The Black Lizard Big Book of Pulps
- Автор: Anderson Lars, Barr Randolph
- Год: 2007
- Язык: английский
- Год: Vintage Books
- ISBN: 978-0-307-28048-0
- Жанр: Криминальные детективы
Электронная книга - «The Black Lizard Big Book of Pulps». Краткое содержание книги:
Weighing in at over a thousand pages, containing over forty-seven stories and two novels, this book is big baby, bigger and more powerful than a freight train — a bullet couldn’t pass through it. Here are the best stories and every major writer who ever appeared in celebrated Pulps like Black Mask, Dime Detective, Detective Fiction Weekly, and more. These are the classic tales that created the genre and gave birth to hard-hitting detectives who smoke criminals like packs of cigarettes; sultry dames whose looks are as lethal as a dagger to the chest; and gin-soaked hideouts where conversations are just preludes to murder. This is crime fiction at its gritty best.
Certainly I got service — service one doesn’t expect in a garage.
A lad sitting on the running board of a truck jumped to his feet and came quickly toward me. He carried a wrench in his hand. Though he was dolled up like a car washer I recognized him as I stepped from the car, and what’s more, he recognized me. He was more or less of a well known gangster. And I had the advantage of him. Where he didn’t expect me I expected him, or one of his kind.
We faced each other a split second only, as I stepped from the running board. My car protected us from being seen from the little lighted room that would be an office.
He never spoke, never more than half raised that wrench, when I let him have it. Just a single up-swing of my right hand, and the barrel of my gun crashed home. Yes, I know. If I were real high minded I’d have hit him with my fist. But I’m not high minded, and besides, my knuckles bruise easily and I have yet to see the head that will dent my rod.
His eyes did a “Charlie Chaplin” as his knees gave. Then he laid down on the floor. So much for that. I don’t waste time on these birds, and I didn’t waste time now.
Not a soul in that dimly lit garage as I crossed the smeared cement floor to that little office. Boy, what a break! As I pushed open the door, Ricorro’s fat little form was coming toward me. He stopped dead in the center of that office and gaped at me. Then he turned quickly to the roll-top desk.
“Don’t be a fool, Ricorro,” I told him. “It’s Race Williams. I’m killing tonight.”
Melodramatic? Sure. Who’s to deny that? But then, in the new underworld of our great city, melodrama is real life — and death too. Anyway, it was the kind of talk Ricorro understood. He stopped dead, chucked up both his hands and stood so. He knew his stuff, did Ricorro; knew my reputation also. Life in the underworld had taught him that the man with the gun talks, and the man without a gun listens.
A sudden noise behind me and I half swung aside, so as to face both Ricorro and the office door. Then I shrugged my shoulders and let it go at that. O’Rourke was there, slightly out of breath, slightly red of face, but with a gun in his hand. He must have run the two blocks.
“I’m sorry, Race. I had to—. Look out!”
A revolver cracked. A figure, or rather, the shadow of a figure fled down the little hall back of the office, where he had been hiding. With a warning to O’Rourke, I dashed into that little hallway. There wasn’t much to fear from a lad who couldn’t shoot better than to miss both of us.
“Watch that bird, Ricorro, O’Rourke,” was all I said as I got under way.
I saw the running figure through the glass of the door which led into the garage again. Just another door where Ricorro could go in and out, and miss people he didn’t want to see in the front.
Now, had this scurrying rat spoiled the party? If Joe Gorgon was in the basement, did he hear the shot? Somehow, I thought not. The motor of my car was still running. The floor was of thick cement. And as I dashed into the dimness of the garage I called out my warning to the fleeing, ducking figure ahead.
I could have shot him, but I didn’t. I thought I knew his kind, his breed. I thought he’d drop his gun and cry out for mercy at the first warning. But he didn’t. He ducked quickly behind a car, fired once from the darkness, where I couldn’t see him, and I cursed out my big heart, or my assurance that he’d stop when I warned him.
Now the going was not so good. This lad was bent on warning the others or making his escape. But while he was loose in that garage he was a real menace — both to my plans and my life. And I saw him again — far in the rear now, a dim figure between two cars. He was kneeling on the floor, pulling at something. I covered him and again called out. You have to admit I was giving him a break.
And this time he had to have it. He raised his gun and it spouted flame. And that was enough of that. I only fired once, saw him sort of straighten, clutch at his chest and go down. I don’t go in to miss. It’s not good business.
I was on him before he could fire again, that is, if he was alive, to fire again. And he was alive, but not in condition to cause trouble. Besides which, he had shown me the entrance to the basement. A great slab of heavy timber in the cement floor, with an iron ring in it.
I grabbed his gun, took a grip on that iron ring, lifted the trap door and started down wooden steps. Things were as quiet as the grave below. The grave! I wondered. But faint heart never filled a spade flush, or rescued a McBride, and I believe in going after things with a bit in my teeth.
I didn’t find blackness below. As soon as I spotted enough light I jumped those steps two at a time and made the bottom. A quickly moving figure is much harder to hit than a slowly moving one. That makes sense, though a lot of people think you must creep up on an enemy to be effective.
If Joe Gorgon had heard those shots, he wasn’t in the open, waiting. The basement was musty and damp. Perhaps half a dozen cars stood out weirdly in the dim yellowish light. There were barrels, that looked as if they might contain oil; a part of a car here and another part there. Loose lumber, old tires, and great hunks of tin, or what looked like great hunks of tin.
There were no little side rooms, no locked doors. No doors at all, except two big ones which, I thought, opened into the car elevator, for I had spotted doors like them directly above.
But you couldn’t tell. The doors might be a blind. I stepped over to them, and stepped back from them again. Low, but distinct, just the same, was the hum of an elevator. Was it going up or down? I thought down, then KNEW down. For, as I raised my gun, those doors opened and — Colonel McBride stood smack before me, right in the center of that elevator. Despite the fact that I was looking from the light into the semi-darkness of the unlighted elevator, I recognized him. His face was white, bruised, and cut too. But he was standing on his feet. Standing alone. And I saw the bulky shadow behind him just as that bulky shadow saw me. It was Joe Gorgon.
From behind McBride Joe Gorgon fired. No word of warning. Just a spit of orange blue flame, and a sudden icy coldness across my cheek, as if some one had pulled a red hot iron over it. Yes — I mean that. It was a coldness that burnt.
Joe Gorgon had half turned his great bulk sideways, so that he was completely protected from my fire by Colonel McBride. Joe wasn’t like his brother, Eddie. He didn’t gloat over his kill. And what’s more, he wasn’t going to talk himself out of his kill. He was drawing a bead now over McBride’s shoulder — his head low, his eye down close to McBride’s arm — just a fraction of a sight from under that arm. Joe didn’t hurry, but he didn’t lag either. Maybe a second. Maybe two. Maybe less, even.
I had to do it. I wasn’t fifteen feet from the standing, staring, sort of lifeless McBride, and the hidden crouching bulk of Joe Gorgon. It was my death, McBride’s death, or—.
And I did it. I jumped forward and fired, to be closer even when my heavy forty-four found its mark. I fired smack at the right arm of Colonel McBride.
Just the roar and the flash of my gun echoing upon the roar and the flash of Joe Gorgon’s single shot. It worked. McBride crumpled to the floor. Joe Gorgon jumped sort of in the air, half spun, fired wildly, and I laid my next bullet smack between his eyes. Just a little round hole, ever growing larger. Joe Gorgon waved his hands once. His right foot came slowly up, like a lad in the slow motion pictures. Then he pitched forward on his face.