The Black Lizard Big Book of Pulps
- Автор: Anderson Lars, Barr Randolph
- Год: 2007
- Язык: английский
- Год: Vintage Books
- ISBN: 978-0-307-28048-0
- Жанр: Криминальные детективы
Электронная книга - «The Black Lizard Big Book of Pulps». Краткое содержание книги:
Weighing in at over a thousand pages, containing over forty-seven stories and two novels, this book is big baby, bigger and more powerful than a freight train — a bullet couldn’t pass through it. Here are the best stories and every major writer who ever appeared in celebrated Pulps like Black Mask, Dime Detective, Detective Fiction Weekly, and more. These are the classic tales that created the genre and gave birth to hard-hitting detectives who smoke criminals like packs of cigarettes; sultry dames whose looks are as lethal as a dagger to the chest; and gin-soaked hideouts where conversations are just preludes to murder. This is crime fiction at its gritty best.
Extras stared open-mouthed. A man with two heavy six-guns and a fierce-looking mustache was trying to crawl under the board sidewalk. One of the dance-hall girls screamed loudly.
Shaley started across the street. There was a little jet of orange flame from the dimness behind the swinging doors. The crack of the revolver sounded slightly muffled.
The horses tied to the hitching-rack reared and kicked, squealing frantically.
Shaley trotted across the dusty street. He had one hand up to shield his eyes from the glare of the sun. He had his automatic balanced, ready, in the other hand.
He got to the swinging doors, pushed them back.
The place was fixed up as a dance-hall and saloon. There was a long bar and a cleared space for dancing with a raised platform for the fiddler at the far end.
Shaley ducked suddenly, and a bullet from the back window smashed into the wall over his head.
He ran across the room and dived headlong through the window. He saw that he had made a mistake while he was still in mid-air. The man in the plum-colored uniform hadn’t run this time. He had decided to make a fight of it. He was crouched under the window.
Shaley tried to turn himself around in the air. He hit the ground on one shoulder and rolled frantically. And as he rolled, he caught a glimpse of a thin, swarthy face staring at him over the barrel of a stubby revolver.
There was a shot from the corner of the building. The man in the plum-colored uniform whirled away from Shaley, snarling.
Mandy was standing there, dumpily short, cigar still clenched in his teeth. He had a big, long-barreled revolver in his hand. As the man in the plum-colored uniform turned, Mandy pointed the revolver and fired again.
The man in the plum-colored uniform shot twice at him, and then Shaley’s heavy automatic boomed once.
The man in the plum-colored uniform gave a little gulping cry. He started to run. He ran in a circle and suddenly flopped down full-length. The plum-colored uniform was a huddled, wrinkled heap on the dusty ground.
Shaley got up slowly, wiping dust from his face. Heads began to poke cautiously out of windows, and excited voices shouted questions.
Van Bilbo came running — a small, frantic figure with the horn-rimmed glasses hanging from one ear. He ran up to Mandy, pawed at him.
“Are you hurt? Are you hurt, Mandy?”
Mandy said: “Aw, shut up. You’re like an old hen with the pip. Of course I ain’t hurt. That guy couldn’t shoot worth a damn.” He pushed Van Bilbo away.
Shaley said to the people who came crowding around: “This man is a dope fiend. He went crazy and suddenly attacked Mr. Van Bilbo. You can all testify that I shot in self-defense.”
Mandy was pushing away through the crowd. Shaley followed him.
“Mandy,” Shaley said.
Mandy turned around.
“Give me that gun,” Shaley demanded and jerked the revolver out of Mandy’s hand.
It was a single-action six-shooter. Shaley opened the loading gate, spun the cylinder. He punched out one of the loaded cartridges and looked at it.
The cartridge had no bullet in it. It was a blank.
“I thought so,” said Shaley. “You grabbed this one off one of the extras. You damn’ fool, you stood out there in the open with a gun full of blank cartridges and let that monkey shoot at you, just to give me a chance at him. That’s guts, Mandy.”
“Aw, nerts,” said Mandy uncomfortably. “I just didn’t think about it, that’s all. He got old Munn’s job and I didn’t like him anyway.”
Shaley glanced over where the whiskered man with the two big six-guns was just appearing from under the board sidewalk.
“There’s a guy that thought, all right.”
Mandy scowled—
“Oh, them!” He spat disgustedly. “Them heroes of the screen ain’t takin’ no chances get-tin’ hurt. It’d spoil their act.”
Chicago Confetti
William Rollins, Jr
William Rollins, Jr. (1897–1950) may at first glance appear to be just another standard pulp writer, working for a penny a word, as hard-boiled writers so often did in the 1920s and ’30s. But there are more than a few points of unusual interest about him.
Although born in Massachusetts, he fought for the French in World War I, and his best-known novel, The Ring and the Lamp (1947), is set shortly after World War II — in Paris.
His first novel, Midnight Treasure (1929), featured a boy, much in the tradition of Huckleberry Finn, who helps solve a mystery in an adult novel. Rollins also wrote three stories for Black Mask in the 1920s featuring Jack Darrow, a 16-year-old crime-solving hero, when it was all but engraved in marble that children had no place in the hard-boiled fiction of the pulp magazines.
He also received acclaim for his novels that would be sure to make most readers take notice, including from the Saturday Review of Literature (stating that “Treasure Island’s best moments are rather pastoral” compared to the tension of Midnight Treasure); from the Boston Transcript (which claims that The Obelisk “often equals the best of Joyce”); and from Lillian Hellman (who hailed The Shadow Before as “the finest and most stimulating book of this generation”).
“Chicago Confetti” first appeared in the March 1932 issue of Black Mask.
Machine-gun bullets are so much Chicago confetti to Percy Warren, private dick
“Henry Fuller murdered? Sure, I know it!”
I looked at him over my cigar. I don’t like cigars, but all dicks, public and private, are supposed to wear them; and far be it from me not to have the right office furnishings when a prospective client comes in.
“Sure, I know it!” I said again, taking the weed out of my mouth for a bit of fresh air. “Don’t you suppose I take the Times and read the tabloids?”
“Well,” he said, “you see I’m his nephew.” He said it quiet, like he’d been used to being the old man’s nephew all his life; which I suppose he was. But to me it was like the lad’s telling me he was Santa Claus.
I stood up quick, and gave Santa a cigar from the other box. Then I sat him down in a deep seat that’s hard to get out of, and looked him over.
Considering he’d basked in the light of twenty million all his life, he didn’t have such a healthy tan. One of the studious kind, with goggles that made him look nearer forty than the thirty which I suppose he was. Thin light hair, thin body, thin-colored blue eyes... and yet, looking them over as he started talking, I got the feeling that, if necessary, he could lay down his “Iliad,” or whatever it was that guy Joyce wrote, and get to business. He was talking business now as he leaned over my desk — business that I like to hear.
“You see, Mr. Warren,” he explained in a slow voice, “the police are doing the best they can—”
“The police,” I muttered, waving them aside. That’s part of my business.
“Exactly. The police. But the family decided we wanted to leave no stones unturned to discover the... the—”
“—” I helped him.
“Exactly. The... that... that—”
“Bumped him off,” I finished.
“Exac—” He hesitated, frowning. “Well, not exactly “bumped.” There were no bruises on the body. He was shot with a revolver.”