The Year's Best Fantasy and Horror. Fifth Annual Collection
- Автор: Датлоу Эллен, Виндлинг Терри
- Год: 1992
- Язык: английский
- Год: St.Martin’s Press
- Жанр: Ужасы
Электронная книга - «The Year's Best Fantasy and Horror. Fifth Annual Collection». Краткое содержание книги:
I remember the guava compote incident clearly. We were on our way to a Rosario Ferre cocktail party at the mayor's house because he'd finally made you an offer on the sale of the hacienda, which you had nostalgically named “The Sundowns,” and the people of the town had rebaptized “Curly Cunt Downs, ” in revenge for your aristocratic airs. At first you were offended and turned him down, but when the mayor suggested he would restore the house as a historic landmark, where the mementos of the sugar-cane-growing aristocracy would be preserved for future generations, you promised to think about it. The decision finally came when I managed to persuade you, after hours of endless arguments under our bed’s threadbare canopy, that we couldn’t go on living in that huge house, with no electricity, no hot water, and no adequate toilet facilities; and where one had to move one’s bowels on an antique French Provincial latrine, which had been a gift to your grandfather from King Alphonse XII. That’s why I was wearing that awful dress the day of Rosaura’s petty tantrum. I had managed to cut it from our brocade living-room curtains, just as Vivien Leigh had done in Gone With the Wind, and its gaudy frills and garish flounces were admittedly in the worst of taste. But I knew that was the only way to impress the mayor’s high-flown wife and cater to her boorish, aristocratic longings. The mayor finally bought the house, with all the family antiques and objets d’art, but not to turn it into a museum, as you had so innocently believed, but to enjoy it himself as his opulent country house.
Rosa stood up horrified and stared at the blood-colored streaks of syrup that trickled slowly down her skirt, until they reached the silk embossed buckles of her shoes. She was trembling with rage, and at first couldn’t get a single word out. When her soul finally came back to her body, she began calling Rosaura names, accusing her shrilly of living in a storybook world, while she, Rosa, worked her fingers to the bone in order to keep them all fed. Those damned books were to blame for the girl’s shiftlessness, and as they were also undeniable proof of Don Lorenzo’s preference for Rosaura, and of the fact that he held his daughter in higher esteem than his wife, she had no choice but to leave him. Unless, of course, Rosaura agreed to get rid of all her books, which should immediately be collected in a heap in the backyard, where they would be set on fire.
Maybe it’s the smoking candles, maybe it’s the heavy scent of all those myrtles Rosaura heaped on the coffin, but I’m feeling dizzier. I can’t stop my hands from trembling and my palms are moist with sweat. The story has begun to fester in some remote corner of my mind, poisoning me with its dregs of resentment. As soon as she ended her speech, Rosa went deathly pale and fell forward to the floor in a heap. Terrified at his wife’s fainting spell, Don Lorenzo knelt down beside her and begged her in a faltering voice not to leave him. He promised he’d do everything she’d asked for, if only she’d stay and forgive him. Pacified by his promises, Rosa opened her eyes and smiled at her husband. As a token of goodwill at their reconciliation, she allowed Rosaura to keep her books and promised she wouldn’t burn them.
That night Rosaura hid her birthday gift under her pillow and wept herself to sleep. She had an unusual dream. She dreamt that one of the tales in her book had been cursed with a mysterious power that would instantly destroy its first reader. The author had gone to great lengths to leave a sign, a definite clue in the story which would serve as a warning, but try as she might in her dream, Rosaura couldn’t bring herself to remember what that sign had been. When she finally woke up she was in a cold sweat, but she was still in the dark as to whether the story worked its evil through the ear, the tongue, or the skin.
Don Lorenzo died peacefully in his bed a few months later, comforted by the cares and prayers of his loving wife and daughter. His body had been solemnly laid out in the parlor for all to see, bedecked with wreaths and surrounded by smoking candles, when Rosa came into the room, carrying in her hand a book elegantly bound in red and gold leather, Don Lorenzo’s last gift to Rosaura. Friends and relatives all stopped talking when they saw her walk in. She nodded a distant hello to the mayor’s wife and went to sit by herself in a corner of the room, as though in need of some peace and quiet to comfort her in her sadness. She opened the book at random and began to turn the pages slowly, pretending she was reading but really admiring the illustrations of the fashionably dressed ladies and queens. As she leafed through the pages, she couldn’t help thinking that now that she was a w oman of means, she could well afford one of those lavish robes for herself. Suddenly, she came to a story that caught her eye. Unlike the others, it had no drawings, and it had been printed in a thick, guava-colored ink she’d never seen before. The first sentence took her mildly by surprise, because the heroine’s name was the same as her stepdaughter’s. Her curiosity kindled, she read on quickly, moistening the pages with her index finger because the guava-colored ink made them stick to each other annoyingly. She went from wonder to amazement and from amazement to horror, but in spite of her growing panic, she couldn’t make herself stop reading. The story began . . . “Rosaura lived in a house of many balconies, shadowed by a dense overgrowth of crimson bougainvillea vines . . . ,” and how the story ended, Rosa never knew.
BLOOD
Janice Galloway
Janice Galloway was bom in Ayrshire, Scotland, where she taught for ten years. Her first book, The Trick is to Keep Breathing, won a Scottish Arts Council Book Award and was shortlisted for the Whitbread First Novel Award and the Scottish First Book of the Year. She is working on another novel. “Blood” is from her collection of the same title and also appeared in The New Gothic.
The word “blood” is a powerful one. It’s loaded with connotations, particularly when juxtaposed with an adolescent girl. Although the blood in this story is from a tooth extraction, the power of the piece resides in all the symbolic and literal meanings of the word.