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Dune [Frank Herbert's Dune Saga Collection: Books 1 - 6]
- Автор: Херберт Фрэнк
- Год: 2020
- Язык: английский
- Год: Penguin Publishing Group
- Жанр: Эпическое фэнтези
Электронная книга - «Dune [Frank Herbert's Dune Saga Collection: Books 1 - 6]». Краткое содержание книги:
*DUNE* IS SOON TO BE A MAJOR MOTION PICTURE directed by Denis Villeneuve, starring Timothée Chalamet, Josh Brolin, Jason Momoa, Zendaya, Rebecca Ferguson, Oscar Isaac, Javier Bardem, Dave Bautista, Stellan Skarsgård, and Charlotte Rampling.
In the far future, on a remote planet, an epic adventure awaits. Here are the first six novels of Frank Herbert’s magnificent Dune saga—a triumph of the imagination and one of the bestselling science fiction series of all time.
The Dune Saga begins on the desert planet Arrakis with the story of the boy Paul Atreides—who would become known as Muad’Dib—and of a great family’s ambition to bring to fruition humankind’s most ancient and unattainable dream....
Includes Books 1 - 6: DUNE • DUNE MESSIAH • CHILDREN OF DUNE • GOD EMPEROR OF DUNE • HERETICS OF DUNE • CHAPTERHOUSE: DUNE
ACE
Published by Berkley
An imprint of Penguin Random House LLC
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Copyright © 1969 by Herbert Properties LLC
“Introduction” by Brian Herbert copyright © 2008 by DreamStar, Inc.
Penguin Random House supports copyright. Copyright fuels creativity, encourages diverse voices, promotes free speech, and creates a vibrant culture. Thank you for buying an authorized edition of this book and for complying with copyright laws by not reproducing, scanning, or distributing any part of it in any form without permission. You are supporting writers and allowing Penguin Random House to continue to publish books for every reader.
ACE is a registered trademark and the A colophon is a trademark of Penguin Random House LLC.
A shorter version of this book appeared in Galaxy magazine for July–September 1969. Copyright © 1969 by Galaxy Publishing Corporation.
Ebook ISBN: 9781101157879
Berkley edition / September 1975
Ace mass-market edition / June 1987
Ace hardcover edition / February 2008
Ace premium edition / June 2019
Cover design and illustration by Jim Tierney
This is a work of fiction. Names, characters, places, and incidents either are the product of the author’s imagination or are used fictitiously, and any resemblance to actual persons, living or dead, business establishments, events, or locales is entirely coincidental.
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CONTENTS
Title Page
Copyright
Introduction by Brian Herbert
Excerpts from the Death Cell Interview with Bronso of Ix
Chapter 1
Chapter 2
Chapter 3
Chapter 4
Chapter 5
Chapter 6
Chapter 7
Chapter 8
Chapter 9
Chapter 10
Chapter 11
Chapter 12
Chapter 13
Chapter 14
Chapter 15
Chapter 16
Chapter 17
Chapter 18
Chapter 19
Chapter 20
Chapter 21
Chapter 22
Chapter 23
Chapter 24
Epilogue
INTRODUCTION
BY BRIAN HERBERT
Dune Messiah is the most misunderstood of Frank Herbert’s novels. The reasons for this are as fascinating and complex as the renowned author himself.
Just before this first sequel to Dune was published in 1969, it ran in installments in the science fiction magazine Galaxy. The serialized “Dune Messiah” was named “disappointment of the year” by the satirical magazine National Lampoon. The story had earlier been rejected by Analog editor John W. Campbell, who, like the Lampooners, loved the majestic, heroic aspects of Dune and hated the antithetical elements of the sequel. His readers wanted stories about heroes accomplishing great feats, he said, not stories of protagonists with “clay feet.”
The detractors did not understand that Dune Messiah was a bridging work, connecting Dune with an as-yet-uncompleted third book in the trilogy. To get there, the second novel in the series flipped over the carefully crafted hero myth of Paul Muad’Dib and revealed the dark side of the messiah phenomenon that had appeared to be so glorious in Dune. Many readers didn’t want that dose of reality; they couldn’t stand the demotion of their beloved, charismatic champion, especially after the author had already killed off two of their favorite characters in Dune, the loyal Atreides swordmaster Duncan Idaho* and the idealistic planetologist Liet-Kynes.
But they overlooked important clues that Frank Herbert had left along the way. In Dune, when Liet-Kynes lay dying in the desert, he remembered these words of his father, Pardot, spoken years before and relegated to the back reaches of memory: “No more terrible disaster could befall your people than for them to fall into the hands of a Hero.” Near the end of the novel, in a foreshadowing epigraph, Princess Irulan described the victorious Muad’Dib in multifaceted and sometimes conflicting terms as “warrior and mystic, ogre and saint, the fox and the innocent, chivalrous, ruthless, less than a god, more than a man.” And in an appendix to Dune, Frank Herbert wrote that the desert planet “was afflicted by a Hero.”
These sprinklings in Dune were markers pointing in the direction Frank Herbert had in mind, transforming a utopian civilization into a violent dystopia. In fact, the original working title for the second book in the series was Fool Saint, which he would change two more times before settling on Dune Messiah. But in the published novel, he wrote, concerning Muad’Dib:
He is the fool saint,
The golden stranger living forever
On the edge of reason.
Let your guard fall and he is there!
The author felt that heroic leaders often made mistakes . . . mistakes that were amplified by the number of followers who were held in thrall by charisma. As a political speechwriter in the 1950s, Dad had worked in Washington, D.C., and had seen the megalomania of leadership and the pitfalls of following magnetic, charming politicians. Planting yet another interesting seed in Dune, he wrote, “It is said in the desert that possession of water in great amount can inflict a man with fatal carelessness.” This was an important reference to Greek hubris. Very few readers realized that the story of Paul Atreides was not only a Greek tragedy on an individual and familial scale. There was yet another layer, even larger, in which Frank Herbert was warning that entire societies could be led to ruination by heroes. In Dune and Dune Messiah, he was cautioning against pride and overconfidence, that form of narcissism described in Greek tragedies that invariably led to the great fall.
Among the dangerous leaders of human history, my father sometimes mentioned General George S. Patton because of his charismatic qualities—but more often his example was President John F. Kennedy. Around Kennedy, a myth of kingship had formed, and of Camelot. The handsome young president’s followers did not question him and would have gone virtually anywhere he led them. This danger seems obvious to us now in the cases of such men as Adolf Hitler, whose powerful magnetism led his nation into ruination. It is less obvious, however, with men who are not deranged or evil in and of themselves—such as Kennedy, or the fictional Paul Muad’Dib, whose danger lay in the religious myth structure around him and what people did in his name.
Among my father’s most important messages were that governments lie to protect themselves and they make incredibly stupid decisions. Years after the publication of Dune, Richard M. Nixon provided ample proof. Dad said that Nixon did the American people an immense favor in his attempt to cover up the Watergate misdeeds. By amplified example, albeit unwittingly, the thirty-seventh president of the United States taught people to question their leaders. In interviews and impassioned speeches on university campuses all across the country, Frank Herbert warned young people not to trust government, telling them that the American founding fathers had understood this and had attempted to establish safeguards in the Constitution.