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The Year's Best Fantasy and Horror. Fifth Annual Collection

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This acclaimed series, winner of numerous World Fantasy Awards, continues its tradition of excellence with scores of short stories from such writers as K. W. Jeter, Karl Edward Wagner, Terry Bisson, S. P. Somtow, Charles de Lint, Kobo Abe, Jane Yolen and many others. Supplementing the stories are the editors' invaluable overviews of the year in fantastic fiction, Edward Bryant's witty roundup of the year's fantasy films, and a long list of Honorable Mentions—all of which adds up to an invaluable reference source, and a font of fabulous reading.
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Consulting the man who was sitting near me, I found him oblivious to my comments about the scream within the theater. He seemed neither to hear nor see what was happening around him and what was happening to him. Long wiry hairs were sprouting from the fabric of the seats, sliding along their arms and along every part of them. The hairs had also penetrated into the cloth of the man’s suit, but I could not make him aware of what was happening. Finally I rose to leave, because I could feel the hairs tugging to keep me in position. As I stood up they ripped away from me like stray threads pulled from a sleeve or pocket.

No one else in the auditorium turned away from the man on the movie screen, who had lost the ability to cry out and relapsed into a paralytic silence. Proceeding up the aisle I glanced above at a rectangular opening high in the back wall of the theater, the window-like slot from which images of a movie are projected. Framed within this aperture was the silhouette of what looked like an old woman with long and wildly tangled hair. I could see her eyes gazing fierce and malignant at the purple glow of the movie screen. And from these eyes were sent forth two shafts of the purest purple light that shot through the darkness of the auditorium.

Exiting the theater the way I had come in, it was not possible to ignore the words REST ROOM, so brightly were they now shining. But the lamp over the door in the alley was dead; the sign reading ENTRANCE TO THE THEATER was gone. Even the letters spelling out the name of the feature that evening had been taken down. So this had been the last performance. Henceforth the theater would be closed to the public.

Also closed, if only for the night, were all the other businesses along that particular street in a part of town I had never visited before. The hour was late, the shop windows were dark. But how sure I was that in each one of those dark windows I passed was the even darker silhouette of an old woman with glowing eyes and a great head of monstrous hair.

THE PEONY LANTERN

Kara Dalkey

Minneapolis writer Kara Dalkey is the author of four magical novels including Euryale, a mannered and lyrical tale set in Greece, and The Nightingale, a poignant retelling of Hans Christian Andersen’s fairy tale transplanted to the courts of ancient Japan. Dalkey returns to Japan for the following story, first published in Pulphouse magazine, about which she writes:

“I came across the idea for this story from a book of woodblock prints by a nineteenth-century Japanese artist, Yoshitoshi. The book was called Thirty-Six Ghosts, and it contained thirty-six beautiful prints, each based on a Japanese ghost story or other theme of the supernatural. . . . Plate number 27 was The Peony Lantern.

—T.W.

The autumn wind blows through flame-boughed trees and they sigh like parted lovers, or mourners for the year that is dying. The wind brings me memories.

I come from a family of lantern makers, and that is my trade now. It is a good trade, even for an old man such as I am. But not long ago, I had the excellent fortune to be in the service of a young samurai. His name was Shinzaburo and he was but a younger son of a lesser branch of the Taira clan. Still, I was proud to be Chamberlain of the Wardrobe for his household, and he was a kind and just lord.

My skills were not wasted in his service. Shinzaburo was courting the Lady Tsuyu, and as a gift for her I made a peony lantern. I still believe it was the finest I ever made. The petals were of the sheerest pink silk and they glowed with the light from the candle within. I was told the Lady Tsuyu adored the gift and I felt well rewarded.

But those pleasant days melted away, as cherry blossoms before the heat of summer. Our lord Shinzaburo was called to war—the Taira clan again went to the battlefield against the voracious Minamoto. Only our lord’s standard bearer went with him. The rest of us stayed behind, and kept his house, and waited.

And then we learned of the terrible defeat of the Taira. Our lord Shinzaburo and his standard bearer, we were told, died valiantly, though futilely, on the shores of Lake Biwa.

In sorrow, the household dispersed. His goods were taken to distant relatives and the other servants found other work. It was my sad task to inform the Lady Tsuyu of Shinzaburo’s fate.

I remember kneeling on her veranda in the autumn rain. As I was but a lowly servant, it was not seemly that I should speak to a lady of Tsuyu’s quality face to face. She sat behind cloth and wood blinds, and I could smell the chrysanthemum scent of her kimonos, hear them rustling with her small movements, see the trailing edge of one golden silk sleeve. The separation should have eased my discomfort, yet I was unable to find the proper words. I am no poet, but I passed to her under the blinds a blood-red leaf. “Our dear Shinzaburo is such as this,” I said to her, “fallen, yet in passing, glorious.”

I heard her sigh and knew she understood, but I did not hear her faint or weep. Her soft, young voice was steady as she thanked me for my message. She seemed resolute, her feet upon a path already chosen. I wished that I knew the appearance of her face, so that I could imagine her brave countenance. I asked if there was any service I could do for her. She politely said there was none and bade me go.

I returned the next morning to Tsuyu’s house to see if there was yet anything I might do, for I knew my lord had loved her dearly, and would wish that she be looked after. But when I arrived, I found the lady’s house deserted and empty. A neighbor said the whole household had packed up and stolen away in the middle of the night. I found myself wondering if Tsuyu had taken my peony lantern with her. As I passed the house one last time, I saw on one white shoji panel many spots of a dark red stain. Ah, I thought, where the lady has gone she will have no need of lanterns.

After this time, the only one of my lord’s servants whom I kept as friend was Gyunyuko, Shinzaburo’s old nursemaid. She was, and still is, a woman of grace and strength. Though she was very distressed to hear of our lord’s death, yet her faith was strong and she was certain our lord sat among lotus petals in the Pure Land. She had no other family, having outlived them all, so I became as a nephew to her. She went to live in a nearby village while I stayed in Heian Kyo, and from time to time I would send her some of what I earned from my lantern making. Once a month we would meet in the marketplace and exchange news and pleasantries. I expected this was the way we would each live out the rest of our days.

Then, two years later, Gyunyuko came rushing up to greet me in the marketplace. I still remember her white hair flying, her face like a child’s on New Year's Day. “I have wonderful news!” she cried, grasping my arms.

“Don’t tell me,” I said, “You have just learned that you have a long-lost grandchild.”

She grinned and beat a fist lightly against my arm. “Nearly as good! I have news of our lord Shinzaburo. He is not dead! A man in the village saw him return on a ship. Our lord should be here in Heian Kyo by now. Let us look for him!”

I cautioned her against listening to wild rumors, particularly those that give hope, but she would not be dissuaded. We sought out relatives of our lord. Those that would speak to us claimed not to have seen him. We went to all the places an itinerant samurai might be found, gambling dens, the willow district, the Rashomon. He was not there and none had seen him. At last, as evening threw its purple curtain across the sky, Gyunyuko and I wearily wandered back to the old house where we had served him.

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