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The Great Events by Famous Historians [Volumes 1-14]

Электронная книга - «The Great Events by Famous Historians [Volumes 1-14]». Краткое содержание книги:

Антология содержит:
The Great Events by Famous Historians, Volume 01
The Great Events by Famous Historians, Volume 02 / (From the Rise of Greece to the Christian Era)
The Great Events by Famous Historians, Volume 03
The Great Events by Famous Historians, Volume 04
The Great Events by Famous Historians, Volume 05 / (From Charlemagne to Frederick Barbarossa)
The Great Events by Famous Historians, Volume 06 / (From Barbarossa to Dante)
The Great Events by Famous Historians, Volume 07
The Great Events by Famous Historians, Volume 08 / The Later Renaissance: from Gutenberg to the Reformation
The Great Events by Famous Historians, Volume 09
The Great Events by Famous Historians, Volume 10
The Great Events by Famous Historians, Volume 11
The Great Events by Famous Historians, Volume 12
The Great Events by Famous Historians, Volume 13
The Great Events by Famous Historians, Volume 14
The Great Events by Famous Historians, Volume 17
The Great Events by Famous Historians, Volume 21 / The Recent Days (1910-1914)
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The glories of the age of Louis XIV were the climax of a set of ideas that instantly afterward lost alike their grace, their usefulness, and the firmness of their hold on the intelligence of men. A dignified and venerable hierarchy, an august and powerful monarch, a court of gay and luxurious nobles, all lost their grace because the eyes of men were suddenly caught and appalled by the awful phantom, which was yet so real, of a perishing nation. Turn from Bossuet's orations to Boisguillebert's Détail de la France; from the pulpit rhetorician's courtly reminders that even majesty must die, to Vauban's pity for the misery of the common people;[31] from Corneille and Racine to La Bruyère's picture of "certain wild animals, male and female, scattered over the fields, black, livid, all burned by the sun, bound to the earth that they dig and work with unconquerable pertinacity; they have a sort of articulate voice, and when they rise on their feet they show a human face, and, in fact, are men." The contrast had existed for generations. The material misery caused by the wars of the great Louis deepened the dark side, and the lustre of genius consecrated to the glorification of traditional authority and the order of the hour heightened the brightness of the bright side, until the old contrast was suddenly seen by a few startled eyes, and the new and deepest problem, destined to strain our civilization to a degree that not many have even now conceived, came slowly into pale outline.

There is no reason to think that Voltaire ever saw this gaunt and tremendous spectacle. Rousseau was its first voice. Since him the reorganization of the relations of men has never faded from the sight either of statesmen or philosophers, with vision keen enough to admit to their eyes even what they dreaded and execrated in their hearts. Voltaire's task was different and preparatory. It was to make popular the genius and authority of reason. The foundations of the social fabric were in such a condition that the touch of reason was fatal to the whole structure, which instantly began to crumble. Authority and use oppose a steadfast and invincible resistance to reason, so long as the institutions which they protect are of fair practicable service to a society. But after the death of Louis XIV, not only the grace and pomp, but also the social utility of spiritual and political absolutism, passed obviously away. Spiritual absolutism was unable to maintain even a decent semblance of unity and theological order. Political absolutism by its material costliness, its augmenting tendency to repress the application of individual energy and thought to public concerns, and its pursuit of a policy in Europe which was futile and essentially meaningless as to its ends, and disastrous and incapable in its choice of means, was rapidly exhausting the resources of national well-being and viciously severing the very tap-root of national life. To bring reason into an atmosphere so charged was, as the old figure goes, to admit air to the chamber of the mummy. And reason was exactly what Voltaire brought; too narrow, if we will, too contentious, too derisive, too unmitigatedly reasonable, but still reason. And who shall measure the consequence of this difference in the history of two great nations: that in France absolutism in church and state fell before the sinewy genius of stark reason, while in England it fell before a respect for social convenience, protesting against monopolies, benevolences, ship-money? that in France speculation had penetrated over the whole field of social inquiry, before a single step had been taken toward application, while in England social principles were applied before they received any kind of speculative vindication? that in France the first effective enemy of the principles of despotism was Voltaire, poet, philosopher, historian, critic; in England, a band of homely squires?

Voltaire, there can be little doubt, never designed a social revolution, being in this the representative of the method of Hobbes. His single object was to reinstate the understanding in its full rights, to emancipate thought, to extend knowledge, to erect the standard of critical common-sense. He either could not see, or else, as one sometimes thinks, he closes his eyes and refuses for his part to see, that it was impossible to revolutionize the spiritual basis of belief without touching the social forms, which were inseparably connected with the old basis by the strong bonds of time and a thousand fibres of ancient association and common interest. Rousseau began where Voltaire left off. He informs us that, in the days when his character was forming, nothing which Voltaire wrote escaped him, and that the Philosophical Letters (that is, the Letters on the English), though assuredly not the writer's best work, were what first attracted him to study, and implanted a taste which never afterward became extinct. The correspondence between Voltaire and the Prince of Prussia, afterward the great Frederick, inspired Rousseau with a passionate desire to learn how to compose with elegance, and to imitate the coloring of so fine an author.[32] Thus Voltaire, who was eighteen years his elder, gave this extraordinary genius his first productive impulse. But a sensibility of temperament, to which perhaps there is no parallel in the list of prominent men, impelled Rousseau to think, or rather to feel, about the concrete wrongs and miseries of men and women, and not the abstract rights of their intelligence. Hence the two great revolutionary schools, the school which appealed to sentiment, and the school which appealed to intelligence. The Voltairean principles of the strictest political moderation and of literary common-sense, negative, merely emancipatory, found their political outcome, as French historians early pointed out, in the Constituent Assembly, which was the creation of the upper and middle class, while the spirit of Rousseau, ardent, generous, passionate for the relief of the suffering, overwhelmed by the crowding forms of manhood chronically degraded and womanhood systematically polluted, came to life and power in the Convention and the sections of the Commune of Paris which overawed the Convention.

"It will not do," wrote D'Alembert to Voltaire as early as 1762, "to speak too loudly against Jean Jacques or his book, for he is rather a king in the Halles."[33] This must have been a new word in the ears of the old man, who had grown up in the habit of thinking of public opinion as the opinion, not of markets where the common people bought and sold, but of the galleries of Versailles. Except for its theology, the age of Louis XIV always remained the great age to Voltaire, the age of pomp and literary glory, and it was too difficult a feat to cling on one side to the Grand Monarch, and to stretch out a hand on the other to the Social Contract. It was too difficult for the man who had been embraced by Ninon de l'Enclos, who was the correspondent of the greatest sovereigns in Europe, and the intimate of some of the greatest nobles in France, to feel much sympathy with writings that made their author king of the Halles. Frederick offered Rousseau shelter, and so did Voltaire; but each of them disliked his work as warmly as the other. They did not understand one who, if he wrote with an eloquence that touched all hearts, repulsed friends and provoked enemies like a madman or a savage. The very language of Rousseau was to Voltaire as an unknown tongue, for it was the language of reason clothing the births of passionate sensation. Émile only wearied him, though there were perhaps fifty pages of it which he would have had bound in morocco.[34] It is a stale romance, he cries, while the Social Contract is only remarkable for some insults rudely thrown at kings by a citizen of Geneva, and for four insipid pages against the Christian religion, which are simply plagiarized from Bayle's centos.[35] Partly, no doubt, this extreme irritation was due to the insults with which Jean Jacques had repulsed his offers of shelter and assistance, had repudiated Voltaire's attempts to defend him, and had held up Voltaire himself as a proper object for the persecutions of Geneva. But there was a still deeper root of discrepancy, which we have already pointed out. Rousseau's exaggerated tone was an offence to Voltaire's more just and reasonable spirit; and the feigned austerity of a man whose life and manners he knew assumed in his eyes a disagreeable shade of hypocrisy.[36] Besides these things, he was clearly apprehensive of the storms which Rousseau's extraordinary hardihood had the very natural effect of raising in the circles of authority, though it is true that the most acute observers of the time thought that they noticed a very perceptible increase of Voltaire's own hardihood as a consequence of the example which the other set him.

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