stradling’s Folly, was visible from some distance as a grey tower with battlements and gargoyles, but until you got close you didn’t see the full extent of the building, mostly obscured below the steep banking at the side of the road.

They got out of the car. To Diamond’s eye, this was a perfect setting for a horror film. Extending from the tower were a gothic nave and an oratory that must have been part of the original, housing the antiques collection. More parts had been added at intervals since. Perversely the late nineteenth century two-storey wings were in the Tudor style, but still constructed from the grim, grey lias found locally. So this much-enlarged building now boasted at least four different styles of window — lancet, oriel, stone-mullioned and casement. Turrets and chimneys sprouted from the otherwise flat roofs. On the east side of the building was a twentieth century feature, an integral garage that still managed to look sinister, as though it led directly through the Tudor section into Stradling’s crypt below the tower. And the whole building was topped with battlements in an attempt to salvage some sort of unity from chaos.

‘Is it me, or is it a mess?’ Diamond said.

‘Stradling called it his repository,’ Leaman said.

‘Sums it up.’

‘You may be thinking of something else.’

‘Terrific view. I’ll give it that.’

The so-called priory — which had never housed a monk or a nun — stood on Cox’s hill, a high point of the Polden ridge. The peat moor stretched for miles below them, across the Vale of Avalon to the north where the Mendips made a dramatic blue backdrop. But in reality (difficult to grasp here) they weren’t particularly high up. The flatness of the terrain below made the impression.

‘He claimed that when he used a telescope from his tower on a clear day he could see across the Bristol Channel to his other house in South Wales,’ Leaman said.

‘My second home is the nick,’ Diamond said, ‘and I thank the Lord I can’t see it from my place. When did you say this was built?’

‘1838–9 the same year the book came out.’ Leaman as always couldn’t be faulted on his facts.

‘So he wrote the book to promote his collection.’

‘I suppose.’

‘And as he didn’t mention the Wife of Bath, we can assume he acquired her some time after?’

Leaman’s eyebrows popped up in tribute. The boss seemed to have grasped the fundamentals now.

‘But from where?’ Diamond said.

‘Some stonemason’s yard, I expect. He found a lot of his pieces lying about when buildings were being renovated. He was on a mission. Victorian restoration, so-called, stripped bits from a lot of churches and great houses and he salvaged whatever he could.’

Diamond was silent, thinking.

Leaman continued to prattle on like an audio guide. ‘The three pinnacles up there are very old and were originally part of the tower at Langport, which you can see from the other side of the road. He says in his book — he has a good way with words — that they now look down on their tawdry usurpers.’

‘What time are we meeting our local contact?’ Diamond said, weary of words and gingerbread architecture. ‘We’d better move on.’

As it turned out, they had time for a coffee in Bridgwater. Diamond ordered a Cornish pasty and a double helping of chips with his. ‘One useful tip I learned early on in my police career: never go past a food outlet or a toilet. It might be the last you see all day.’

‘I had a good breakfast,’ Leaman said.

‘So did I. That was two hours ago.’ He leaned back in the chair. ‘I’m thinking when we meet this guy we’ll straight away drop the charade of being writers or researchers, or whatever poppycock you told them. I believe in being honest with people.’

‘As you wish,’ Leaman said, piqued. ‘Sometimes they clam up when you tell them you’re police.’

‘If you witter on about pinnacles like you do, they will. They can’t get a word in. Let him do the talking, right?’

Leaman tilted his head in annoyance. ‘I thought you were interested.’

‘I was. This guy won’t be. He could be the pinnacle of pinnacle experts. Leave him to me.’

Leaman stood up suddenly.

‘What’s up now?’ Diamond said, thinking he’d taken offence.

‘Nothing. I’m taking your advice, or part of it.’

‘Oh, yes?’

‘This seems as good a time as any to find the toilet.’

The local contact waiting for them at the entrance of Bridgwater’s Blake Museum appeared to be a woman until they got close enough to tell he was a slightly built man in his thirties with shoulder-length black hair and a white bandana. At home, Diamond sometimes caught a few seconds of Time Team when he was flicking through the TV channels and he’d noticed how most of the experts sported an impressive growth of hair. Once, the mark of a serious archaeologist would have been a beard. Not these days.

A friendly smile greeted them. ‘Mr. Leaman?’

‘Detective Inspector, actually,’ Diamond said, to get things on the proper footing he’d announced to Leaman, ‘and I’m Detective Superintendent Diamond.’

‘Policemen?’ The smile turned to something worthy of a dentist’s chair. ‘I was told you were writers.’

‘You were told wrong.’

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