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One Bright Summer Morning

Электронная книга - «One Bright Summer Morning». Краткое содержание книги:

Victor Dermott, a successful playwright, rent an isolated ranch house in the Nevada Desert where he plans to write another play. With his wife, baby, a Vietnamese servant and a dog, he settles down in the ranch house to work. For the first two months all is ideal, then one bright summer morning, Dermott wakes to find his servant, his dog, and his shot guns have vanished. He also discovers that the telephone is dead and that someone has removed the sparking plugs from his car. This is the terrifying opening sequence of the masterly new James Hadley Chase novel, a worthy success to a long line of best-sellers.
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“Yes?”

“Mr. Van Wylie?”

“Yes.”

“This is to do with your daughter. You have no reason to be alarmed... yet,” Kramer said, speaking quickly, not certain if Van Wylie had some means of getting the call traced. “Your daughter has been kidnapped. She is perfectly safe and will be returned to you within a few days unharmed. However, if you attempt to go to the police or do anything you’re not told to do, then you won’t see the girl again. We are a big organization and your house is being watched: your telephone line has been tapped. Do nothing, say nothing and wait. You’ll be hearing from me again tomorrow. Again I warn you if you want to see your daughter again, wait and do nothing.” He cut the connection and leaving the booth, he walked quickly over to the taxi rank and told one of the drivers to take him back to the hotel.

John Van Wylie stood for a long moment motionless, the telephone receiver clenched in his big, powerful hand. His face had lost a little of its colour, but his mouth was suddenly an ugly, cruel line. He replaced the receiver and turned off the tape recorder.

“Get Andrews,” he said in a curt, hard voice.

Fellows went quickly away. A couple of minutes later, Merrill Andrews, Van Wylie’s secretary, a tall, bronze, hard-bitten Texan wearing a sports shirt and blue jeans, came into the room. Van Wylie was talking to the telephone supervisor.

“The call was made from the General Post Office, Mr. Van Wylie,” she said in a flutter to be talking to one of the richest men in the world. “One of the public booths.”

Van Wylie thanked her and hung up. He turned to Andrews who was looking at him expectantly.

“A call has just come through saying Zelda’s been kidnapped,” Van Wylie said. “Get the hairdresser’s and the Country Club. Find out if Zelda’s been there.”

Andrews stepped to the telephone as Van Wylie walked to the window. Van Wylie stared out, his hands gripped behind his back. Andrews talked quickly and efficiently. After a few minutes, he said, “Miss Zelda didn’t arrive at the hairdresser’s. She hasn’t been seen at the club. Shall I call the Federal Agents?”

“No,” Van Wylie said, a snarl in his voice. “Say nothing to anyone about this! Now, get out! I have some thinking to do!”

Chapter Six

Riff stood on the veranda of Wastelands, a cigarette dangling from his thick lips. He watched the approaching car as it came up the long winding drive and he fingered the butt of Dermott’s automatic that he had thrust into the hip pocket of his leather trousers.

It was a few minutes past noon. Riff had locked the Dermotts and their baby in the front room. The windows were open, but there was no other exit. From where he stood he could see the windows and he had no worry that they could escape. By hitting the man so hard, he had knocked the guts out of him and also out of his wife.

But Riff was savagely uneasy. He had killed the Vietnamese. This, he told himself, was the result of moving too fast from small-time into big-time. He cursed himself for hitting the little man so hard. A man of Dermott’s build could take a crushing blow, but a shrimp like the yellow-skin just couldn’t. Well, it was done now. Riff had decided to say nothing to Moe about the Vietnamese. He had come to realize during his short association with Moe that clever as this Wop was supposed to be, he was soft. If he knew Riff had killed the Vietnamese, he was likely to flip his lid.

The car pulled up a few yards from him. Moe was driving. Chita and the kidnapped girl sat at the back.

Riff looked curiously at the girl, letting smoke drift down his thick nostrils. He was disappointed. He had hoped for something more glamorous, but when she got out of the car, he saw her broad hips and his eyes narrowed. Maybe she mightn’t be so bad after all, he thought, as he walked down the veranda steps, deliberately exaggerating his rolling swagger.

“Okay?” Moe asked anxiously as he got out of the car.

Riff raised a dirty thumb.

“Nothing to it... and you?”

“Yeah.” Moe paused, then looked at the car. “I had better get it under cover. Where’s the garage?”

Riff pointed.

“Lots of room in there.”

Moe got into the car and drove it over to the garage. Riff looked at Chita who was standing beside Zelda. He lifted his eyebrows and she nodded. He then looked at Zelda who was eyeing him curiously. She had got over her scare now and was relaxed. From what Moe had told her, she hadn’t anything to worry about. It was just a matter of how long it would take her father to pay out the ransom.

This dirty-looking man in the shabby black leather uniform with his scarred face intrigued her. He was the kind of thug she so often saw on the movies: the type who sent hot blood through her body and gave her erotic dreams.

Riff saw the hot flush that stained her face and the way her eyes darkened. He knew he had set off a spark in her.

He leered at her.

“I’m Riff,” he said. “What’s your name, baby?”

“Zelda Van Wylie,” Zelda said. Her flush began to recede. For her age, she was pretty self-possessed. This could be fun, she was thinking. God! What a hunk of a man! If only he were a bit cleaner! Those shoulders! Those brutal hands! “You in this too?”

“Sure, baby,” Riff said, eyeing her over. “We’re all in it. Come on in and make yourself at home.” He took three swaggering steps forward and put his hand possessively on her arm. Now he was close to her, she could smell his dirt and see the grime on his neck, his black fingernails and the dust in his close-cropped hair.

She jerked away from him, her nose wrinkling in disgust.

“Don’t touch me!” she said sharply. “Keep away from me! You — you smell!”

Riff stood very still. The muscles of his face moved under his grey-white skin like the ripple of moving water. His eyes narrowed and his mouth turned into a white, thin line.

Recognizing the signs, Chita said, “Cut it out, Riff! Hear me? Stop it!”

The sudden vicious fury that now burned in the narrow eyes shocked Zelda who backed away.

Chita exclaimed. “Riff! Cut it out! He’s coming!”

“Okay, baby,” Riff said softly, staring at Zelda. “I’ll remember. Plenty of time... I’ll remember.”

Moe came up, wiping his sweating face with a soiled handkerchief.

“What are you doing out here?” he demanded. “Get her inside!”

Chita nodded to Zelda and the two girls walked up the steps and into the house.

Riff stared after them. His eyes moved down the length of Zelda’s back.

“What’s happened to the Dermotts?” Moe asked.

Riff said nothing until the girls were out of sight, then he turned and stared at Moe.

“Got ’em locked up in the front room. The guy got a little frisky and I had to tap him. They won’t trouble us now.”

“The dog?”

“Nothing to it. I’ve buried it.”

“The servant?”

Riff jerked his thumb towards the staff cabin.

“He’s locked in there. I scared the crap out of him. No trouble with him now. He can’t get out.”

“You’d better repair the telephone line,” Moe said. “The boss will be coming through any time now.”

Riff resented taking orders from anyone. He eyed Moe and then shrugged his heavy shoulders.

“Can’t be done,” he said. “I cut ’em, but there’s no slack to fix ’em with.”

“Look in the garage,” Moe said impatiently. “There may be some spare wire there. We’ve got to get the line repaired. Get going!” And he walked up the steps and into the house.

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