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The Historians' History of the World 06 [The Early Roman Empire]

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The Historians' History of the World 06 [The Early Roman Empire]
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“An anonymous information was laid against a large number of persons, but they deny that they are, or ever have been, Christians. As they invoked the gods, repeating the form after me, and offered prayers, together with incense and wine, to your image, which I had ordered to be brought, together with those of the deities, and besides cursed Christ, whilst those who are true Christians, it is said, cannot be compelled to do any one of these things, I thought it right to set them at liberty. Others, when accused by an informer, confessed that they were Christians, and soon after denied the fact; they said they had been, but had ceased to be, some three, some more, not a few even twenty years previously. All these worshipped your image and those of the gods, and cursed Christ. But they affirmed that the sum-total of their fault or their error was, that they were accustomed to assemble on a fixed day before dawn, and sing an antiphonal hymn to Christ as God; that they bound themselves by an oath, not to the commission of any wickedness, but to abstain from theft, robbery, and adultery; never to break a promise, or to deny a deposit when it was demanded back. When these ceremonies were concluded, it was their custom to depart, and again assemble together to take food harmlessly and in common. That after my proclamation, in which, in obedience to your command, I had forbidden associations, they had desisted from this practice. For these reasons, I the more thought it necessary to investigate the real truth, by putting to the torture two maidens, who were called deaconesses; but I discovered nothing but a perverse and excessive superstition.

“I have therefore deferred taking cognizance of the matter until I had consulted you. For it seemed to me a case requiring advice, especially on account of the number of those in peril. For many of every age, sex, and rank, are and will continue to be called in question. The infection in fact has spread not only through the cities, but also through the villages and open country; but it seems that its progress can be arrested. At any rate, it is clear that the temples which were almost deserted begin to be frequented; and solemn sacrifices, which had been long intermitted, are again performed, and victims are being sold everywhere, for which up to this time a purchaser could rarely be found. It is therefore easy to conceive that crowds might be reclaimed if an opportunity for repentance were given.”

To this letter Trajan replied:

“In sifting the cases of those who have been indicted on the charge of Christianity, you have adopted, my dear Secundus, the right course of proceeding; for no certain rule can be laid down which will meet all cases. They must not be sought after, but if they are informed against and convicted, they must be punished; with this proviso, however, that if anyone denies that he is a Christian, and proves the point by offering prayers to our deities, notwithstanding the suspicions under which he has laboured, he shall be pardoned on his repentance. On no account should any anonymous charge be attended to, for it would be the worst possible precedent, and is inconsistent with the habits of our times.”i

Nothing perhaps could better illustrate the judicial and tolerant temper of Trajan’s mind than this letter in reference to a class of people whom the emperor could not possibly have contemplated without prejudice.

TRAJAN’S COLUMN

If literary remains dealing with history of the time of Trajan are meagre, amends are made for the deficit by the sculptures and bas-reliefs that ornament the Column of Trajan previously mentioned, which still stands in an excellent state of preservation amidst the ruins of a forum. This column of marble, now weathered to a bronze-like hue, is covered throughout its entire height by a spiral column of figures representing all manner of military operations. More than twenty-five hundred human figures are said to be depicted, and all of these are executed with lifelike fidelity. The bas-reliefs represent the expeditions of Trajan against the Dacians.a The column is thus described by Burn:

[103 A.D.]

“The bas-relief” representing the first campaign against the Dacians begins at the base by a representation of the banks of the Save, down which the Roman army passed, and shows military storehouses, piles of wood, stacks of hay, and wooden huts. Then follow forts with soldiers on guard, and boats carrying barrels of provisions. The river god Danube then appears and looks on with astonishment at the bridge of boats over which the Roman army is passing. The baggage of the soldiers on the march, tied to the top of the vallum or palisade which they carry, and the different military standards, are very distinctly shown. Many of the men are without covering on their heads, but some wear lions’ skins. The emperor and his staff are then introduced. He is sitting upon a suggestus or platform, and Lucius, the prætorian prefect, sits beside him. The suovetaurilia, a grand sacrificial celebration, is the next scene, with priests in the cinctus gabinus and trumpeters. After this the emperor is seen making a speech to the army, and a little farther on the building of a stone encampment enclosing huts is being carried on with great vigour, and bridges are being thrown across a river, over which cavalry are passing.

“A battle seems then to take place, and the heads of two enemies are being brought to the emperor. The Dacian army with the dragon ensign and the Dacian cap, the symbol of superior rank, seen upon the statues of the Dacian prisoners on the Arch of Constantine, appears. Jupiter gives the victory to the Romans, the Dacian camp is burned, and the Dacians fly. Numerous representations of forts, boats, different kinds of troops, skirmishes, and sieges follow, ending with the surrender of Decebalus and the return of Trajan to Rome, where a great festival is celebrated. The arrival at Rome, and the crowd of Romans going to meet the great conqueror, are very vividly drawn. An immense number of bulls for sacrifice, altars, camilli, and half-naked popæ are introduced into the triumphal rejoicings, and the first campaign ends with the figure of Trajan offering incense on the altar of Jupiter Capitolinus.

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