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Ed McBain’s Mystery Book, No. 1, 1960

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Ed McBain’s Mystery Book, No. 1, 1960
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He climbed to the third floor, next to the top, and turned right from the stairs and walked down the hall, parallel to the street, to the last room on the street side. The hall made a right-angle turn to the left there, running the length of a wing to the rear of the building, where there was a narrow green door that opened, he knew, upon narrow stairs descending to an alley exit. He paused outside the room, Laurel’s room, looking down the empty hall to the green door, and then he took a pair of thin cotton gloves from a pocket and put them on and opened the door to the room and entered. Inside, he abandoned the casual attitude he had sustained so far and began to move swiftly, with economy of motion and deadly purpose.

From a closet, where Laurel had left it, he took a rifle, already assembled. He checked to make certain it was loaded, and it was. Smokeless cartridge. There was a telescopic sight attached, but at this distance he would not need it. He had been firing rifles since he was a boy, and he was an expert marksman.

Moving to a window overlooking the street and the courthouse square across the street, he knelt before it on one knee and raised the sash just enough to allow him to sight through the narrow opening from the kneeling position, the tip of the rifle barrel resting on the sill. The air above the street shimmered with heat, distorting his vision, and he closed his eyes for a moment, retreating briefly into darkness with a sense of vast reprieve. The crowd below was silent now, caught and held by a tall man with a mane of black hair who stood raised above them on an improvised platform on the courthouse lawn. The man’s voice, amplified, a strangely harsh and mesmerizing cry, was clearly audible to Arley, kneeling by the window, but the words, whatever they were, did not register and had no meaning. Opening his eyes, coming out again from darkness, Arley squinted through the telescopic sight at a patch of black hair above a close-set ear.

John Corrigan, he thought. Governor John Corrigan.

Corrigan, the Boy Wonder. No longer a boy, but still a wonder. In the beginning of his glittering career, just after college, county attorney. Next, state’s attorney general. Now governor. And men in places of power were already talking about the big job, the top spot beyond which there was really no place else to go. Four more years, they said. Only four to go to that big, big job.

Well, it hadn’t been easy, but Corrigan had made it look easy. A brilliant mind, no denying that. No compassion whatever, and an absolute genius for swift and ruthless action. No heart, no conscience, no costly susceptibility to remorse. Only, all in all, a cold and clear and deadly dedication to getting where Corrigan wanted to go.

He had ruined more than one man on the way. Probably he had forgotten most of them. Probably he had even forgotten the minor judge, unfortunately in his way in the early days, who had been destroyed utterly. By contrived evidence. By innuendo. By brutal and open accusations based on the merest of possibilities. But never mind that. The judge had given it credence by putting a bullet into his own brain, and if Corrigan had not forgotten him entirely, he at least remembered him rarely. And he had almost certainly forgotten the seventeen-year-old girl who had stood in black, like a widow, by her father’s open grave, her face frozen and still, her eyes already acquiring that bright, bright light of dedicated hatred. But Arley hadn’t forgotten her. He had loved her then, and he loved her now, and she was waiting for him this instant in the cool, dark lounge below. He could not remember when he had consciously begun to share the burden of her mission. Perhaps from the beginning. Perhaps, seeing her in black beside the open grave, he had known at once what he would one day do...

The harsh voice rising from the courthouse square reached a climax of emphasis, almost a scream, and the speaker stood fixed in dramatic pose, an arm raised high, the fist clenched. The crowd roared and screamed in response, sustaining a kind of frenzy. Someone down by the platform began to beat wildly on a bass drum, and someone else, somewhere on the square, began to set off a series of giant firecrackers.

Now, Arley thought. Now!

He did not wait, after squeezing the trigger, to see the man below, still fixed in his cataleptic pose, shudder and sag and crumple with a kind of deliberate and final quality of drama into a heap of wilted summer suit. Dropping below the level of the sill, he reached up in the same motion and drew the window shut. Rolling over twice, he stood up and went out into the hall, making certain that the door locked behind him. By the time the crowd in the streets and the square had recovered from stunned immobility he was halfway down the hall to the narrow green door.

Where the stairs came out on the floor below, as Laurel had told him, there was an unlocked closet in which cleaning supplies were kept. He left the rifle and the cotton gloves in the closet, a matter of two seconds, and went on down the stairs and out into a narrow alley paved with brick. They would find the rifle, of course, but no matter. He had acquired it long ago in a way that would make it impossible to trace it to him. He had kept it, he supposed, although never admitting it even to himself, for this particular day.

The streets and the square were a mass of milling men and women. Hardly anyone, except those near the platform, had as yet learned exactly what had happened. Working his way toward the hotel entrance, hugging the front of the building, Arley turned into the lobby past the clerk at the door, who said something to him in a voice thin with near hysteria, and went on, without answering, across the lobby and down the two steps into the dusk of the lounge.

Laurel was waiting quietly where he had left her, and she had not, apparently, moved in the slightest. She must have moved actually, however, for her glass, which had been empty, was now half full. She stared at him without speaking, and he could hear her measured breathing.

“All right,” he said softly.

“Dead?”

“Yes. Dead.”

“Are you sure?”

“He was standing perfectly still. I had a perfect aim. I’m positive.”

She looked down into her glass, cupped in her hands, down, down past the olive in amber depths to the black pit of her father’s grave. When she looked up again her eyes were dull, the bright light gone, cinders left by the fire of fever that was also gone.

“I don’t seem to feel anything,” she said.

“Maybe later,” he said.

But he knew that she would not. Now at the end of her long dedication she had achieved, instead of peace, an arid emptiness that he would share and never fill. After her bright, intense obsession, the long design of a special death, there would be nothing left for which to live, certainly not for him, and he understood with silent and assured despair that he had killed two people from the window upstairs.

“Darling,” she said, “thank you so much.”

“You’re welcome,” he said.

He wanted a drink, and he wished the bartender would come back from wherever he’d gone.

Film Strip

Richard S. Prather

1.

Robbie was wearing a two-piece pink bikini in extremely brazen fashion, or at least without falsie modesty, and seldom had such astounding curves been so joyously uncensored.

The day was a sparkling Sunday in July, the place was a secluded half-moon beach on California’s coast a few miles south of Laguna. It was my first day in a long time away from downtown Los Angeles and my office — Sheldon Scott, Investigations — but one day like this could make up for months of smog.

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