To Paradise
- Автор: Yanagihara Hanya
- Год: 2022
- Язык: английский
- Год: Knopf Doubleday Publishing Group
- Жанр: Современная русская и зарубежная проза
Электронная книга - «To Paradise». Краткое содержание книги:
In an alternate version of 1893 America, New York is part of the Free States, where people may live and love whomever they please (or so it seems). The fragile young scion of a distinguished family resists betrothal to a worthy suitor, drawn to a charming music teacher of no means. In a 1993 Manhattan besieged by the AIDS epidemic, a young Hawaiian man lives with his much older, wealthier partner, hiding his troubled childhood and the fate of his father. And in 2093, in a world riven by plagues and governed by totalitarian rule, a powerful scientist's damaged granddaughter tries to navigate life without him--and solve the mystery of her husband's disappearances.
These three sections are joined in an enthralling and...
Then he said, “Daddy and Mama made me.”
“Yes,” I said, at last. “Daddy and your mama made you.”
He was quiet again. “But now I’m alone,” he said, softly, and I felt something in me weaken.
“You’re not alone,” I said. “You have Daddy, and you have me, and we love you very much.”
He thought about this. “Are you going to die?”
“Yes,” I told him, “but not for a very long time.”
“How long?” he asked.
“Too long,” I said. “So long that I can’t even count that high.”
He finally smiled. “Good night,” he said.
“Good night,” I told him. I kissed him. “I’ll see you in the morning.”
I got up to turn off the light (noticing, as I left, the purple robot kicked into a corner, facedown, which made my throat hurt with sorrow, as if the stupid thing had feelings and wasn’t just something I’d picked up from the toy store ten minutes before it closed for the night), and was about to march over to our bedroom and interrogate Nathaniel, when I was suddenly overcome with exhaustion. Here I was, a man with my own lab and my own family and my own covetable apartment, and everything was good, or good enough, and yet I had the sensation at that moment that I was atop a large piece of white plastic tubing, and the tube was rolling down a dirt path, and I was surfing it, almost, my feet constantly moving, trying to stay upright. That was what life felt like. So I went to our room, but I didn’t say anything about the conversation with the baby, and instead Nathaniel and I had sex for the first time in a long time, and he went to sleep, and eventually I did as well.
So. That’s what’s going on with me. I’m sorry this has been so self-pitying, and so self-absorbed. I know how hard you’ve been working, and I can only imagine the kinds of problems you’ve been dealing with. I know this won’t mean much, but whenever my colleagues are complaining about the bureaucrats, I think of you, and how, as much as I may disagree with some of your brethren’s conclusions, I know too there are some of you who are endeavoring to make the best decisions, the right decisions, and I know you’re one of those people. If only you could be the right kind of bureaucrat here in America—I’d feel a lot better for all of us if you were.
With love, C.
Dear dear Petey, November 22, 2045
Well, it happened. I know you’ve been following the news, and I know you know we were at risk for a big federal cut, but as you also know, I didn’t actually expect it to happen. Nathaniel says I was being naïve, but was I really? Let’s see: Nation barely stable from the flu of ’35. At least six mini-outbreaks within North America in the past five years. Given these circumstances, what seems like the dumbest thing to do? Oh, I know, cut funding to one of the premier biological sciences centers in the country! The problem, one of the other lab chiefs told me, is that although we all know how closely we came to disaster in ’35, the rest of the country does not. And we can’t tell them now, because no one would care. (And we couldn’t have told them then, because they’d all have panicked. It occurs to me, and not for the first time, that an increasingly and dismayingly large part of our jobs is spent debating how and when and if we should reveal findings that took years and millions of dollars to discover.) The point is that if we complain, no one will believe us. In other words, we’re getting penalized for our competence.
Not that I’m supposed to say that to anyone outside the university. This is according to both the institute’s head of communications, who gathered us in an auditorium to lecture us shortly before the news broke, and this is especially according to Nathaniel, as we sat in traffic last night on our way to dinner. Which is what this message is really about.
I haven’t mentioned this for reasons I’ll try to articulate later—maybe next week, when we see each other—but Nathaniel has made new friends. Their names are Norris and Aubrey (Aubrey!), and they’re a pair of ancient and very rich queens whom Nathaniel met a few months ago when he was asked by an auction house to authenticate a private collection of what were allegedly 18th-century, allegedly Hawaiian kapa bedcovers that had been no doubt stolen from who knows whom. Anyway, Nathaniel examined them, and authenticated both their origin and the date—he thinks they’re early 1700s, which would make them precontact and therefore extremely rare.
The point is that the auction house already had an interested buyer, a guy named Aubrey Cooke, who collects precontact Polynesian and Micronesian artifacts. So the house set up a meeting with him and Nathaniel, and the two of them fell in instant love, and now Nathaniel has a freelance consulting gig cataloguing Aubrey Cooke’s collection, which is, according to Nathaniel, “diverse and spectacular.”
I feel several ways about this. The first is relief. Ever since we moved here, I’ve been carrying within me a hollowness, an ache, over what I’ve done to Nathaniel and, even, the baby. They were so happy in Honolulu and, except for the fact of my own ambition, I was, too. But despite my frustrations, we belonged there. We all had work—me being a scientist at a small but respected lab; Nathaniel being a curator at a small but respected museum; the baby being a baby at a small but respected kindergarten—and I made us leave because I wanted to be at Rockefeller. I can’t pretend, as I sometimes do, that it was because I wanted to save lives or I thought I’d do more good here: it’s because I wanted to be at a prestigious facility, and because I love the hunt. I spend my days dreading a new outbreak, but I yearn for one as well. I want to be here when the next big pandemic happens. I want to be the one to discover it, I want to be the one to solve it, I want to be the one who looks up from his desk and sees the sky outside a dense black and realizes that he doesn’t know how long he’s been at the lab, that he’s been so involved, so immersed, that the fact of a day has ceased to hold any significance. I know all this, and I feel guilty about it, and yet it doesn’t stop me from wanting it. And so when Nathaniel came to me after that first meeting at the auction house, so happy—so happy—I felt exonerated. I realized how long it had been since I had seen him so excited, and how, always, I had been hoping for this, had been hoping that he would, as I kept telling him he would, find his place, find some meaning in this city and country he quietly hates. And then, when he came back joyful from meeting Aubrey Cooke, I was happy, too. He’s made a few friends here, but not many, and most of them are parents of other kids at the baby’s school.
That joy, however, soon shaded into something else, and although I’m ashamed to admit it, that something else is of course jealousy. Every Saturday for the past two-odd months, Nathaniel has taken the subway down to Washington Square, where Aubrey has an actual house on the park, and I stay home with the baby (the implicit message is that it’s my turn to stay home with him after two years of spending every weekend at the lab while Nathaniel watched him). And when Nathaniel returns in the late afternoon, he’s aglow. He picks up the baby, swings him around, and starts making dinner, and as he cooks, he tells me about Aubrey and his husband, Norris. How incredibly deep and rich Aubrey’s knowledge of 18th- and 19th-century Oceania is. How gorgeous Aubrey’s house is. How Aubrey made his money as a manager of a fund of funds. How Aubrey and Norris met. How and where Aubrey and Norris like to vacation. How Aubrey and Norris have invited us “out east” to Frog’s Pond Way, their “estate” in Water Mill. What Norris said about X book or Y play. What Aubrey thinks about the government. The brilliant idea Aubrey and Norris had about the refugee camps. What we must see/do/visit/eat/try, according to Aubrey and Norris.