The Historians' History of the World 06 [The Early Roman Empire]

When one reflects on this prevalence of books, the very natural query arises as to how they were produced, and the answer throws a vivid light on the social conditions in Rome. The enormous output of books, almost rivalling the productions of the modern press, was possible solely because of the great number of slaves in Rome. Book-making was a profession, but it was a profession apparently followed almost exclusively by slaves, who were known as librarii. These educated slaves were usually Greeks, and a large publishing house, of which there were several in Rome, would keep a great number of them for purposes both of making the materials for books, and of transcribing the books themselves.

It is known that shorthand was practised extensively in Rome, and it has been supposed that a very large number of the current books were written in this abbreviated hand. This supposition, however, appears more than doubtful, for it is hardly to be supposed that the general public took the trouble to learn the Tironian system, by which name the shorthand script was known; Tiron, the secretary of Cicero, being commonly, though no doubt incorrectly, credited with its invention. As to the latter point, there are various references in the Greek classical authors to the practice of shorthand in ancient times. It is said even that Xenophon took down the lectures of Socrates in this way, and whether or not that statement is true, the existence of the rumour is in itself evidence of the prevalence of the custom from an early day. Very probably Tiron developed a modified and greatly improved system of shorthand writing, and doubtless this became popular, since lexicons were written interpreting the Tironian script in terms of ordinary Latin. But, as has been said, all this does not make it probable that the average reader understood the script, and it seems much more likely that the popular authors were represented in the ordinary script, subject, however, to numerous abbreviations. The writers who were most in vogue in imperial Rome are said to have been Ovid, Propertius, and Martial among the satirists; Homer, Virgil, and Horace among the poets; and Cicero, Livy, and Pliny among prose writers. It is alleged that the works of most of these were in every private collection. Of all this great store of literary treasures not a single line has been preserved in the original manuscript, save only a few rolls from the library at Herculaneum, and most of these are charred and damaged beyond recognition.

Thanks to the use of slave labour, it would appear that the Roman publisher was able, not merely to put out large editions of books, but to sell these at a very reasonable price. According to a statement of Martial himself, a very good copy of the first book of his epigrams could be purchased for five denarii. This presumably must refer to the cheapest edition, probably a papyrus roll, though no definite data as to the relative cost of papyrus and parchment are available. Naturally, there were more expensive editions put out for those who could afford them. It was customary, for example, to tint the back of the parchment roll with purple; at a later day the inscribed part itself was sometimes tinted with the same colour, and this custom also may have prevailed as early as the Roman time. Certain books were illustrated with pictures, as appears from a remark of Pliny; but this practice was undoubtedly very exceptional. It may not have been unusual, however, to ornament or emphasise portions of the manuscript by using red ink, for the ink wells illustrated in the paintings of Pompeii are often shown to be double, and the presumable object of this was to facilitate the use of ink of two colours.

The pen employed by the Roman scribe was made of a reed and known as a calamus. It was sharpened and split, not unlike a modern quill pen. The question has been raised many times as to whether the Romans did not employ the quill pen itself. Certain pictures seem to suggest that the quill pen was used not merely by the Romans, but by the Egyptians as well. There seems little ground for this supposition, however, and the first specific reference to a quill pen was in the writings of Isidorus, who died in 636 A.D. This proves that the use of quills had begun not later than the seventh century, but it is extremely doubtful whether the Romans employed them, though the quill seems so obvious a substitute for the reed that its non-employment causes wonder. But the history of all simple inventions shows how fallacious would be any argument drawn from this obvious inference. Incidentally it may be noted that the reed pen held its own against the quill for some centuries after the invention of the latter. Even in the late Middle Ages the reed was still employed for particular kinds of writing in preference to the quill, and no doubt a certain number of people for generations continued to prefer the reed, just as there are people now who prefer a quill pen to the steel pens that were perfected in 1830. Every desk in the reading room at the British Museum to-day is supplied with a quill as well as a steel pen; and a fair proportion of the readers there seem to prefer the former.