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The Year's Best Fantasy and Horror. Fifth Annual Collection

Электронная книга - «The Year's Best Fantasy and Horror. Fifth Annual Collection». Краткое содержание книги:

This acclaimed series, winner of numerous World Fantasy Awards, continues its tradition of excellence with scores of short stories from such writers as K. W. Jeter, Karl Edward Wagner, Terry Bisson, S. P. Somtow, Charles de Lint, Kobo Abe, Jane Yolen and many others. Supplementing the stories are the editors' invaluable overviews of the year in fantastic fiction, Edward Bryant's witty roundup of the year's fantasy films, and a long list of Honorable Mentions—all of which adds up to an invaluable reference source, and a font of fabulous reading.
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And while Leah was making her way through this blasted landscape, while I was slicing goat cheese for the salads or making a delicate lemon sauce to go over the fresh fish of the day, Cleve would be ensconced in some art gallery far uptown. I pictured it like the interior of a temple: lavish brocade and beaded curtains, burning sachets of sandalwood and frankincense, carpet lush and rich enough to silence even the tread of Cleve’s steel-toed cowboy boots. There Cleve would be, kicking back in some cool dim vast room, trying to say the right things about the colorful paintings that came from some secret place in his brain, about the sculptures he shaped into being with the latent grace of his big hands. I liked the idea of Cleve bullshitting some spotless hipper-than-thou gallery owner, someone who attended the right parties to see and be seen, someone who had never been to the old industrial district or any of the rough parts of town except for a quick slummy thrill, someone who never got mustard all over his shirt or scalded his hands in hot dishwater.

But Cleve hadn’t been bullshitting anyone except me.

Leah extricated her hand from mine and adjusted the hem of her skirt over her knee. Her fingernails were painted the cool blue of a blemishless autumn sky; her movements were guarded and deliberate. I caught the glimmer of her frosted eyelids, but in the semidarkness of the bar I could not see her eyes.

I took a long drink of my boilermaker. Warm rancid beer; the flat taste of whiskey settling spiderlike over my tongue.

One of Cleve’s passions was his collection of jazz and blues records, most of them the original pressings. No digital techno-juju or perfect plastic sound, just the old cardboard sleeves whose liner notes told the stories of entire lives. Just the battered vinyl wheels that could turn back time and rekindle desire, just the dark sorghum voices. Billie and Miles, Duke and Bird . . . and more obscure ones. “Titanic” Phil Alvin, Peg Leg Howell. I had given him a bunch of them, and he knew I loved them too. One night he willed them to me over a case of Dixie beer. (Cleve had made a special trip to New Orleans when the Dixie brewery finally closed, and there were still a few cases stashed in his studio closet; I had helped him drink another five or six.) “Jonny, if I got jumped by a goddamn kid gang on my way home—” he paused to light a Chesterfield “—or if I walked in front of a bus or something, you’d have to take ’em, man.” He gestured around the room at a series of little jewel-box watercolors he was doing at the time. “My paintings could go their own way—shit, they can take care of themselves. But you have to take the records. You’re the only one who loves ’em enough.”

The records were Cleve’s sole big indulgence. The rest of his extra money went to buy paints and canvas and an occasional luxury like groceries. He never collected them out of any kind of anal retentiveness, and desire to possess and catalog. It was just the feel of good heavy vinyl in the hands, the fragrant dust that sifted from the corners of the dog-eared cardboard, the music that spun you back to some grand hotel ballroom where you danced beneath a crystal chandelier . . . or some smoky little dive renting space in the basement of a whorehouse. The records were magic rabbit holes that led to the past, to a place where there was still room for romance. And I loved them as much as Cleve did.

And right then, in that moment at the bar as Leah withdrew her hand from mine, I could have taken a hammer and smashed the records all to bits.

We walked the four blocks from the hotel to the train tunnel half-staggering, almost drunk off otir one drink apiece. Leah had not eaten because of her appointment; I, after wracking my brain to concoct delicious menus day after day, could hardly eat at all. Forsaking a free dinner at the Blue Shell meant we would go to bed hungry. Our refrigerator at home was empty of all but the last parings of our life together: an old rind of cheese on the shelf, a vegetable or two that neither of us would ever cook withering in the drawer, a flask of vodka I had stashed in the freezer.

As we left the hotel behind, the street grew shabbier. The buildings along here were old row houses of brick and wood, once fashionable, now unrenovated and nearly worthless. Children and teenagers sat on some of the stoops, hardness aging their faces, their grim eyes urging us past. Most unnerving were the houses that stood vacant: I could not imagine what face would look out from the dirty darkness behind the windows. Leah pulled my arm around her. I felt her skin and muscles moving under the thin dress. I thought of that strength moving with me, around me, like snakes wrapped in cool velvet. We had not had sex in three weeks, had not made love in so much longer than that. Whenever I was not with either Cleve or Leah, I imagined them together, drowning in ecstasy, dying their little deaths into each other.

Cleve had told me first, as soon as he realized that Leah didn’t intend to. Away from the kitchen, away from work, in a neutral bar with a fresh beer in front of me, he confessed in a hesitant voice, telling me what a dumbfuck he was and how anyway there was only lust between them, no love, not seeing how that would hurt the worst. He bought me another beer before I finished my first one. Maybe he just wanted to know where both of my hands were.

Leah was in bed but not asleep when I went home. She’d heard me coming up the stairs and fumbling with my key, and rolled over when I came in. Some nights she slept naked; tonight she was wearing something as sheer and weightless as ectoplasm. I saw the line of her shoulder silhouetted in filmy silver-white, somehow more erotic than the curve of her hip or breast. I sat on the edge of the bed.

“I waited up for my story,” she said. It was our custom for me to tell her a tale before we fell asleep at night: sometimes just a shred of hotel gossip or a memory from childhood, sometimes a dream, one of the plans I only told her and Cleve, one of my schemes to get away from the kitchen and into a grander, larger, more leisurely world. These were made of the finest ego-spun gossamer and collapsed in the telling; nonetheless it was pleasurable to tell her, like placing a drop of my heartblood on her lips.

“I’m not telling you a story tonight,” I said. “Tonight it’s your turn.”

She didn’t move then, only looked up at me with her eyes dark in the darkness of the room: she knew I knew. And four weeks later she finally came up with a story to tell me in return for all the ones I’d given her. She was carrying a living, breathing, bloodsucking piece of meat inside her, and it might be Cleve’s meat, and it might be mine.

Leah always liked to feel passive when she had sex. No, it wasn’t just that she liked to: she needed to feel passive, needed to feel she was being acted upon. I could kiss her anywhere, manipulate her knees and elbows and the strong curve of her back, pretend she was a department-store mannequin I was posing for some pornographic window display. She would press her face into a pillow and whimper, enjoying the power of pretended helplessness. I could dine on her tangy juices all night if I wished, I could stay inside her as long as I pleased, come when I wanted to. Only when I asked her what she wanted would Leah get angry. She had to be the little girl; she had to have someone take control.

Not on the morning of her operation. I woke in the still, stuffy light of predawn, unsure what had caused me to surface. I thought I had heard a distant sound, something separate from the intermittent cacophony of voices and sirens that punctuated the night. A train whistle miles away, or a telephone ringing in a far-off room.

Then, before I even knew Leah was awake, she sat up and in one liquid movement was straddling me. I had not felt her body close to mine in so long that it startled me into immobility. Even when I pressed up against the urgent sharpness of her nipples, up into the syrupy heat of her crotch, I wasn’t ready.

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