The World's Greatest Books [Volumes 1-15, 17-20]
- Автор: Gutenberg
- Год: 1910
- Язык: английский
- Жанр: Культурология
Электронная книга - «The World's Greatest Books [Volumes 1-15, 17-20]». Краткое содержание книги:
The World's Greatest Books — Volume 01 — Fiction от Неизвестный
The World's Greatest Books — Volume 02 — Fiction от Неизвестный
The World's Greatest Books — Volume 03 — Fiction от Неизвестный
The World's Greatest Books — Volume 04 — Fiction от Неизвестный
The World's Greatest Books — Volume 05 — Fiction от Неизвестный
The World's Greatest Books — Volume 06 — Fiction от Неизвестный
The World's Greatest Books — Volume 07 — Fiction от Неизвестный
The World's Greatest Books — Volume 08 — Fiction от Неизвестный
The World's Greatest Books — Volume 09 — Lives and Letters от Неизвестный
The World's Greatest Books — Volume 10 — Lives and Letters от Неизвестный
The World's Greatest Books — Volume 11 — Ancient and Mediæval History от Неизвестный
The World's Greatest Books — Volume 12 — Modern History от Неизвестный
The World's Greatest Books — Volume 13 — Religion and Philosophy от Неизвестный
The World's Greatest Books — Volume 14 — Philosophy and Economics от Неизвестный
The World's Greatest Books — Volume 15 — Science от Неизвестный
The World's Greatest Books — Volume 17 — Poetry and Drama от Неизвестный
The world's greatest books от Mee, Arthur, 1875-1943, joint editor & Hammerton, John Alexander, Sir, 1871-1949, joint editor & McClure, S. S. (Samuel Sidney), 1857-1949, joint editor
The World's Greatest Books — Volume 19 — Travel and Adventure от Неизвестный
The World's Greatest Books — Volume 20 — Miscellaneous Literature and Index от Неизвестный
Tale of Two Cities
The French Revolution has been the subject of more books than any secular event that ever occurred, and two books by English writers have brought the passion, the cruelty, and the horror of it for all time within the shuddering comprehension of English-speaking people. One is a history that is more than a history; the other a tale that is more than a tale. Dickens, no doubt, owed much of his inspiration to Carlyle's tremendous prose epic. But the genius that depicted a moving and tragic story upon the red background of the Terror was Dickens's own, and the "Tale of Two Cities" was final proof that its author could handle a great theme in a manner that was worthy of its greatness. The work was one of the novelist's later writings--it was published in 1859--and is in many respects distinct from all his others. It stands by itself among Dickens's masterpieces, in sombre and splendid loneliness--a detached glory to its author, and to his country's literature.
I.--Recalled to Life
A large cask of wine had been dropped and broken in the street. All the people within reach had suspended their business, or their idleness, to run to the spot and drink the wine. Some kneeled down, made scoops of their two hands joined, and tried to sip before the wine had all run out between their fingers. Others dipped in the puddles with little mugs of mutilated earthenware, or even with handkerchiefs from women's heads. A shrill sound of laughter resounded in the street while this wine game lasted.
The wine was red wine, and had stained the ground of the narrow street in the suburb of Saint Antoine, in Paris, where it was spilled. It had stained many hands, too, and many faces, and many naked feet, and many wooden shoes. One tall joker so besmirched scrawled upon a wall, with his finger dipped in muddy wine lees, "Blood!"
And now that the cloud settled on Saint Antoine, which a momentary gleam had driven from his sacred countenance, the darkness of it was heavy--cold, dirt, sickness, ignorance, and want were the lords in waiting on the saintly presence. The children had ancient faces and grave voices; and upon them, and upon the grown faces, and ploughed into every furrow of age, and coming up afresh, was the sign--Hunger.
The master of the wine-shop outside of which the cask had been broken turned back to his shop when the struggle for the wine was ended. Monsieur Defarge was a dark, bull-necked man, good-humoured-looking on the whole, but implacable-looking, too. Three men who had been drinking at the counter paid for their wine, and left. An elderly gentleman, who had been sitting in a corner with a young lady, advanced, introduced himself as Mr. Jarvis Lorry, of Tellson's Bank, London, and begged the favour of a word.
The conference was very short, but very decided. It had not lasted a minute, when Monsieur Defarge nodded and went out, followed by Mr. Lorry and the young lady.
He led them through a stinking little black courtyard, and up a staircase to a dim garret, where a white-haired man sat on a low bench, stooping and very busy, making shoes.
"You are still hard at work, I see," said Monsieur Defarge.
A pair of haggard eyes looked at the questioner, and a very faint voice replied, "Yes, I am working."
"Here is a visitor. Show him that shoe and tell him the maker's name."
There was a long pause, and the shoemaker asked, "What did you say?"
Defarge repeated his words.
"It is a lady's shoe," answered the shoemaker.
"And the maker's name?"
"One Hundred and Five, North Tower."
"Dr. Manette," said Mr. Lorry, looking steadfastly at him, "do you remember nothing of me? Do you remember nothing of Defarge--your old servant?"
As the Bastille captive of many years gazed at them, marks of intelligence forced themselves through the mist that had fallen on him. They were fainter; they were gone, but they had been there. The young lady moved forward, with tears streaming from her eyes, and kissed him. He took up her golden hair, and looked at it; then drew from his breast a folded rag, and opened it carefully. It contained a little quantity of hair. He took the girl's hair into his hand again.
"It is the same! How can it be? She had a fear of my going that night. Was it you?" He turned upon her with frightful suddenness. But his vigour swiftly died out, and he gloomily shook his head. "No, no, no! It can't be!"
She fell on her knees and clasped his neck.
"If you hear in my voice any resemblance to a voice that was once sweet music to your ears, weep for it--weep for it! Thank God!" she cried. "I feel his sacred tears upon my face! Leave us here," she said. And, as the darkness closed in, they left father and daughter together.
They came back at night. A coach stood outside the courtyard, and the lately released prisoner, in scared, blank wonder, began the journey that was to end in England and rest.
II.--The Jackal
In the dimly-lighted passages of the Old Bailey, Dr. Manette, his daughter, and Mr. Lorry stood by Mr. Charles Darnay--just acquitted on a charge of high treason--congratulating him on his escape from death.
It was not difficult to recognise in Dr. Manette, intellectual of face and upright in bearing, the shoemaker of the garret in Paris. He and his daughter had been unwilling witnesses for the prosecution, called to give evidence that might be distorted into corroboration of a paid spy's falsehoods as to Darnay's dealings with the French king.
Darnay kissed Lucie Manette's hand fervently and gratefully, and warmly thanked his counsel, Mr. Stryver. As he watched them go, a person who had been leaning against the wall stepped up to him. It was Mr. Carton, a barrister, who had sat throughout the trial with his whole attention seemingly concentrated upon the ceiling of the court. Everybody had been struck with the extraordinary resemblance, cleverly used by the defending counsel to confound a witness, between Mr. Carton and Mr. Darnay. Mr. Carton was shabbily dressed, and did not appear to be quite sober.
"This must be a strange sight to you," said Carton, with a laugh.
"I hardly seem yet," returned Darnay, "to belong to this world again."
"Then why the devil don't you dine?"
He led him to a tavern, where Darnay recruited his strength with a good, plain dinner. Carton drank, but ate nothing.
"Now your dinner is done," Carton presently said, "why don't you give your toast?"
"What toast?"
"Why, it's on the tip of your tongue."
"Miss Manette, then!"
Carton drank the toast, and flung his glass over his shoulder against the wall, where it shivered in pieces.
After Darnay had gone, Carton drank and slept till ten o'clock, and then walked to the chambers of Mr. Stryver. Mr. Stryver was a glib man, and an unscrupulous, and a bold, and was fast shouldering his way to a lucrative practice; but it had been noted that he had not the striking and necessary faculty of extracting evidence from a heap of statements. A remarkable improvement, however, came upon him as to this. Sydney Carton, idlest and most unpromising of men, was his great ally. What the two drank together would have floated a king's ship.
Stryver never had a case in hand but what Carton was there, with his hands in his pockets, staring at the ceiling. At last it began to get about that, although Sydney Carton would never be a lion, he was an amazingly good jackal, and that he rendered service to Stryver in that humble capacity. Folding wet towels on his head in a manner hideous to behold, the jackal began the "boiling down" of cases, while Stryver reclined before the fire. Each had bottles and glasses ready to his hand. The work was not done until the clocks were striking three.
Climbing to a high chamber in a well of houses, Carton threw himself down in his clothes on a neglected bed. Sadly, sadly the sun rose. It rose upon no sadder sight than the man of good abilities and good emotions, incapable of his own help and his own happiness, sensible of the blight upon him, and resigning himself to let it eat him away.