The Historians' History of the World 01 [Prolegomena; Egypt, Mesopotamia]
- Автор: Gutenberg
- Год: 1905
- Язык: английский
- Жанр: История
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The Egyptians showed considerable taste in the judicious arrangement of colours for decorative purposes; they occasionally succeeded in form, as in the shapes of many of their vases, their furniture, and their ornaments; and they had still greater knowledge of proportion, so necessary for their gigantic monuments; but though they knew well how to give to their buildings the effect of grandeur, vastness, and durability, they had little idea of the beautiful; and were far behind the Greeks in the appreciation of form. It is, however, rare to find any people who combine colour, form, and proportion; and even the Greeks occasionally failed to attain perfection in their beautiful vases, some of which are faulty in the handles and the foot.
Ruins of an Egyptian Temple
Among the peculiarities of Egyptian architecture, one of the most important is the studied avoidance of uniformity in the arrangement of the columns, and many of the details. Of these some are evident to the eye, others are only intended to have an influence on the general effect, and are not perceptible without careful examination. Thus the capitals of the columns in the great hall at Karnak are at different heights, some extending lower down the shaft than others; evidently with a view to correct the sameness of symmetrical repetition, and to avoid fatiguing the sight with too much regularity. This is not to be perceived until the eye is brought on a level with the lower part of the capitals; and its object was only effect, like that of many curved lines introduced in a Greek temple, as at the Parthenon.
But the Egyptians often carried their dislike of uniformity to an extreme, beyond even what is justified by the study of variety. Where they avoided that extreme their motive was legitimate; and it is remarkable that they were the first people whose monuments offer instances of that diversity so characteristic of Saracenic and Gothic architecture.
The arch was employed in Egypt at a very early period; and crude brick arches were in common use in roofing tombs at least as early as Amenhotep I, in the sixteenth century before our era. And since one was discovered at Thebes bearing his name, others have been found of the age of Tehutimes III (his fourth successor) and of Ramses V. It even seems to have been known in the time of the XIIth Dynasty, judging from what appear to be vaulted granaries at Beni-Hasan.b
Egyptian architecture was long a marvel to the later world, since it was so thoroughly overscrolled with strange designs of animals, and gods, and symbols that provoked a helpless curiosity. These figures, graceful as they were, were not of merely decorative import. They were less art than literature; less literature than chronicle: in a word, they were the characters of a strange system of writing.
THE HIEROGLYPHICS
It is extremely difficult to give in brief space, or, indeed, to give at all, a clear idea of the exact character of this Egyptian writing, which for so many centuries fascinated, while puzzling, the observers, utterly baffling all their efforts to decipher it. The Egyptians were the aristocrats of antiquity. It is true that the Greeks described all non-Hellenic nations as barbarians, but it should not be inferred from this that the Greeks applied to this term the exact significance it has come to have in more recent times. What the Greek really seems to have implied was that the speech of all other nations was barbarous or unintelligible; but he by no means regarded all other nations as less civilised than himself. To be sure, he did hold this attitude towards Romans, Persians, Scythians and various other contemporary nations, but he made an exception in the case of the Babylonians, and particularly in the case of the Egyptians. The latter people, indeed, he regarded with something akin to reverence, as a people who could claim an antiquity of civilisation to which Greece could not at all pretend.
The wise men of Greece, as we have seen, travelled in Egypt and sat at the feet of the Egyptian priests. There is nothing to show that they were not received courteously, but there are many evidences that they were given no more than a half-hearted welcome, and that what they gained of Egyptian lore was but a surface knowledge; for the Egyptians, like the Greeks, regarded all other nations as barbarians, and it would seem that they applied this term with the full weight of its modern meaning. To them the Greeks, no less than their other neighbours, were uninteresting parvenus, unworthy of the serious regard of an aristocratic people. It is believed that in the early days all commerce of outside nations with Egypt was as fully interdicted as could be done by Egyptian laws. At a later period the outsiders made forcible intrusion, and, in time, apparently the Egyptians became partially reconciled to this new order of things. But it was long before any scholars from the outer world were permitted to penetrate the Egyptian mysteries. In particular, we have no evidence that any Greek or Roman of the early day ever had the slightest comprehension of the true character of Egyptian writing.
Listen for example to the strange theories of Claudius Ælianus, the Roman historian of the third century, who solemnly explained the hieroglyphics as follows—to quote the quaint diction of a sixteenth century translation:a
“BY WHAT CHARACTERS, PICTURES, AND IMAGES, THE LEARNED EGIPTIANS EXPRESSED THE MYSTERIES OF THEIR MINDES
“When they would signifie wrathe and fury, they set downe the image of a Lyon. When they would signifie talke, they set downe the figure of a toung. When they would signifie fleshly pleasure, they set down the number of XVI. When they would signifie lerning, they set down the picture of Dew dropping from the clowdes. By a Kat they meane destruction. By a Flye, they meane shamelesnes. By the Ant running into the Corne, they meane provision. By a man walking in water without a hed, they meane a thing unpossible. By a swarme of Bees following the maister Bee, they signifie obedient subjects. By a man hiding his privy members with his hands, they meane Temperance. By the floures of Poppy, they signifie sicknes. By an armed man shooting in a Bowe of steele, they meane Rebellion. By an Eagle flying against the Sun, they meane windy weather. By an Owle standing uppon a tree, they signifie death. By a Lace tyed in many knots, they meane mutual Love. By Bookes and Scrowles, they meane Auncientnes. By a Ladder set against a Castle wall, they meane a seedge about a Town or a Fortresse. By a Mule, they signifie a Woman with a barrain wombe. By a Mole, they meane blindnesse. By a Lapwing sitting uppon a Cluster of Grapes, they meane a plentiful Vintage. By a Sceptre and an eye on the top thereof looking downwarde, they meane power and polisie. By a Spindle ful of thred broken of from the Distaf, they mean the shortnes of mans life.”e
This is very absurd, yet nothing more rational was known of the subject in classical times. The very name which the Greeks supplied to the strange Egyptian script shows their ignorance of it. They called it hieroglyphics, from ἱερός, sacred, γλύφειν, to carve, implying their belief that this writing was purely of a sacred character, which, it is now well known, is by no means the case. It would seem as if in the later day, when, after the death of Alexander, Egypt came under the rule of the Macedonian Ptolemies, there must have been Greeks who acquired a knowledge of the Egyptian writing, just as there were undoubtedly Egyptians who learned Greek. Yet the number of these was probably more limited than one might suppose, for the Greeks were the Frenchmen of antiquity; imbued with a reverential love of their own language, they were little given to acquiring any other. Even so, it would seem that there must have been, here and there, an inquiring mind, which would take up the study of the hieroglyphics and ferret out their secrets under the guidance of Egyptian tutors; but if such there were, few records of their accomplishments have come down to us, and none at all that can serve to give the slightest clew to the true character of the strange inscriptions.