The World's Greatest Books [Volumes 1-15, 17-20]
- Автор: Gutenberg
- Год: 1910
- Язык: английский
- Жанр: Культурология
Электронная книга - «The World's Greatest Books [Volumes 1-15, 17-20]». Краткое содержание книги:
The World's Greatest Books — Volume 01 — Fiction от Неизвестный
The World's Greatest Books — Volume 02 — Fiction от Неизвестный
The World's Greatest Books — Volume 03 — Fiction от Неизвестный
The World's Greatest Books — Volume 04 — Fiction от Неизвестный
The World's Greatest Books — Volume 05 — Fiction от Неизвестный
The World's Greatest Books — Volume 06 — Fiction от Неизвестный
The World's Greatest Books — Volume 07 — Fiction от Неизвестный
The World's Greatest Books — Volume 08 — Fiction от Неизвестный
The World's Greatest Books — Volume 09 — Lives and Letters от Неизвестный
The World's Greatest Books — Volume 10 — Lives and Letters от Неизвестный
The World's Greatest Books — Volume 11 — Ancient and Mediæval History от Неизвестный
The World's Greatest Books — Volume 12 — Modern History от Неизвестный
The World's Greatest Books — Volume 13 — Religion and Philosophy от Неизвестный
The World's Greatest Books — Volume 14 — Philosophy and Economics от Неизвестный
The World's Greatest Books — Volume 15 — Science от Неизвестный
The World's Greatest Books — Volume 17 — Poetry and Drama от Неизвестный
The world's greatest books от Mee, Arthur, 1875-1943, joint editor & Hammerton, John Alexander, Sir, 1871-1949, joint editor & McClure, S. S. (Samuel Sidney), 1857-1949, joint editor
The World's Greatest Books — Volume 19 — Travel and Adventure от Неизвестный
The World's Greatest Books — Volume 20 — Miscellaneous Literature and Index от Неизвестный
To go into solitude, a man needs to retire as much from his chamber as from society. But if a man would be alone let him look at the stars. The rays that come from those heavenly bodies will separate between him and what he touches. One might think the atmosphere was made transparent with this design, to give man in the heavenly bodies the perpetual presence of the sublime. Seen in the streets of cities, how great they are! If the stars should appear one night in a thousand years, how men would believe and adore, and preserve for many generations the remembrance of the city of God which had been shown! But every night come out these envoys of beauty, and light the universe with their admonishing smile.
Nature never wears a mean appearance. Neither does the wisest man extort her secret, and lose his curiosity by finding out all her perfection. When we speak of Nature in this manner we have a distinct but most poetical sense in the mind. We mean the integrity of impression made by manifold natural objects. The charming landscape which I saw this morning is indubitably made up of some twenty or thirty farms. Miller owns this field, Locke that, and Manning the woodland beyond. But none owns the landscape. There is a property in the horizon which no man has but he whose eyecan integrate all the parts--that is, the poet. This is the best part of these men's farms, yet to this their warranty-deeds give no title.
II.--Her Delight
In the presence of Nature a wild delight runs through the man in spite of real sorrow. Not the sun or the summer alone, but every hour and season yields its tribute of delight; for every hour and change corresponds to and authorises a different state of mind, from breathless noon to grimmest midnight. Crossing a bare common, in snow puddles, at twilight, under a clouded sky, without having in my thoughts any occurrence of special good fortune, I have enjoyed a perfect exhilaration. I am glad to the brink of fear. In the woods, too, a man casts off his years as the snake his slough, and at what period soever of life is always a child. Within these plantations of God a decorum and sanctity reign, a perennial festival is dressed, and the guest sees not how he should tire of them in a thousand years. Standing on the bare ground, my head bathed in the blithe air, and uplifted into infinite space, all mean egotism vanishes. I become a transparent eyeball; I am nothing; I see all; the currents of universal being circulate through me; I am a part or particle of God. I am the lover of uncontained and immortal beauty.
Yet it is certain that the power to produce this delight does not reside in Nature, but in man, or in a harmony of both. It is necessary to use these pleasures with great temperance. For Nature is not always tricked in holiday attire, but the same scene which yesterday breathed perfume and glittered as for the frolic of nymphs is overspread with melancholy to-day. Nature always wears the colours of the spirit.
The misery of man appears like childish petulance when we explore the steady and prodigal provision thathas been made for his support and delight on this green ball which floats him through the heavens. All the parts incessantly work into each other's hands for the profit of man. The wind sows the seed; the sun evaporates the sea; the wind blows the vapour to the field; the ice on the other side of the planet condenses the rain on this; the plant feeds the animal; and thus the endless circulations of the divine charity nourish man.
The useful arts are reproductions or new combinations by the wit of man of the same natural benefactors. The private poor man hath cities, ships, canals, bridges, built for him. He goes to the post-office, and the human race run on his errands; to the book-shop, and the human race read and write all that happens for him; to the court-house, and nations repair his wrongs.
III.--Her Loveliness
A nobler want of man is served by Nature, namely, the love of beauty. Such is the constitution of all things, or such the plastic power of the human eye, that the primary forms, as the sky, the mountain, the tree, the animal, give us a delight in and for themselves, a pleasure arising from art, line, colour, motion, and grouping. This seems partly owing to the eye itself. The eye is the best of artists, as light is the first of painters.
To the body and mind which have been cramped by noxious work or company Nature is medicinal, and restores their tone. But in other hours Nature satisfies by her loveliness and without any mixture of corporeal benefit. I see the spectacle of morning from the hilltop over against my house from daybreak to sunrise with emotion which an angel might share. How does Nature deify us with a few and cheap elements. Give me health and a day, and I will make the pomp of emperors ridiculous. The dawn is my Assyria; the sunsetand moonrise my Paphos, and unimaginable realms of faerie; broad noon shall be my England of the senses and the understanding; the night shall be my Germany of mystic philosophy and dreams.
The inhabitants of cities suppose that the country landscape is pleasant only half the year. To the attentive eye each moment of the year has its own beauty, and in the same fields it beholds every hour a picture which was never seen before, and which shall never be seen again.
Every rational creature has all Nature for his dowry and estate. He may divest himself of it, he may creep into a corner and abdicate his kingdom, as most men do, but he is entitled to the world by his constitution. In proportion to the energy of his thought and will he takes up the world into himself.
IV.--Her Gift of Language
Language is another use which Nature subserves to man. Words are signs of natural facts. The use of natural history is to give us aid in supernatural history. Every word which is used to express a moral or intellectual fact, if traced to its root, is found to be borrowed from some material appearance. Right means straight; wrong means twisted; transgression the crossing of a line. Most of the process by which this transformation is made is hidden from us in the remote time when language was framed; but the same tendency may be daily observed in children.
It is not words only that are emblematic, it is things. Every appearance in Nature corresponds to some state of mind, and that state of mind can only be described by presenting that natural appearance as its picture. An enraged man is a lion, a cunning man is a fox, a firm man is a rock, a learned man is a torch. Visible distance behind and before us is respectively an image ofmemory and hope.
Man is conscious of a universal soul within or behind his individual life, wherein, as in a firmament, the natures of justice, truth, love, freedom, arise and shine. This universal soul he calls reason: it is not mine, or thine, or his, but we are its; we are its property and men. And the blue sky in which the private earth is buried, the sky with its eternal calm and full of everlasting orbs is the type of reason. That which, intellectually considered, we call reason, considered in relation to Nature we call spirit. Spirit is the creator. Spirit hath life in itself, and man in all ages and countries embodies it in his language as the Father.
As we go back in history language becomes more picturesque until its infancy, when it is all poetry. When simplicity of character and the sovereignty of ideas are broken up, new imagery ceases to be created and old words are perverted to stand for things which are not; a paper currency is employed when there is no bullion in the vaults.
V.--Her Moral Discipline
In view of the significance of Nature we arrive at the fact that Nature is a discipline. What tedious training, day after day, year after year, never ending, to form the common sense; what continual reproduction of annoyances, inconveniences, dilemmas; what rejoicing over us of little men, what disputing of prices, what reckoning of interest--and all to form the hand of the mind!