The World's Greatest Books [Volumes 1-15, 17-20]
- Автор: Gutenberg
- Год: 1910
- Язык: английский
- Жанр: Культурология
Электронная книга - «The World's Greatest Books [Volumes 1-15, 17-20]». Краткое содержание книги:
The World's Greatest Books — Volume 01 — Fiction от Неизвестный
The World's Greatest Books — Volume 02 — Fiction от Неизвестный
The World's Greatest Books — Volume 03 — Fiction от Неизвестный
The World's Greatest Books — Volume 04 — Fiction от Неизвестный
The World's Greatest Books — Volume 05 — Fiction от Неизвестный
The World's Greatest Books — Volume 06 — Fiction от Неизвестный
The World's Greatest Books — Volume 07 — Fiction от Неизвестный
The World's Greatest Books — Volume 08 — Fiction от Неизвестный
The World's Greatest Books — Volume 09 — Lives and Letters от Неизвестный
The World's Greatest Books — Volume 10 — Lives and Letters от Неизвестный
The World's Greatest Books — Volume 11 — Ancient and Mediæval History от Неизвестный
The World's Greatest Books — Volume 12 — Modern History от Неизвестный
The World's Greatest Books — Volume 13 — Religion and Philosophy от Неизвестный
The World's Greatest Books — Volume 14 — Philosophy and Economics от Неизвестный
The World's Greatest Books — Volume 15 — Science от Неизвестный
The World's Greatest Books — Volume 17 — Poetry and Drama от Неизвестный
The world's greatest books от Mee, Arthur, 1875-1943, joint editor & Hammerton, John Alexander, Sir, 1871-1949, joint editor & McClure, S. S. (Samuel Sidney), 1857-1949, joint editor
The World's Greatest Books — Volume 19 — Travel and Adventure от Неизвестный
The World's Greatest Books — Volume 20 — Miscellaneous Literature and Index от Неизвестный
"But an old church is a dull and gloomy place for one so young as you, my child," said the old clergyman, laying his hand upon her head and smiling sadly, "I would rather see her dancing on the green at nights than have her sitting in the shadow of our mouldering arches."
It was very peaceful in the old church, and the village children soon grew to love little Nell. At last Nell and her grandfather were beyond the need of flight.
But the child's strength was failing, and in the winter came her death. Dear, gentle, patient, noble Nell was dead. The traces of her early cares, her sufferings, and fatigues were gone. She had died with her arms round her grandfather's neck and "God bless you!" on her lips.
The old man never realised that she was dead. "She is asleep," he said. "She will come to-morrow."
And thenceforth every day, and all day long he waited at her grave. And people would hear him whisper, "Lord, let her come to-morrow."
The last time was on a genial day in spring. He did not return at the usual hour, and they went to seek him, and found him lying dead upon the stone.
They laid by the side of her whom he had loved so well; and in the church where they had often lingered hand in hand the child and the old man slept together.
Our Mutual Friend
"Our Mutual Friend" was the last long complete novel Dickens wrote, and, like all his books, it first appeared in monthly parts. It was so published in 1864-65. After three numbers had appeared, the author wrote: "I have grown hard to satisfy, and write very slowly. Although I have not been wanting in industry, I have been wanting in imagination." In his "Postscript in Lieu of Preface," the author points out--in answer to those who had disputed the probability of Harmon's will--"that there are hundreds of will cases far more remarkable than that fancied in this book." In this same postscript Dickens also renewed his attack on Poor Law administration, begun in "Oliver Twist." Though "Our Mutual Friend" is not one of the greatest or most famous of Dickens's works, for it is somewhat loosely constructed as a story, and shows signs of laboured composition, it abounds in scenes of real Dickensian character, and is not without touches of the genius which had made its author the foremost novelist of his time, and one of the greatest writers of all ages.
I.--The Man from Somewhere
It was at a dinner-party that Mortimer Lightwood, solicitor, at the request of Lady Tippins, told the story of the Man from Somewhere.
"Upon my life," says Mortimer languidly, "I can't fix him with a local habitation; but he comes from the place, the name of which escapes me, where they make the wine.
"The man," Mortimer goes on, "whose name is Harmon, was the only son of a tremendous old rascal, who made his money by dust, as a dust contractor. This venerable parent, displeased with his son, turns him out of doors. The boy takes flight, gets aboard ship, turns up on dry land among the Cape wine; small proprietor, farmer, grower--whatever you like to call it. Venerable parent dies. His will is found. It leaves the lowest of a range of dust mountains, with a dwelling-house, to an old servant, who is sole executor. And that's all, except that the son's inheritance is made conditional on his marrying a girl, at the date of the will a child four or five years old, who is now a marriageable young woman. Advertisement and inquiry discovered the son in the Man from Somewhere, and he is now on his way home, after fourteen years' absence, to succeed to a very large fortune, and to take a wife."
Mortimer, being asked what would become of the fortune in the event of the marriage condition not being fulfilled, replies that by a clause in the will it would then go to the old servant above-mentioned, passing over and excluding the son; also, that if the son had not been living, the same old servant would have been sole residuary legatee.
It is just when the ladies are retiring that Mortimer receives a note from the butler.
"This really arrives in an extraordinarily opportune manner," says Mortimer, after reading the paper presented to him. "This is the conclusion of the story of the identical man. Man's drowned!"
The dinner being over, Mortimer Lightwood and his friend Eugene Wrayburn interviewed the boy who had brought the note, and then set out in a cab to the riverside quarter of Wapping.
The cab dismissed, a little winding through some muddy alleys brings then to the bright lamp of a police-station, where they find the night-inspector. He takes a bull's-eye, and Mortimer and Eugene follow him to a cool grot at the end of the yard. They quickly come out again.
"No clue, gentlemen," says the inspector, "as to how the body came into river. Very often no clue. Steward of ship, in which gentleman came home passenger, had been round to view, and could swear to identity. Likewise could swear to clothes. Inquest to-morrow, and no doubt open verdict."
A stranger who had entered the station with Lightwood and Wrayburn attracts Mr. Inspector's attention.
"Turned you faint, sir? You expected to identify?"
"It's a horrible sight," says the stranger. "No, I can't identify."
"You missed a friend, you know; or you missed a foe, or you wouldn't have come here, you know. Well, then, ain't it reasonable to ask, who was it?" Thus Mr. Inspector. "At least, you won't object to write down your name and address?"
The stranger took the pen and wrote down, "Mr. Julius Handford, Exchequer Coffee House, Palace Yard, Westminster."
At the coroner's inquest next day, Mr. Mortimer Lightwood watched the proceedings on behalf of the representatives of the deceased; and Mr. Julius Handford having given his right address, had no summons to appear.
Upon the evidence before them, the jury found that Mr. John Harmon had come by his death under suspicious circumstances, though by whose act there was no evidence to show. Within eight-and-forty hours a reward of one hundred pounds was proclaimed by the Home Office, and for a time public interest in the Harmon Murder, as it came to be called, ran high.
II.--The Golden Dustman
Mr. Boffin, a broad, round-shouldered, one-sided old fellow in mourning, dressed in a pea overcoat, and wearing thick leather gaiters, and gloves like a hedger's, came ambling towards the street corner where Silas Wegg sat at his stall. A few small lots of fruits and sweets, and a choice collection of halfpenny ballads, comprised Mr. Wegg's stock, and assuredly it was the hardest little stall of all the sterile little stalls in London.
"Morning, morning!" said the old fellow.
"Good-morning to you, sir!" said Mr. Wegg.
The old fellow paused, and then startled Mr. Wegg with the question, "How did you get your wooden leg?"
"In an accident."
"Do you like it?"
"Well, I haven't got to keep it warm," Mr. Wegg answered desperately.
"Did you ever hear of the name of Boffin? And do you like it?"
"Why, no," said Mr. Wegg, growing restive; "I can't say that I do."
"My name's Boffin," said the old fellow, smiling. "But there's another chance for you. Do you like the name of Nicodemus? Think it over. Nick or Noddy. Noddy Boffin, that's my name."
"It is not, sir," said Mr. Wegg, in a tone of resignation, "a name as I could wish anyone to call me by, but there may be persons that would not view it with the same objections. Silas Wegg is my name. I don't know why Silas, and I don't know why Wegg."
"Now, Wegg," said Mr. Boffin, "I came by here one morning and heard you reading through your ballads to a butcher-boy. I thought to myself, 'Here's a literary man with a wooden leg, and all print is open to him! And here am I without a wooden leg, and all print is shut to me.'"
"I believe you couldn't show me the piece of English print that I wouldn't be equal to collaring and throwing," Mr. Wegg admitted modestly.
"Now I want some reading, and I must pay a man so much an hour to come and do it for me. Say two hours a night at twopence-halfpenny. Half-a-crown a week. What do you think of the terms, Wegg?"