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A Twisted Vengeance

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A Kate Clifford Mystery #2
As the fourteenth century comes to a close, York seethes on the brink of civil war – and young widow Kate Clifford, struggling to keep her businesses afloat, realizes that her mother is harboring a dangerous secret…
1399. York is preparing for civil war, teeming with knights and their armed retainers summoned for the city’s defense. Henry of Lancaster is rumored to have landed on the northeast coast of England, not so far from York, intent on reclaiming his inheritance – an inheritance which his cousin, King Richard, has declared forfeit.
With the city unsettled and rife with rumors, Eleanor Clifford’s abrupt return to York upon the mysterious death of her husband in Strasbourg is met with suspicion in the city. Her daughter Kate is determined to keep her distance, but it will not be easy – Eleanor has settled next door with the intention of establishing a house of beguines, or poor sisters. When one of the beguines is set upon in the night by an intruder, Kate knows that for the sake of her own reputation and the safety of her young wards she must investigate.
From the first, Eleanor is clearly frightened yet maintains a stubborn silence. The brutal murder of one of Eleanor’s servants leads Kate to suspect that her mother’s troubles have followed her from Strasbourg. Is she secretly involved in the political upheaval? When one of her wards is frightened by a too-curious stranger, Kate is desperate to draw her mother out of her silence before tragedy strikes her own household.
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Candace Robb

A Kate Clifford Mystery

2

A TWISTED VENGEANCE

2017

For mothers and daughters

Glossary

beguines: a community of women leading lives of religious devotion who, unlike those who entered convents, were not bound by permanent vows; they dedicated themselves to chastity and charity and worked largely among the poor and the sick, usually in urban settings.

factor: in business, one who is trusted to transact business as an agent, deputy, or representative of a merchant/trader.

kelpie: a shape-changing aquatic spirit of Scottish legend. Its name may derive from the Scottish Gaelic words “cailpeach” or “colpach,” meaning heifer or colt. Kelpies are said to haunt rivers and streams, usually in the shape of a horse. The sound of a kelpie’s tail entering the water is said to resemble that of thunder.

Lady altar: an altar dedicated to and holding a statue of the Blessed Virgin Mary.

lollards: beginning in 14th century England, those inspired by the teachings of John Wycliffe, essentially stating that the Catholic church had been corrupted by temporal matters, and urging a return to the simpler values of living a life in imitation of Christ; by the 15th century the term “lollard” was a synonym for “heretic” in England.

Martha House: a term derived from Bible story of Lazarus and his two sisters, Martha (active) and Mary (contemplative); one of the many terms used throughout Europe to indicate a household of lay religious women dedicated to serving the community.

maison dieu: hospital.

sempster: an early form of the word “seamstress.”

Angels are bright still, though the brightest fell.

Though all things foul would wear the brows of grace,

Yet Grace must still look so.

– William Shakespeare, Macbeth IV, 3, 22–24

The fall is so deep, she is so rightly fallen, that the soul cannot fill herself from such an abyss.

– Marguerite Porete

Prologue

York, second week in July, 1399

The terror of the dream never abated. She opened her eyes in the dark prison of her childhood bedchamber. Heard his ragged breathing, smelled his breath – cloying sweetness of wine, rancid stench of bile – as he leaned down, reaching for her, whispering of his need, his hunger. She opened her mouth to scream, but she was mute. She struggled to push him away, but her arms were limp, heavy, dead to her.

Why do you not strike him down, my Lord? How can you abide such abomination, my Savior? Are you not my Savior? Is he right, that I deserve this?

It is a dream, only a dream, now, tonight, it is truly only a dream, he is dead, he can no longer hurt me, it is a dream, wake up wake up wake up.

She sat up, panting, her shift clinging to her sweat-soaked body. A noise. Someone moving about on the other side of her door, in the kitchen. Outside her window it was the soft gray of a midsummer night. Who would be moving about the kitchen in the middle of the night? Why had Dame Eleanor lodged her here, across the garden from her sisters, all alone? But they did not know she was alone. They thought Nan, the serving maid, would be here. Perhaps it was only Nan she heard, returning early.

He had sworn that he would find her, rise from the grave and take her, that they were bound for eternity. Whoever it was, they were at the door. The dagger. She slipped it from beneath her pillow. The door creaked open. Not Nan – much too tall for Nan. A man’s breath, a man’s smell. He took a step in. She leapt from the bed, throwing herself on him, forcing him to fall backward into the kitchen. Stabbing him, stabbing, stabbing. Not speaking. Never speak. Never make a noise. He will kill me if I wake the others.

“God have mercy. Have mercy!” he wheezed.

She stopped. This voice was soft. Frightened. God forgive me. It is not him. Not Father.

She dropped her dagger in the doorway as she backed into her room. Heart pounding, fighting the fear and confusion clouding her mind, she dressed, stumbling in her haste. She must think what to do. Berend. He was strong and kind. He would help her. She would go through the gate to Dame Katherine’s kitchen and wake Berend.

She retrieved her dagger. Bloody. Slippery. Wiped it on her skirt. Tucked it in her girdle. Stepped to the door, lifting her skirts to step over his body. But there was no body. God help me!

A hand over her mouth. He spun her round and clutched her so tightly she felt his blood flowing, soaking the back of her gown, the warmth of it. She gagged on the sickly sweet smell of it, like her father’s wine-breath. He dragged her outside into the garden. The great wolfhounds began to bark. Salvation? She struggled, but he did not lose his grip; even when he stumbled he grasped her so tightly she could not breathe. Her feet skimmed the grass, the packed mud of the alley. I am dying.

A jolt. She was pulled free, falling forward.

“Run to the church.” It was the soldier who watched all night from the street. More than a soldier, a guardian angel. He kicked the wounded man in the stomach.

She curled over herself, gasping for breath.

“Get up. Run to the church. Do not stop. Do not look back.” He nudged her, gently. “Run!” Suddenly there were more men. They rushed at her savior.

She rose and ran, her breath a searing knife in her throat and chest, but she ran, ran for her life. She heard the men attacking the soldier, bone against flesh against bone. Surely an angel could not suffer mortal wounds. But she would pray for him. To the church across Castlegate. Door locked. Stumbling round to the side, where the sisters entered. Footsteps coming her way. She fled, and there it was, the door, opening, the candle by the Lady altar. She crumpled to the floor, the cool tiles. She stretched out upon them, bloodied, cursed, saved.

1

In the Night

Yet again Kate was undone by her mother’s biting tongue. A gift of fresh berry tarts was received with delight by her mother’s three companions, but Eleanor Clifford responded with a tirade about Kate’s lack of religious fervor. A month earlier, the three beguines would have looked confused at Dame Eleanor’s odd response to such an offering from her daughter, but apparently they had grown accustomed to this peculiar aspect of their benefactor’s behavior and simply removed themselves to the other side of the hall. Their movement did nothing to disrupt Eleanor from her recitation of opportunities for spiritual advancement ignored by her errant daughter – joining their morning prayer, attending daily mass, saying the rosary and evening prayers before the Lady altar in the hall, encouraging her wards to join her in all these activities.

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