The Great Events by Famous Historians [Volumes 1-14]
- Автор: Gutenberg
- Год: 1905
- Язык: английский
- Жанр: История
Электронная книга - «The Great Events by Famous Historians [Volumes 1-14]». Краткое содержание книги:
The Great Events by Famous Historians, Volume 01
The Great Events by Famous Historians, Volume 02 / (From the Rise of Greece to the Christian Era)
The Great Events by Famous Historians, Volume 03
The Great Events by Famous Historians, Volume 04
The Great Events by Famous Historians, Volume 05 / (From Charlemagne to Frederick Barbarossa)
The Great Events by Famous Historians, Volume 06 / (From Barbarossa to Dante)
The Great Events by Famous Historians, Volume 07
The Great Events by Famous Historians, Volume 08 / The Later Renaissance: from Gutenberg to the Reformation
The Great Events by Famous Historians, Volume 09
The Great Events by Famous Historians, Volume 10
The Great Events by Famous Historians, Volume 11
The Great Events by Famous Historians, Volume 12
The Great Events by Famous Historians, Volume 13
The Great Events by Famous Historians, Volume 14
The Great Events by Famous Historians, Volume 17
The Great Events by Famous Historians, Volume 21 / The Recent Days (1910-1914)
The spinning-frame of Arkwright was the result of inventive power of a higher and rarer order than that necessary to originate the spinning-jenny. It was much more than a mere development of the old hand-wheel. It involved the application of a new principle, that of spinning by rollers, and in the delicate adjustment of its various parts and the nice regulation of the different mechanical forces called into operation, so as to make them properly subordinate to the accomplishment of one purpose, we have the first adequate examples of those beautiful and intricate mechanical contrivances that have transformed the whole character of the manufacturing industries. The spinning-frame consisted of four pairs of rollers, acting by tooth and pinion. The top roller was covered with leather to enable it to take hold of the cotton, the lower one fluted longitudinally to let the cotton pass through it. By one pair of rollers revolving quicker than another the rove was drawn to the requisite fineness for twisting, which was accomplished by spindles or flyers placed in front of each set of rollers. The original invention of Arkwright has neither been superseded nor substantially modified, although it has of course undergone various minor improvements.
The first spinning-mill of Arkwright was driven by horses, but finding this method too expensive, as well as incapable of application on a sufficiently large scale, he resolved to use water-power, which had already been successfully applied for a similar purpose, notably in the silk-mill erected by Thomas Lombe, on the Derwent at Derby in 1717. In 1771 Arkwright therefore went into partnership with Mr. Reed, of Nottingham, and Mr. Strutt, of Derby, the possessors of patents for the manufacture of ribbed stockings, and erected his spinning-frame at Cromford, in Derbyshire, in a deep, picturesque valley near the Derwent, where he could obtain an easy command of water-power from a never-failing spring of warm water, which even during the severest frost scarcely ever froze. From the fact that the spinning-frame was driven by water, it came to be known as the water-frame; since the application of steam it has been known as the throstle. As the yarn it produced was of a much harder and firmer texture than that spun by the jenny, it was specially suited for warp, but the Lancashire manufacturers declined to make use of it. Arkwright and his partners therefore wove it at first into stockings, which, on account of the smoothness and equality of the yarn, were greatly superior to those woven from the hand-spun cotton.
In 1773 he began to use the thread as warp for the manufacture of calicoes, instead of the linen warp formerly used together with the cotton weft, and thus a cloth solely of cotton was for the first time produced in England. It met at once with a great demand, but, on account of an act passed in 1736 for the protection of the woollen manufactures of England against the calicoes of India, it was liable to a double duty, which at the instance of the Lancashire manufacturers was speedily enforced. Notwithstanding their strenuous opposition, Arkwright, however, in 1774 obtained an act specially exempting from extra duty the "new manufacture of stuffs wholly made of raw cotton-wool." Up to this time more than twelve thousand pounds had been expended by Arkwright and his partners on machinery, with little or no return; but after the new act the cotton manufacture created by his energy and genius developed with amazing rapidity, until it became the leading industry of the North of England.
While struggling against the mingled inertness and active opposition of the manufacturers, Arkwright had all the while been busily engaged in augmenting the capability and efficiency of his machinery, and in 1775 he brought out a patent for a series of adaptations and inventions by means of which the whole process of yarn manufacture—including carding, drawing, roving, and spinning—was performed by a beautifully arranged succession of operations on one machine. With the grant of this patent, every obstacle in the way of a sufficient supply of yarn was overcome, and, whatever might happen to Arkwright, the prosperity of the cotton manufacture was guaranteed. Afterward the invention was adapted for the woollen and worsted trade with equal success.
The machine of Arkwright was adapted for roving by means of a revolving cam. For the process of carding, additions and improvements of great ingenuity were affixed to the carding-cylinder patented by Lewis Paul in 1748, transforming it into an entirely new machine. The most important of these were the crank and comb, said to have been used by Hargreaves, but which it is now known that Hargreaves stole from Arkwright; the perpetual revolving cloth called the feeder, said to have been used by John Lees, a Quaker of Manchester, in 1778, but which Arkwright had undoubtedly used previously at Cromford; and filleted cards on the second cylinder, which also must have been used by Arkwright in 1778, although a manufacturer named Wood claimed to have first used them in 1774. Indeed, the whole of the complicated self-acting machinery, which without the intervention of hand labor performed the different processes necessary to change raw cotton into thread suitable for warp, was substantially the invention of Arkwright; and while each separate machine was in itself a remarkable triumph of inventive skill, the construction of the whole series, and the adaptation of each to its individual function in the continuous succession of operations, must be regarded as an almost unique achievement in the history of invention.
INTELLECTUAL REVOLT OF GERMANY
GOETHE'S "WERTHER" REVIVES ROMANTICISM
A.D. 1775
KARL HILLEBRAND
The latter half of the eighteenth century was, throughout Europe, a period of revolt against the old ideas, the outworn bonds of mediæval society. In art and literature the older system, with its elaborately planned rules and formulas, is technically called "classicism"; and the outburst against it established "romanticism," the spirit of desire, the longing for higher things, an impulse which ruled the intellectual world for generations, and which many critics still believe to be the chief hope for the future.
Romanticism found expression, more or less impassioned and defiant, in every land, but its earliest and strongest impulse is generally regarded as having sprung from Germany. The sceptical, half-cynical rule of Frederick the Great had left men's minds free, and imagination was everywhere aroused. The early culmination of its extravagance is found in the youth of Goethe and Schiller, Germany's two greatest poets; and Goethe's famous novel, The Sorrows of Young Werther, became the text-book of the rising generation of romanticists. Werther kills himself for disappointed love, and the book has been seriously accused of creating an epidemic of suicide in Germany. Hillebrand, writer of the following analysis of the period and the movement, is among the foremost of present-day German authorities upon the subject.
Goethe was twenty-six years old when he accepted (1775) the invitation of Charles Augustus, and transported to Weimar the tone and the allures of the literary bohemia of Strasburg. There, to the terror of the good burghers of that small residence, to the still greater terror of the microscopic courtiers, began that "genial" and wild life which he and his august companion led during several years. Hunting, riding on horseback, masquerades, private theatricals, satirical verse, improvisation of all sorts, flirtation particularly, filled up day and night, to the scandal of all worthy folk, who were utterly at a loss to account for his serene highness saying "Du" to this Frankfort roturier. The gay Dowager Duchess, Wieland's firm friend, looked upon these juvenile freaks with a more lenient eye; for she well knew that the fermentation once over, a noble, generous wine would remain. "We are playing the devil here," writes Goethe to Merck; "we hold together, the Duke and I, and go our own way. Of course, in doing so we knock against the wicked, and also against the good; but we shall succeed; for the gods are evidently on our side." Soon Herder was to join them there, unfortunately not always satisfied with the results of his teaching about absolute liberty of genius.